[PDF] The Art And History Of The Garage Door eBook
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Beauty is all around us. Even the most "uninteresting" thing can be seen in a fascinating and instructive light. This book is devoted to an exploration of one of the most mundane and utilitarian of daily objects - the garage door. Showcasing the sociological, psychological and cultural influence of this seemingly inane object, author Ramona Lee Melikian advocates the contribution and significance of the garage door, drawing us in with a new level of insight, understanding and appreciation.
Beauty is all around us. Even the most "uninteresting" thing can be seen in a fascinating and instructive light. This book is devoted to an exploration of one of the most mundane and utilitarian of daily objects - the garage door. Showcasing the sociological, psychological and cultural influence of this seemingly inane object, author Ramona Lee Visconti advocates the contribution and significance of the garage door, drawing us in with a new level of insight, understanding and appreciation.
A lift-the-flap board book all about vehicles from the creator of OPEN THE BARN DOOR! It's time to climb behind the wheel in this new lift-the-flap board book all about vehicles! Featuring simple words and colorful illustrations, the littlest of vehicle fans will love lifting 11 flaps to find a car, a truck, a fire engine, a motorcyle, and more in this fun and engaging board book. Look for more lift-the-flap fun: Open the Barn Door
A secret history of the garage as a space of creativity, from its invention by Frank Lloyd Wright to its use by start-ups and garage bands. Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream. The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers--surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation--opportunities for isolation or empowerment.
From the creator of OPEN THE GARAGE DOOR comes the hit lift-the-flap board book all about your favorite farm animals! Spend a day on the farm and explore all the animal sights and sounds! Featuring 10 lift-the-flaps and a variety of barnyard favorites, including horses, chickens, cows, and pigs, this board book is a fun-filled introduction to life on the farm.
A secret history of the garage as a space of creativity, from its invention by Frank Lloyd Wright to its use by start-ups and garage bands. Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream. The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers—surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation—opportunities for isolation or empowerment.
This catalogue is published in conjunction with the exhibition Covered in Time and History: The Films of Ana Mendieta, organized by Lynn Lukkas and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota.
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.