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The time between the wars, the 1920 and 1930s, differed from each other in almost every respect. “The Roaring ’20s” ushered in a period of optimism and frivolity, complete with daring fashions for women that broke from the Victorian standard of dress. With the stock market crash of 1929, the 1930s were markedly more subdued. As the United States struggled through the Great Depression, the somber tones were reflected in people’s everyday wear, though cinematic stars still wore dazzling outfits. The 1920s and 1930s details how men and women dressed during the periods between World War I and World War II, giving ample examples of the style of costumes and fashions popular at the time. Chapters include: New Clothes for a New Age Gentlemen and Gangsters 1920s Casual and Day Wear 1930s Women's Wear 1930s Men's Wear The Golden Age of Glamour 1930s Day Wear, Sportswear, and Children's Wear Accessories.
Houston was already a dynamic city when it experienced an exciting period of accelerated growth in the 1920s and 1930s. The Roaring Twenties began with a national ban on alcohol and ended abruptly with the stock market crash of 1929, but the prominent and influential Jesse Jones ensured the city's part in the economic collapse was minimal. Despite the country's financial woes, Houston's downtown was booming. Skyscrapers set new records in height, forever changing the skyline and appearance of the city. The introduction and widespread use of air-conditioning tamed the stifling heat and humidity for which Houston was known. The National Democratic Convention of 1928 showed the rest of the nation what a modern metropolis Houston had become. This entertaining new book illustrates how Houstonians lived, worked, and played during both the good times and the bad in the early 1900s.
"Devastated by the 1923 earthquake, Tokyo re-built itself in symbiosis with an image of modernity concocted by its own film studios. Nippon Modern renders that image, aspect after fascinating aspect, in sharp detail. Scores of films make up that image, a few resurrected in this volume for intense and delightful analysis. A sensitive viewer and an honest resourceful historian, Wada-Marciano lays out what she’s found in relation to other studies of this precious period, and she does so without hyperbole and without a glaring agenda. She makes you understand how, after Tokyo would again be devastated in 1945, these ‘modern’ films could become objects of nostalgia. Such is the care she gives her subject and such the fragility of that subject." —Dudley Andrew, Yale University "Nippon Modern will be recognized as one of the core books of Japanese film studies, a must-read for anyone interested in Japanese cinema. Because it brings Japanese cinema study into dialogue with important debates in history, area studies, and post colonial studies, it should have a wide and heterogeneous readership that will be attracted to its compelling analysis of important films and straightforward narration of biographies and studio history." —Abé Mark Nornes, University of Michigan Nippon Modern is the first intensive study of Japanese cinema in the 1920s and 1930s, a period in which the country’s film industry was at its most prolific and a time when cinema played a singular role in shaping Japanese modernity. During the interwar period, the signs of modernity were ubiquitous in Japan’s urban architecture, literature, fashion, advertising, popular music, and cinema. The reconstruction of Tokyo following the disastrous earthquake of 1923 high lighted the extent of this cultural transformation, and the film industry embraced the reconfigured space as an expression of the modern. Shochiku Kamata Film Studios (1920–1936), the focus of this study, was the only studio that continued filmmaking in Tokyo following the city’s complete destruction. Mitsuyo Wada-Marciano points to the influence of the new urban culture in Shochiku’s interwar films, acclaimed as modan na eiga, or modern films, by and for Japanese. Wada-Marciano’s thought-provoking examinations illustrate the reciprocal relationship between cinema and Japan’s vernacular modernity—what Japanese modernity actually meant to Japanese. Her thorough and thoughtful analyses of dozens of films within the cultural contexts of Japan con tribute to the current inquiry into non-Western vernacular modernities.
Complete edition of The Great Gatsby by F. Scott Fitzgerald. Written in and describing the decadent period of 1920's America, Fitzgerald's lyrical verse is a tragically simple love story that is strangely profound. This is a haunting classic that stays with the reader.
MEMORIES OF YESTERYEAR is a book dealing with rural life in America during the 1920s and 1930s. It is written by Alexander W. Delk, who lived through most of those years. It describes in detail rural living in those years between the two great wars. It is interesting to read and is historically informative.
The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an eco-nomic and social upheaval that released peasant women from the control of traditional extended families. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to eliminate Russian patriarchal culture, which continued to undermine women's social, sexual, eco-nomic, and political conditions. Divorce and abortion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were postponed by the pov-erty of the new state and the political agendas of leaders like Lenin, Trotsky, and Stalin.
History forgets. Files are lost and mislaid. But this book seeks to shine a light, offering a collection of cutting edge pieces of historical research detailing some of the most fascinating arms and armament projects from the 1920s to the end of the 1940s, nearly all of which had previously been lost to history.Included here are records from the UKs MI10 (the forerunner of GCHQ) which tell the story of the mighty Japanese heavy tanks and their service during the Second World War. Other chapters expand on the development of British armour, including the story of infantry tanks from the 1920s right through to the end of the Second World War and beyond.Other items placed beneath the microscope in this fascinating history include a wide variety of guns, rocket launchers, super heavy tanks and countless pieces of specialised armour. Previously overlooked, hidden under layers of dust in archives up and down the country, the histories of these objects has finally been uncovered.
Only Yesterday: An Informal History of the 1920s by Frederick Lewis Allen is a history textbook about the lively gloriousness of Roaring 20s America. Contents: "II. BACK TO NORMALCY III. THE BIG RED SCARE IV. AMERICA CONVALESCENT V. THE REVOLUTION IN MANNERS AND MORALS VI. HARDING AND THE SCANDALS VII. COOLIDGE PROSPERITY VIII. THE BALLYHOO YEARS IX. THE REVOLT OF THE HIGHBROWS X. ALCOHOL AND AL CAPONE XI. HOME, SWEET FLORIDA."