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Your uncle Gilroy has found an amulet that unlocks the mystery of a strange civilisation in the Australian desert, the previously only mythical city of Satyrion. You rush out to join him for an exciting trip through the outback. You learn quickly that Gilroy's find in the sands has unlocked more than an ancient mystery: greedy strangers are on the same trail, but they are seeking uranium, not ancient relics. And they'll do anything to stop people who are in their way!
Author : John Stapleton Publisher : A Sense Of Place Publishing Page : 225 pages File Size : 28,34 MB Release : 2015-09-28 Category : Political Science ISBN : 0992548799
Terror in Australia: Workers' Paradise Lost, by veteran journalist John Stapleton, is a beautifully written snapshot of a pivotal turning point in the history of the so-called Lucky Country. This book is a sidewinding missile into the heart of Australian hypocrisy. In 2015 there were well attended Reclaim Australia demonstrations in every major capital city, all protesting what the demonstrators saw as the growing Islamisation of Australia, along with countering anti-racism demonstrations. There were frequent violent clashes, hundreds of police were forced to form lines separating the demonstrators in Sydney and Melbourne, there were a significant number of arrests and injuries, and dozens of people were treated for the effects of capsicum spray. The terror alert was at its highest level ever, the country was engaged in an unpopular and discredited war in Iraq and Syria, and relations between the government and an increasingly radicalised Muslim minority had broken down. Despite the billions being spent on national security, authorities believed another terrorist attack was inevitable. A demoralised population, saddled with a history of grotesque overregulation, turned inwards, increasingly questioning the failed social creeds of the past. On the streets once vibrant entertainment districts were desolate, while closed and shuttered shops became a characteristic of many suburbs. An optimistic, freedom loving country with an irreverent, larrikin culture and a wildly optimistic view of its place in the world lost faith in its own story. Well documented, switching through multiple points of view, Terror in Australia: Workers' Paradise Lost is a sometimes frightening, sometimes intensely lyrical step inside a democracy in serious trouble.
This edited collection aims to respond to dominant perspectives on twenty-first-century war by exploring how the events of 9/11 and the subsequent Wars on Terror are represented and remembered outside of the US framework. Existing critical coverage ignores the meaning of these events for people, nations and cultures apparently peripheral to them but which have - as shown in this collection - been extraordinarily affected by the social, political and cultural changes these wars have wrought. Adopting a literary and cultural history approach, the book asks how these events resonate and continue to show effects in the rest of the world, with a particular focus on Australia and Britain. It argues that such reflections on the impact of the Wars on Terror help us to understand what global conflict means in a contemporary context, as well as what its representative motifs might tell us about how nations like Australia and Britain perceive and construct their remembered identities on the world stage in the twenty-first century. In its close examination of films, novels, memoir, visual artworks, media, and minority communities in the years since 2001, this collection looks at the global impacts of these events, and the ways they have shaped, and continue to shape, Britain and Australia’s relation to the rest of the world.
From the internationally acclaimed author of Gould’s Book of Fish comes an astonishing new novel, a riveting portrayal of a society driven by fear. What would you do if you turned on the television and saw you were the most wanted terrorist in the country? Gina Davies is about to find out when, after a night spent with an attractive stranger, she becomes a prime suspect in the investigation of an attempted terrorist attack. In The Unknown Terrorist, one of the most brilliant writers working in the English language today turns his attention to the most timely of subjects — what our leaders tell us about the threats against us, and how we cope with living in fear. Chilling, impossible to put down, and all too familiar, The Unknown Terrorist is a relentless tour de force that paints a devastating picture of a contemporary society gone haywire, where the ceaseless drumbeat of terror alert levels, newsbreaks, and fear of the unknown pushes a nation ever closer to the breaking point.
Debates on security became more intense following the unanticipated end of the Cold War conflict and took on added force after the terrorist attacks on the US on September 11, 2001. Generally viewed as a part of the wider 'West' despite its separation by enormous geographical distances from both Europe and the United States, Australia is a regional power in its own right. It has been an active and loyal member of the US-led coalitions of the willing, first in Afghanistan and then in Iraq. The terrorist attacks in Bali one year after the attacks in the United States brought home to Australia the direct nature of the new global terrorist threats to its own security. This volume brings together leading experts on international security and Australia's foreign and security policies in a critical examination of Australia's adaptations to the new security challenges. It is the first in-depth and comprehensive analysis of Australia's defence and security policies as well as the country's role in countering regional and global challenges to international security since the war on terrorism began.
Terrorism in Australia takes us into a world unknown to most of us on how the culture of terrorists groups work and think and how this is an issue that authorities continue to strive to stay on top of around the world but also in Australia. How do we stop an attack on our shores, who is who in our terrorist groups in Australia and around the world and stories behind capturing some of the most dangerous terrorists in Australia and putting them into prison. Peter also reveals the shadowy world of how Australian teens are being radicalised and he also takes us deep inside the first major Terrorism Police Organization in Australia where terrorism wasn't a word used often. Peter now uses his skills and insight into organised crime and terrorism with background information on how Terrorism became a word now used often in Australia and how his work with governments all over the world has become so vital to stopping Terrorism in Australia. Most books discuss the history of Terrorism unlike this book which tells the stories of the police and how they stopped terrorism in Australia before it became too late. Peter has conducted terrorism related investigations/training in Egypt, France, England, Northern Ireland, Canada and the United States. Peter has been extensively awarded for previous criminal investigations, including the AFP Operations Medal, Investigation of the Year (Specialist), NSW Police Commissioner Commendation (x 4) for criminal investigation.
'One minute you're a 15-year-old girl who loves Netflix and music and the next minute you're looked at as maybe ISIS.' We now have a generation – Muslim and non-Muslim – who has grown up only knowing a world at war on terror, and who has been socialised in a climate of widespread Islamophobia, surveillance and suspicion. In Coming of Age in the War on Terror, award-winning writer Randa Abdel-Fattah interrogates the impact of all this on young people's political consciousness and their trust towards adults and the societies they live in. Drawing on local interviews but global in scope, this book is the first to examine the lives of a generation for whom the rise of the far-right and the growing polarisation of politics seem normal. It's about time we hear what they have to say. 'As one of Australia's most compelling cultural critics, Abdel-Fattah curates a precise and substantive account of the impact of 'terrorist discourse' on an entire generation. With heartbreaking pathos, she invites us into the minds and hearts of a generation of thoughtful and intelligent young Muslim and non-Muslim Australians from diverse social backgrounds. This ambitious project, comparable in its breadth to Ghassan Hage's seminal White Nation, is part cultural memoir, part empirical research essay and part historical record. Excoriating the hypocrisy of neoliberal social interventionist policies, Abdel-Fattah has given us a rich and important work, as moving in its sincerity as it is unprecedented in its scope.' — Daniel Nour, Books+Publishing 'Randa Abdel-Fattah's compelling work reminds us that the way the global War on Terror has been prosecuted lands like blows across the backs of Muslim communities — it is in the everyday, the mundane, but also in the structures of state. The book should be praised for its depth and breadth of insights into Australia, as we see contemporary Islamophobia in the shade of the War on Terror revealed.' — Dr Asim Qureshi, Research Director, CAGE (UK) and author of A Virtue of Disobedience 'Only someone like Randa Abdel-Fattah with her history as an academic, an activist and a novelist can produce a book like this: analytically sharp, anecdotally rich, politically relevant and beautifully written. Whoever you are, read it and it'll make a better Australian out of you.' — Ghassan Hage, Professor of Anthropology and Social Theory, School of Social and Political Science, University of Melbourne 'Coming of Age in the War on Terror offers a provocative critique of the failings of so much public discourse and scholarship on Islam which rarely bothers to engage the voices of Muslims at all. Full of sharp wit, the book attends as much to the hypocrisy and blind spots of the progressive left — including journalists, educators and intellectuals — as it does to right-wing fear mongers. In this accessible and deeply moving account she gifts the reader a unique window into the profound impacts of institutionalised Islamophobia on the everyday lives of ordinary young Australian-Muslims today. Her research subjects recount the suffocating effects of a world saturated by negative stereotypes of Muslims and the growing industry of 'well meaning' intervention programs targeted at young people in education settings. Yet these young people somehow bear the weight of these representations with humour, grace and resilience. As an activist, a prize-winning author of young adult fiction, and sociologist, there is no one better equipped than Randa Abdel-Fattah to bring their lives to our collective attention.' — Professor Amanda Wise 'Randa Abdel-Fattah has produced an urgent book for our time. Coming of Age in The War on Terror is a story of injustice against those who suffer because of prejudice and manufactured fear. It is a vital work about us, Australians. This book poses many questions that we must confront if we are to ever consider ourselves an inclusive society. With courage, intelligence and acute insight, Abdel-Fattah is asking that we think and act with thoughtfulness and not ignorance.' — Tony Birch
Too often, existing literature has conflated the discourses that enabled the 'War on Terror', ignoring the contextual specificities of the states that make up the ’Coalition of the Willing’. Australia's 'war on terror' Discourse fills this gap by providing a full and sustained critical analysis of Australian foreign policy discourse along with the theoretical synthesis for a specific model of critical discourse analysis of the subject. The language of then Prime Minister Howard is the primary focus of the book but attention is also paid to the language of key ministers, political opponents and other prominent actors. The voices of those who challenged the dominant discourse are also considered to shed light on the ways in which discourses can be destabilised. Kathleen Gleeson shows how Howard successfully invoked narratives of identity and sovereignty that resonated with his audience and promoted his reworked narrative of Australia whilst facing dissent from many actors who voiced their opposition most successfully when they capitalised on inconsistencies within the discourse.