[PDF] Tenth Century China And Beyond eBook

Author : Wu Hung
Publisher : Art Media Resources Incorporated
Page : 400 pages
File Size : 18,18 MB
Release : 2012
Category : Art and society
ISBN : 9781588861153

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Papers presented at a conference organized by the Center for the Art of East Asia at the University of Chicago, May 29-30, 2009 and May 14-15, 2010.

Author : Antonino Forte
Publisher :
Page : 376 pages
File Size : 16,38 MB
Release : 1988
Category : Religion
ISBN :

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This collectin of essays about China, Korea and Japan are primarily concerned with Buddhism and its relationship to Chinese culture and the Chinese state during the Tang Dynasty. Five of the essays are in English, and three are in Italian.

Author : Wen Fong
Publisher : Metropolitan Museum of Art
Page : 571 pages
File Size : 33,81 MB
Release : 1992
Category : Calligraphy, Chinese
ISBN : 0300057016

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Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

Author : Cheeyun Lilian Kwon
Publisher : University of Hawaii Press
Page : 225 pages
File Size : 37,3 MB
Release : 2019-02-28
Category : Art
ISBN : 0824856023

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The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration. The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture on the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture on the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting. Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting.

Author : Dorothy C. Wong
Publisher :
Page : 440 pages
File Size : 42,13 MB
Release : 2014-07-28
Category : Art
ISBN : 9781604978568

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"A collaborative project with the Nalanda-Swiwijaya Centre at the Institute of Southeast Asian Studies, Singapore."--Title page verso.

Author : Wen Fong
Publisher : Metropolitan Museum of Art
Page : 80 pages
File Size : 35,63 MB
Release : 1975
Category : Hsia-shan-tʻu (Scroll)
ISBN : 0870991353

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Landscape has been the dominant subject in Chinese painting ever since it emerged as the pre-eminent art form of the Northern Sung period (960-1127). The recent acquisition by the Metropolitan Museum, as a gift of the Dillon Fund, of a superb large Northern Sung handscroll, Summer Mountains, provides the opportunity to consider in some detail the landscape art of this period, together with its antecedents and later permutations. Developing during the war-filled years of the tenth century, Northern Sung landscape painting produced timeless images that were followed and imitated for centuries. This art reached its apogee in the third quarter of the eleventh century. After the fall of the Northern Sung, it continued to be popular in the north, both under the Chin tartar and then the Mongol rule during the twelfth and thirteenth centuries. Meantime the painters of the Southern Sung (1127-1276), south of the Yangtze River, developed a simplified style that described the softer landscapes of the south.

Author : Derek Heng
Publisher :
Page : 316 pages
File Size : 30,32 MB
Release : 2009-12-22
Category : Business & Economics
ISBN :

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China has been an important player in the international economy for two thousand years and has historically exerted enormous influence over the development and nature of political and economic affairs in the regions beyond its borders, especially its neighbors. Sino–Malay Trade and Diplomacy from the Tenth through the Fourteenth Century examines how changes in foreign policy and economic perspectives of the Chinese court affected diplomatic intercourse as well as the fundamental nature of economic interaction between China and the Malay region, a subregion of Southeast Asia centered on the Strait of Malacca. This study’s uniqueness and value lie in its integration of archaeological, epigraphic, and textual data from both China and Southeast Asia to provide a rich, multilayered picture of Sino–Southeast Asian relations in the premodern era. Derek Heng approaches the topic from both the Southeast Asian and Chinese perspectives, affording a dual narrative otherwise unavailable in the current body of Southeast Asian and China studies literature.

Author :
Publisher : BRILL
Page : 350 pages
File Size : 43,90 MB
Release : 2017-07-20
Category : Art
ISBN : 9004349375

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Eight studies examine key features of Chinese visual and material cultures, ranging from tomb design, metalware, ceramic pillows, and bronze mirrors, to printed illustrations, calligraphic rubbings, colophons, and paintings on Buddhist, landscape, and narrative themes. Questions addressed include how artists and artisans made their works, the ways both popular literature and market forces could shape ways of looking, and how practices and imagery spread across regions. The authors connect visual materials to funeral and religious practices, drama, poetry, literati life, travel, and trade, showing ways visual images and practices reflected, adapted to, and reproduced the culture and society around them. Readers will gain a stronger appreciation of the richness of the visual and material cultures of Middle Period China.

Author : Benjamin Brose
Publisher : University of Hawaii Press
Page : 265 pages
File Size : 25,72 MB
Release : 2015-08-31
Category : History
ISBN : 0824857240

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Patrons and Patriarchs breaks new ground in the study of clergy-court relations during the tumultuous period that spanned the collapse of the Tang dynasty (618–907) and the consolidation of the Northern Song (960–1127). This era, known as the Five Dynasties and Ten Kingdoms, has typically been characterized as a time of debilitating violence and instability, but it also brought increased economic prosperity, regional development, and political autonomy to southern territories. The book describes how the formation of new states in southeastern China elevated local Buddhist traditions and moved Chan (Zen) monks from the margins to the center of Chinese society. Drawing on biographies, inscriptions, private histories, and government records, it argues that the shift in imperial patronage from a diverse array of Buddhist clerics to members of specific Chan lineages was driven by political, social, and geographical reorientations set in motion by the collapse of the Tang dynasty and the consolidation of regional powers during the Five Dynasties and Ten Kingdoms. As monastic communities representing diverse arrays of thought, practice, and pedagogy allied with rival political factions, the outcome of power struggles determined which clerical networks assumed positions of power and which doctrines were enshrined as orthodoxy. Rather than view the ascent of Chan monks and their traditions as instances of intellectual hegemony, this book focuses on the larger sociopolitical processes that lifted members of Chan lineages onto the imperial stage. Against the historical backdrop of the tenth century, Patrons and Patriarchs explores the nature and function of Chan lineage systems, the relationships between monastic and lay families, and the place of patronage in establishing identity and authority in monastic movements.