[PDF] Ten Woodcuts Cut And Printed In Colour By Yoshijiro Urushibara After Designs By Frank Brangwyn eBook

Author : Chazen Museum of Art
Publisher : Chazen Museum of Art
Page : 154 pages
File Size : 30,27 MB
Release : 2006
Category : Color prints, American
ISBN : 9780932900647

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Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.

Author :
Publisher : Global Oriental
Page : 698 pages
File Size : 32,54 MB
Release : 2010-09-23
Category : Biography & Autobiography
ISBN : 9004218033

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Brill Research Perspectives in Biblical Interpretation (RPBI) The growth of scholarly literature continues to accelerate at an exponential rate. Staying current on a variety of subjects is becoming increasingly difficult. RPBI brings a substantial range of contemporary methodological conversations about biblical literature to a wide readership. The main goal of each book is to address a particular contemporary question and/or problem of interpretive importance as it intersects with biblical scholarship, raising the issues and suggesting further directions. Race, class, gender, nationality, sexuality, geography, and ecology are examples of lenses that the authors incorporate into these discussions. These books are perfect for keeping abreast of conversations in the field, updating college and graduate-level courses with cutting-edge biblical scholarship, and exploring new and alternative approaches to long-standing questions in the field.

Author : Hilary Chapman
Publisher : Brill Hotei
Page : 212 pages
File Size : 28,69 MB
Release : 2017
Category : Art
ISBN :

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Yoshijiro Urushibara: A Japanese printmaker in London is a catalogue raisonn of the work of Yoshijiro Urushibara (1889-1953), a Japanese artist and craftsman who lived and worked in London from 1910 to 1940. During his thirty years in Europe, Urushibara produced a considerable number of prints and played a major role in encouraging the production and appreciation of the colour woodcut in the Japanese manner, especially in Britain. Throughout his career Urushibara contributed to cross-cultural interactivity, collaborating with several European artists. His most famous and successful collaboration was with the British artist Frank Brangwyn (1867-1956). The authors had unique access to the artist's family archive in Tokyo and recorded and evaluated the extent of Urushibara's print production. With fully researched catalogue entries, full-colour illustrations, and illuminating biographical and contextual essays, this publication - the first of its kind in the English language - provides a comprehensive account of Urushibara's life and oeuvre.