[PDF] Summer Exhibition eBook

Author : Simon Fenwick
Publisher : Routledge
Page : 327 pages
File Size : 47,61 MB
Release : 2018-12-17
Category : Art
ISBN : 0429760639

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First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.

Author : Elisabeth Frink
Publisher : Ashgate Publishing, Ltd.
Page : 212 pages
File Size : 10,85 MB
Release : 2013
Category : Art
ISBN : 9781848221130

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Elisabeth Frink (1930-93) was a leading British sculptor and printmaker whose work is distinguished by her commitment to naturalistic forms and themes. This new edition of the catalogue raisonné of her sculpture documents her complete sculptural output in a single volume for the first time, and includes new texts by a range of critics and writers.

Author : Hilary Pyle
Publisher : Rowman & Littlefield
Page : 312 pages
File Size : 12,75 MB
Release : 1989
Category : Art
ISBN : 9780389208921

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Jack B. Yeats was the son of portrait painter John Butler Yeats and younger brother of the poet William Butler Yeats. He spent his childhood in Sligo, which remained a permanent source of inspiration for his painting. He studied art in London and soon earned a high reputation for pen and ink drawings in magazines. In 1910, after a period in Devon, he settled in Dublin where he devoted himself to painting in oils. Yeats was closely connected to the literary personalities of his day; John Masefield and J. M. Synge became his close friends. In the 1930s and '40s he published novels and plays which won the admiration of James Joyce and Samuel Beckett. His paintings have been exhibited in many major galleries, and continue to be exhibited thirty years after his death.

Author : Jane Hill
Publisher : Ashgate Publishing, Ltd.
Page : 160 pages
File Size : 49,96 MB
Release : 2011
Category : Art
ISBN : 9780853318651

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"A graduate of Leon Underwood's Brook Green School of Art in London, Gertrude Hermes (1901-83) trained as a painter and sculptor. Hermes and her husband, Blair Hughes-Stanton, who she met at Brook Green, went on to become leading lights in the early twentieth-century's wood-engraving revival. Although their marriage was short-lived, their exuberant visual inventions for Bunyan;s 'The Pilgrim's Progress' and T.E. Lawrence's 'Seven Pillars of Wisdom' Brought them critical acclaim. Much has been written about Hermes' career as a wood engraver. In contrast, her contribution as a sculptor has been somewhat eclipsed--until now. 'The Sculpture of Gertrude Hermes' presents for the first time a full analysis of the artist's entire sculptural oeuvre. Along with a comprehensive catalogue of Hermes' sculpture, Jane Hill provides a full account of the artist's life in the context of her career as a sculptor. What results is a picture of a pioneering spirit who created busts and heads, functional designs, decorative work and reliefs that are dynamic and unpredictable. Featuring over 140 images, 'The Sculpture of Gertrude Hermes' is a groundbreaking study of an artist so long associated with one art form. This book redresses the imbalance and creates a new and fresh perspective on an important female artist of the twentieth century."--Publisher's website.

Author : S. B. Kennedy
Publisher : Yale University Press
Page : 172 pages
File Size : 13,23 MB
Release : 2003-01-01
Category : Art
ISBN : 9780300099454

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This is a biography of Henry's life & artistic achievements, especially his idyllic landscape paintings of the west of Ireland.

Author : Carol Lowrey
Publisher : Hudson Hills
Page : 220 pages
File Size : 13,22 MB
Release : 2007
Category : Art
ISBN : 9780615154992

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For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations

Author : Sacha Llewellyn
Publisher : Yale University Press
Page : 400 pages
File Size : 27,91 MB
Release : 2024-04-30
Category : Art
ISBN : 0300280939

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The first biography of Gilbert Spencer, recounting the life and career of a long-overlooked twentieth-century British artist Gilbert Spencer (1892–1979) was a British painter, muralist, illustrator, teacher, and writer whose career spanned more than six decades. Recognised during his lifetime as one of the leading artists of his generation, his reputation has long been overshadowed by his more famous brother, Stanley. Yet Spencer’s fascination with landscape and his ability to capture everyday life in rural England led to the creation of some of the most poignant artworks of the interwar period. Drawing on a newly discovered archive of personal letters, notebooks, and diaries, this illustrated biography tells Spencer’s story for the first time. Bringing together his major paintings, drawings and illustrations, many never before seen, the book greatly expands our understanding of Spencer. It reassesses his status within twentieth-century British modernism and the revival of the landscape tradition, as well as the important role he played in the reinvigoration of public mural painting. Spencer is also reappraised as one of the most successful art teachers of his time, and his extensive influence on the lives and careers of many twentieth-century artists is explored in detail.

Author : Dita Amory
Publisher : Metropolitan Museum of Art
Page : 244 pages
File Size : 37,60 MB
Release : 2014
Category : Art
ISBN : 0300208103

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A new account of Cézanne's complex relationship with his wife, who served as the subject of some of his most iconic portraits Paul Cézanne's (1839-1906) portraits of Hortense Fiquet (1850-1922), his wife and the subject of some of his iconic portraits, rank among the most powerful of their kind in French modernism. Yet, posterity has not been kind to Madame Cézanne. She was called a distraction, blamed for her husband's "lackluster" landscapes, and disdained for her impenetrable expression in the paintings. The reality is more complex, for while Fiquet may not have been the passion of Cézanne's lifetime, she was a willing accomplice, as model, mother of his only son, and unwavering partner against all odds. Madame Cézanne examines this unique relationship as it looks at Cézanne the painter, draftsman, and portraitist. Featuring 24 of Cézanne's oil portraits of Fiquet and most of the known drawings, Madame Cézanne both reevaluates, with insight and compassion, the long-held misconceptions about the Cézannes' unconventional marriage, and shows how Cézanne's portraits of his wife provide a lens through which to better understand his overall technique. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule: The Metropolitan Museum of Art (11/18/14-03/15/15)

Author : Adrian Lewis
Publisher : Routledge
Page : 244 pages
File Size : 46,64 MB
Release : 2018-05-08
Category : Social Science
ISBN : 1351759361

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This title was first published in 2003. Twenty-seven years after his death, Roger Hilton's reputation as a leading figure in British 'abstract expressionism' continues to rise. Following the major retrospective exhibition at the Hayward Gallery in 1993 and the drawings survey at the Tate St Ives in 1997, this lavishly illustrated account is the first to provide a comprehensive overview of the life and work of this important artist. Hilton's extraordinary career is discussed in all its phases, from the intriguing earliest explorations in paint to the inception of his first abstract pieces around 1950 and the complex and intriguing interchanges of imagery and form that mark his final works. Adrian Lewis explains the artist's mature works as both attracting the viewer and resisting easy reading, and discusses in detail the artist's debt to the Ecole de Paris and his relation to the notion of the 'act of painting' that pervaded post-war culture.