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J.R.R. Tolkien's literary cosmos may not be the most elaborate of the imaginary worlds in existence, it is certainly the most influential. His creation Arda remains unrivalled in its consistency and complexity and Tolkien remains one of the foremost proponents of literary world-building or, his term, (literary) subcreation.
composite work. He compares the published text with the source texts contained in the volumes of The History of Middle-earth (as well as other works such as Unfinished Tales of Middle-earth and Numenor, The Children of Hurin, and - in one case - Tolkien's letters) and identifies patterns of major and minor changes made to these source materials that result in the reconstruction of the finished text. He also cites the works of some of the most important Tolkien scholars, including Tom Shippey, Verlyn Flieger, Christina Scull, Wayne Hammond, Charles Noad, and David Bratman, in an attempt to understand and explain why these changes may have been made." --Book Jacket.
First ever critical study of Tolkien’s little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin’s Game of Thrones.
Fimi explores the evolution of Tolkien's mythology throughout his lifetime by examining how it changed as a result of his life story and contemporary cultural and intellectual history. This new approach and scope brings to light neglected aspects of Tolkien's imaginative vision and contextualizes his fiction.
Mark J.P. Wolf’s study of imaginary worlds theorizes world-building within and across media, including literature, comics, film, radio, television, board games, video games, the Internet, and more. Building Imaginary Worlds departs from prior approaches to imaginary worlds that focused mainly on narrative, medium, or genre, and instead considers imaginary worlds as dynamic entities in and of themselves. Wolf argues that imaginary worlds—which are often transnarrative, transmedial, and transauthorial in nature—are compelling objects of inquiry for Media Studies. Chapters touch on: a theoretical analysis of how world-building extends beyond storytelling, the engagement of the audience, and the way worlds are conceptualized and experienced a history of imaginary worlds that follows their development over three millennia from the fictional islands of Homer’s Odyssey to the present internarrative theory examining how narratives set in the same world can interact and relate to one another an examination of transmedial growth and adaptation, and what happens when worlds make the jump between media an analysis of the transauthorial nature of imaginary worlds, the resulting concentric circles of authorship, and related topics of canonicity, participatory worlds, and subcreation’s relationship with divine Creation Building Imaginary Worlds also provides the scholar of imaginary worlds with a glossary of terms and a detailed timeline that spans three millennia and more than 1,400 imaginary worlds, listing their names, creators, and the works in which they first appeared.
Beautifully illustrated with dozens of original full-color and black-and-white drawings, The Plants of Middle-earth connects readers visually to the world of Middle-earth, its cultures and characters and the scenes of their adventures. Tolkien's use of flowers, herbs, trees, and other flora creates verisimilitude in Middle-earth, with the flora serving important narrative functions. This botanical tour through Middle-earth increases appreciation of Tolkien's contribution as preserver and transmitter of English cultural expression, provides a refreshing and enlivening perspective for approaching and experiencing Tolkien's text, and allows readers to observe his artistry as sub-creator and his imaginative life as medievalist, philologist, scholar, and gardener. The Plants of Middle-earth draws on biography, literary sources, and cultural history and is unique in using botany as the focal point for examining the complex network of elements that comprise Tolkien's creation. Each chapter includes the plants' description, uses, history, and lore, which frequently lead to their thematic and interpretive implications. The book will appeal to general readers, students, and teachers of Tolkien as well as to those with an interest in plant lore and botanical illustration.
Arda Collins's second book of poems, STAR LAKE, is a deeply personal collection that explores the ways our notions of daily life touch the presence of the eternal. With memory as the backdrop of many poems, including the loss of the poet's parents and her experience growing up in a family of survivors from the Armenian genocide, Collins often overlays images of landscapes, weather, and domestic interiors with a tone of melancholy--"Who is the water and who is the light? / A shiver, a love, one you miss, and a wish." But STAR LAKE is also a collection of love poems, poems about the creation of new memories with family, tracing out imaginative shapes for their futures. In this Yale Younger Poets award winner's second collection of poems, Collins returns with truly unforgettable poems that haunt and comfort. "In spare, riveting lines, Arda Collins's new poems enact a torque between immediacy and distance, between a visceral near--"An orange in the dark / is like lake air at night," and a resplendent far--"Down the boulevard ... Versailles is everywhere." Against the shadows of Armenian genocide and family deaths, the speaker's calls to "come in the window" or "come to time" are less commands than invocations and the ground for stunning evocations. This is a book of wonders."--Arthur Sze "More than just a book, STAR LAKE is a tactile experience. A touchable journey wherein each stanza, each image comes to life before a reader. When the wind is summoned in the poem, a breeze blows in through a window you didn't even know you had open. All to say that this is a book of immense brilliance and immense possibility. Beckoning with new revelations around each corner."--Hanif Abdurraqib Poetry.
Music plays a crucial role in Tolkien's mythology, and his tales contain many songs as well as mentions of musicians and instruments. This volume follows the path of analyzing the use and significance of music in Tolkien's literary texts and considers the broader context, such as adaptations and other authors and composers.
In 'Green Suns and Faërie', author Verlyn Flieger, one of world's foremost Tolkien scholars, presents a selection of her best articles - some never before published - on a range of Tolkien topics. Divided into three distinct sections, this study explores Tolkien's ideas of sub-creation, his reconfiguration of the medieval story tradition and his place within the context of the 20th century and 'modernist' literature.