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This brilliant collection of essays examines the dialogue between Jewish history and historiography in terms of changing national and popular myths, folk memory, and historical consciousness of Jews in modern times. From essays dealing with the origins of Jewish historiography in the nineteenth century, to its contemporary perspectives and methodologies, this book provides a great overview and varied insights into the field.
This volume examines music's place in the process of Jewish assimilation into the modern European bourgeoisie and the role assigned to music in forging a new Jewish Israeli national identity, in maintaining a separate Sephardic identity, and in preserving a traditional Jewish life. Contributions include "On the Jewish Presence in Nineteenth Century European Musical Life," by Ezra Mendelsohn, "Musical Life in the Central European Jewish Village," by Philip V. Bohlman, "Jews and Hungarians in Modern Hungarian Musical Culture," by Judit Frigyesi, "New Directions in the Music of the Sephardic Jews," by Edwin Seroussi, "The Eretz Israeli Song and the Jewish National Fund," by Natan Shahar, "Alexander U. Boskovitch and the Quest for an Israeli Musical Style," by Jehoash Hirshberg, and "Music of Holy Argument," by Lionel Wolberger. The volume also contains essays, book reviews, and a list of recent dissertations in the field.
This brilliant collection of essays examines the dialogue between Jewish history and historiography in terms of changing national and popular myths, folk memory, and historical consciousness of Jews in modern times. From essays dealing with the origins of Jewish historiography in the nineteenth century, to its contemporary perspectives and methodologies, this book provides a great overview and varied insights into the field.
This collection of original articles addresses the often conflicting roles of values, interests, and identity in contemporary Jewish politics. with its focus on Jews and contemporary politics - particularly the interplay of politics and jewish history - this new work makes an outstanding contribution to the scholarly literature.
Author : Markus Krah Publisher : Walter de Gruyter GmbH & Co KG Page : 304 pages File Size : 36,7 MB Release : 2017-11-20 Category : History ISBN : 3110499436
The postwar decades were not the “golden era” in which American Jews easily partook in the religious revival, liberal consensus, and suburban middle-class comfort. Rather it was a period marked by restlessness and insecurity born of the shock about the Holocaust and of the unprecedented opportunities in American society. American Jews responded to loss and opportunity by obsessively engaging with the East European past. The proliferation of religious texts on traditional spirituality, translations of Yiddish literature, historical essays , photographs and documents of shtetl culture, theatrical and musical events, culminating in the Broadway musical Fiddler on the Roof, illustrate the grip of this past on post-1945 American Jews. This study shows how American Jews reimagined their East European past to make it usable for their American present. By rewriting their East European history, they created a repertoire of images, stories, and ideas that have shaped American Jewry to this day.
This book re-examines one of the most intense controversies of the Holocaust: the role of Rezs Kasztner in facilitating the murder of most of Nazi-occupied Hungary's Jews in 1944. Because he was acting head of the Jewish rescue operation in Hungary, some have hailed him as a saviour. Others have charged that he collaborated with the Nazis in the deportations to Auschwitz. What is indisputable is that Adolf Eichmann agreed to spare a special group of 1,684 Jews, who included some of Kasztner's relatives and friends, while nearly 500,000 Hungarian Jews were sent to their deaths. Why were so many lives lost?After World War II, many Holocaust survivors condemned Kasztner for complicity in the deportation of Hungarian Jews. It was alleged that, as a condition of saving a small number of Jewish leaders and select others, he deceived ordinary Jews into boarding the trains to Auschwitz. The ultimate question is whether Kastztner was a Nazi collaborator, as branded by Ben Hecht in his 1961 book Perfidy, or a hero, as Anna Porter argued in her 2009 book Kasztner's Train. Opinion remains divided.Paul Bogdanor makes an original, compelling case that Kasztner helped the Nazis keep order in Hungary's ghettos before the Jews were sent to Auschwitz, and sent Nazi disinformation to his Jewish contacts in the free world. Drawing on unpublished documents, and making extensive use of the transcripts of the Kasztner and Eichmann trials in Israel, Kasztner's Crime is a chilling account of one man's descent into evil during the genocide of his own people.
The Jews have been an urban people par excellence, and their influence on the urban landscape is unmistakable. Who can imagine modern Vienna, Berlin, Warsaw, or New York, to name just a few examples, without their large, vibrant, and creative Jewish populations? Conversely, the urban experience has been a decisive factor in modern Jewish history. This new volume in the acclaimed Studies in Contemporary Jewry series is devoted to the theme of Jews and the modern city. It features essays on Orthodox Jewry in the city, Jewish-Christian relations, klezmer music, the impact of urbanization on German Jewry, the Jewish communities in New York and St. Petersburg, and the emergence of the first "Hebrew City" (Tel-Aviv). It also includes a discussion of the new prayer book of the Conservative movement in Israel. Like others in the series, this book presents current scholarship in the form of a symposium, essays, and book reviews by distinguished experts in Jewish studies from around the world. Published annually by the Avraham Harman Institute of Contemporary Jewry at The Hebrew University of Jerusalem, Studies in Contemporary Jewry continues to be an invaluable resource for scholars of modern history and culture.