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Redolent with the scent of lilac and oleander blossoms, and bursting with the flavors of quinces and overripe plums, Strand of a Thousand Pearls is the story of the imagined and actual marriages of the Azizyan girls, their years of yearning, restless and impatient, and the truth of their engagements, miles away from the enchanted realm and imaginary heroes of their dreams. Six years ago, Dorit Rabinyan burst onto the scene with Persian Brides, a novel that established her as a writer of incandescent spirit with a gift for spinning wry, magical tales about the vagaries of love and marriage. In Strand of a Thousand Pearls, she has given us a bitter-sweet fable about desires fulfilled and denied—about married love and carnal love, about mother’s love and the kind of love that vanishes one night without warning, like an evaporated dream.
A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera
A round, luminescent pearl is the simplest and most perfect gem. Columbus sought—and found—this precious jewel coveted by his Spanish sovereigns, sparking popularity throughout Europe. Fashion icons Jacqueline Kennedy, Princess Grace, and Michelle Obama cherished them, making them iconic. And designer Coco Chanel raised them to new heights, bringing pearls— fake and real—to women everywhere. In Tears of Mermaids, Stephen G. Bloom travels 30,000 miles in an effort to trace a single pearl—from the moment a diver off the coast of Australia scoops an oyster containing a single luminescent pearl from the ocean floor to the instant a woman fastens the clasp of a strand containing the same orb. Bloom chronicles the never-before-told saga of the global pearl trade by gaining access to clandestine outposts in China, the Philippines, French Polynesia and Australia. He infiltrates high-tech pearl farms guarded by gun-toting sentries, farms for pearls in rural China, and even goes backstage at Christie's for a fast and furious auction of the most expensive pearl ever sold. Teeming with rogue humor and uncanny intelligence, Tears of Mermaids weaves a nonstop detective story whose main character is the world's most enduring jewel.
Pearls are one of the oldest precious gemstones. They have been revered through history and the best reserved to adorn royalty and their favourites. Now, with the arrival of freshwater pearls, they are available to suit every pocket and every style, from the classic to the most creative. It includes a guide to the types of pearl and to the farming process. It gives advice on buying pearls; what to look for and what to avoid and gives instruction on working with pearls, including drilling, setting and knotting. Finally, there is information on South Sea, Tahitian, Akoya, freshwater and natural pearls. This practical book celebrates their exquisite beauty and enduring elegance.
Author House Review: The Sixth Coming is set within an original mythology to fascinating results. It combines vividly realized characters with spiritual themes and elements of Aztec lore. There is an incredible array of exciting sequences that could provide great material for adapting this work into another medium. Due to the nontraditional structure and storytelling style, live theater could be an interesting option. Film is another option; perhaps animation could make the most of the impressive locations, creatures, and spectacles. There are several elements that are very well suited for a film or theater piece. Because both these mediums usually feature the interactions between characters, the strong personalities of The Sixth Coming are essential to capture. Soyala is a great heroinefrom her borderline petulance over the Builders gift to her reluctant and confused acceptance of her destiny. She isnt perfect, which makes her all the more compelling as she overcomes overwhelming odds. Kajika, Burilgi, and the Minstrel are wonderful supporting characters. Each of these brothers has his own distinct personality, and their squabbling provides comic relief. Burilgi and the Minstrel in particular provide humor. Kajika could bring in sex appeal for female audiences while Soyala and Xochiquetzal could do so for males. Xochiquetzal/Tona-teootl is a fascinating villain. Her sinister sexuality when welcoming Soyala and Kajika could play very well in a film. The later scenes on the Barge are thrilling due to Tona-teootls increasingly evident madness. These scenes would provide terrific moments for an actor to really chew up the scenery. The Shield Maidens story begins with the reader being introduced to her loved ones. Each character is well developed and had distinctive characteristics. When bad things happen to them, we also feel her loss. We also learn more about how she came to be and how important loyalty is to her survival. The places that this story takes us to are either incredibly beautiful or eerily foreboding. The creatures in it are also very uniquely described and incredibly different from the mundane realm that we currently inhabit.