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In Stalin’s Carnival, Heighton explores the transformation of Josef Stalin from romantic and political poet to notorious dictator with chilling results. In this finely-crafted collection, the resilient lyrical voice is presented as a means of survival in a time of violence. Heighton recreates a world and a time that feels as vital and immediate to us today as it was over a century ago. Winner of the Gerald Lampert Award in 1990, this reissue has been edited by Heighton and includes a foreword by Ken Babstock.
Up to now the culture of the Stalin period has been studied mainly from a political or ideological point of view. In this book renowned specialists from many countries approach the problem rather 'from inside'. The authors deal with numerous aspects of Stalinist culture such as art, literature, architecture, film and popular culture. Yet the volume is more than a mere collection of studies on special issues. It is an inquiry into the very nature of a certain type of culture, its symbols, rites and myths. The book will be useful not only for students of Soviet culture but also for a wider audience.
This colorfully drawn and acutely observed book explores Russia by engaging all our senses. Today's Russia smells different from the Soviet Union. The country looks and sounds different, its touch is different and its food tastes different. Thus, Christoph Neidhart argues, Russia is truly a changed country from the Soviet Union it was, little more than a decade ago. Russian society is rapidly urbanizing and modernizing, as can be perceived by all senses, including the awareness of space and the conception of time. After almost a century, space can be privately owned and freely traded; time too has become commodified. New role models and new ways to express social status are emerging. Russia has become a 'monetized' economy as the old Soviet practice of provision by networking has grown obsolete. Russia thus readies itself gradually to grow into a Western-style, middle-class society with a free market and democratic polity. The author assesses these rapid changes using the evocative metaphor of the carnival to understand the chaotic inversion of the Communist structure of society. He explores the transition's traps and shortcomings--such as the privatization of politics and the looting of the state's assets--and compares this process to the modernization Western society underwent a century earlier.
An encyclopedic and richly detailed history of everyday life in the Soviet Union The Soviet Union is gone, but its ghostly traces remain, not least in the material vestiges left behind in its turbulent wake. What was it really like to live in the USSR? What did it look, feel, smell, and sound like? In The Soviet Century, Karl Schlögel, one of the world’s leading historians of the Soviet Union, presents a spellbinding epic that brings to life the everyday world of a unique lost civilization. A museum of—and travel guide to—the Soviet past, The Soviet Century explores in evocative detail both the largest and smallest aspects of life in the USSR, from the Gulag, the planned economy, the railway system, and the steel city of Magnitogorsk to cookbooks, military medals, prison camp tattoos, and the ubiquitous perfume Red Moscow. The book examines iconic aspects of Soviet life, including long queues outside shops, cramped communal apartments, parades, and the Lenin mausoleum, as well as less famous but important parts of the USSR, including the Great Soviet Encyclopedia, the voice of Radio Moscow, graffiti, and even the typical toilet, which became a pervasive social and cultural topic. Throughout, the book shows how Soviet life simultaneously combined utopian fantasies, humdrum routine, and a pervasive terror symbolized by the Lubyanka, then as now the headquarters of the secret police. Drawing on Schlögel’s decades of travel in the Soviet and post-Soviet world, and featuring more than eighty illustrations, The Soviet Century is vivid, immediate, and grounded in firsthand encounters with the places and objects it describes. The result is an unforgettable account of the Soviet Century.
Life Has Become More Joyous, Comrades Celebrations in the Time of Stalin Karen Petrone A lively investigation of the official and unofficial meanings of Stalinist celebrations. "An impressive and highly readable book that... casts a clear and disturbing light on the relationship of Stalinist mythology, state power, popular participation, and the unending complexities of social and cultural survival mechanisms and daily life." --Richard Stites In the Soviet Union in the 1930s, public celebrations flourished while Stalinist repression intensified. What explains this coincidence of terror and celebration? Using popular media and drawing extensively on documents from previously inaccessible Soviet archives, Karen Petrone demonstrates that to dismiss Soviet celebrations as mere diversion is to lose a valuable opportunity for understanding how the Soviet system operated. As the state attempted to mobilize citizens to participate in the project to create New Soviet men and women, celebration culture became more than a means to distract a population suffering from poverty and deprivation. The planning and execution of celebrations reflected the Soviet intelligentsia's efforts to bring social and cultural enlightenment to the people. Physical culture demonstrations, celebrations of Arctic and aviation exploits, the Pushkin Centennial of 1937 and the 20th Anniversary of the October Revolution, and the celebration of New Year's Day were opportunities for the Soviet leadership to fuse traditional prerevolutionary values and practices with socialist ideology in an effort to educate its citizens and build support for the state and its policies. However, official celebrations were often appropriated by citizens for purposes that were unanticipated and unsanctioned by the state. Through celebrations, Soviet citizens created hybrid identities and defined their places in the emerging Stalinist hierarchy, allowing them to uphold the Soviet order while arrests and executions were rampant. This rich look at celebrations reveals the complex dialogues and negotiations between citizens and leaders in the endeavor to create Soviet culture. Karen Petrone is Assistant Professor of History at the University of Kentucky. Indiana-Michigan Series in Russian and East European Studies--Alexander Rabinowitch and William G. Rosenberg, editors Contents Interpreting Soviet Celebrations Part 1: Soviet Popular Culture and Mass Mobilization Parading the Nation: Demonstrations and the Construction of Soviet Identities Imagining the Motherland: The Celebration of Soviet Aviation and Polar Exploits Fir Trees and Carnivals: The Celebration of Soviet New Year's Day Part 2: The Intelligentsia and Soviet Enlightenment A Double-edged Discourse on Freedom: The Pushkin Centennial of 1937 Anniversary of Turmoil: The Twentieth Anniversary of the October Revolution Celebrating Civic Participation: The Stalin Constitution and Elections as Rituals of Democracy Celebrations and Power
Bakhtin, Stalin, and Modern Russian Fiction presents an advanced introduction to the work of the Russian theorist Mikhail Bakhtin, focusing on the concepts of carnival, dialogism, and historicism. The discussion of Bakhtin pays particular attention to the impact of his historical context in the Soviet Union and to the importance of his own dialogic mode of discourse. Bakhtin's ideas are then placed in dialogic relation to the works of several important writers of modern Russian fiction, including Vassily Aksyonov, Ilf and Petrov, Mikhail Zoshchenko, Yuz Aleshkovsky, Andrei Bitov, and Sasha Sokolov.
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
Governor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection Patient Frame. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body. Dynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. Patient Frame brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace.
Steven Heighton is already recognized as one of the best writers to come to the fore in the nineties, a winner of numerous literary awards, whose work is widely translated. In The Shadow Boxer, he delivers a stunning portrait of the artist in the tradition of such great tales as Jude the Obscure, Candide and even Don Quixote, and gives literary life to the Northern Ontario landscape of "the Soo", and the demanding, muscular life of Lake Superior where giant ore-barges make their way over the grave of The Edmund Fitzgerald. Intricately patterned and multi-layered, this is the story of Sevigne Torrins, poet and boxer, who sets off into the world to make it, and whose romantic and professional misadventures take him as far as Egypt before he finds his way back to the Great Lakes. But the classic writerly dream that Sevigne pursues turns out in practice to have a different and darker reality than any he had foreseen. A passionate love story, a gripping narrative, The Shadow Boxer is also about the power of dreams and regret. It heralds a major new Canadian novelist and a master storyteller.