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American culture maintained a complicated relationship with Haiti from its revolutionary beginnings onward. In this study, Peter P. Reed reveals how Americans embodied and re-enacted their connections to Haiti through a wide array of performance forms. In the wake of Haiti's slave revolts in the 1790s, generations of actors, theatre professionals, spectators, and commentators looked to Haiti as a source of both inspiring freedom and vexing disorder. French colonial refugees, university students, Black theatre stars, blackface minstrels, abolitionists, and even writers such as Herman Melville all reinvented and restaged Haiti in distinctive ways. Reed demonstrates how Haiti's example of Black freedom and national independence helped redefine American popular culture, as actors and audiences repeatedly invoked and suppressed Haiti's revolutionary narratives, characters, and themes. Ultimately, Haiti shaped generations of performances, transforming America's understandings of race, power, freedom, and violence in ways that still reverberate today.
The Haitian Revolution (1791-1804) was an event of international significance. Here is a literary history of those events, Haiti's war of independence is examined through the eyes of its actual and imagined participants, observers, survivors, and cultural descendants.
In The Unfinished Revolution, Salt examines post-revolutionary (and contemporary) sovereignty in Haiti, noting the many international responses to the arrival of a nation born from blood, fire and revolution. Using blackness as a lens, Salt charts the impact of Haiti’s sovereignty—and its blackness—in the Atlantic world.
When Jean-Jacques Dessalines proclaimed Haitian independence on January 1, 1804, Haiti became the second independent republic, after the United States, in the Americas; the Haitian Revolution was the first successful antislavery and anticolonial revolution in the western hemisphere. The histories of Haiti and the early United States were intimately linked in terms of politics, economics, and geography, but unlike Haiti, the United States would remain a slaveholding republic until 1865. While the Haitian Revolution was a beacon for African Americans and abolitionists in the United States, it was a terrifying specter for proslavery forces there, and its effects were profound. In the wake of Haiti's liberation, the United States saw reconfigurations of its geography, literature, politics, and racial and economic structures. The Haitian Revolution and the Early United States explores the relationship between the dramatic events of the Haitian Revolution and the development of the early United States. The first section, "Histories," addresses understandings of the Haitian Revolution in the developing public sphere of the early United States, from theories of state sovereignty to events in the street; from the economic interests of U.S. merchants to disputes in the chambers of diplomats; and from the flow of rumor and second-hand news of refugees to the informal communication networks of the enslaved. The second section, "Geographies," explores the seismic shifts in the ways the physical territories of the two nations and the connections between them were imagined, described, inhabited, and policed as a result of the revolution. The final section, "Textualities," explores the wide-ranging consequences that reading and writing about slavery, rebellion, emancipation, and Haiti in particular had on literary culture in both the United States and Haiti. With essays from leading and emerging scholars of Haitian and U.S. history, literature, and cultural studies, The Haitian Revolution and the Early United States traces the rich terrain of Haitian-U.S. culture and history in the long nineteenth century. Contributors: Anthony Bogues, Marlene Daut, Elizabeth Maddock Dillon, Michael Drexler, Laurent Dubois, James Alexander Dun, Duncan Faherty, Carolyn Fick, David Geggus, Kieran Murphy, Colleen O'Brien, Peter P. Reed, Siân Silyn Roberts, Cristobal Silva, Ed White, Ivy Wilson, Gretchen Woertendyke, Edlie Wong.
Turns to the written record to re-examine the building blocks of a nation Picking up where most historians conclude, Chelsea Stieber explores the critical internal challenge to Haiti’s post-independence sovereignty: a civil war between monarchy and republic. What transpired was a war of swords and of pens, waged in newspapers and periodicals, in literature, broadsheets, and fliers. In her analysis of Haitian writing that followed independence, Stieber composes a new literary history of Haiti, that challenges our interpretations of both freedom struggles and the postcolonial. By examining internal dissent during the revolution, Stieber reveals that the very concept of freedom was itself hotly contested in the public sphere, and it was this inherent tension that became the central battleground for the guerre de plume—the paper war—that vied to shape public sentiment and the very idea of Haiti. Stieber’s reading of post-independence Haitian writing reveals key insights into the nature of literature, its relation to freedom and politics, and how fraught and politically loaded the concepts of “literature” and “civilization” really are. The competing ideas of liberté, writing, and civilization at work within postcolonial Haiti have consequences for the way we think about Haiti’s role—as an idea and a discursive interlocutor—in the elaboration of black radicalism and black Atlantic, anticolonial, and decolonial thought. In so doing, Stieber reorders our previously homogeneous view of Haiti, teasing out warring conceptions of the new nation that continued to play out deep into the twentieth century.
The Black Republic explores the critical but overlooked place of Haiti in black thought in the post-Civil War era. Following emancipation, African American leaders considered Haiti a singular example of black self-governance whose fate was inextricably linked to that of African Americans demanding their own right to self-determination.
Author : Jeremy D. Popkin Publisher : John Wiley & Sons Page : 224 pages File Size : 26,31 MB Release : 2021-09-08 Category : History ISBN : 1119746264
Learn about the first time in history that people of color overthrew a European colonial regime to establish an independent country Describing the only successful slave revolt in world history, the newly revised Second Edition of A Concise History of the Haitian Revolution delivers a nuanced and rigorous treatment of the events of the Haitian Revolution of the late 18th century and early 19th century. The book describes events from the slave uprising in the French colony of Saint-Domingue in 1791 and the emergence of its leader, Toussaint Louverture, to the declaration of independence by Jean-Jacques Dessalines in 1804. The new edition is updated to reflect the most recent scholarship in the field, including original research conducted by author Jeremy D. Popkin. It is a valuable resource for anyone studying independence movements in the Americas, the history of the Atlantic world, the history of the African diaspora, and the age of the American and French revolutions. Readers will also benefit from the inclusion of: The latest research on the subject of the Haitian Revolution, including new discoveries by the author and other scholars Coverage of the post-revolutionary period up to 1843, a period of intense interest in recent scholarship A clear and accessible approach to the subject that doesn’t assume or require any previous knowledge of this period in history Perfect for undergraduate students of history taking courses like the History of the Atlantic World, History of the Revolutionary Era, Latin American History to 1820, and History of the African Diaspora, A Concise History of the Haitian Revolution is also an ideal resource for high school teachers seeking a challenging resource for AP World History students.