Southeast Asias Modern Architecture Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Southeast Asias Modern Architecture book. This book definitely worth reading, it is an incredibly well-written.
What is the modern in Southeast Asia's architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia's modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power. Challenging Eurocentric ideas and architectural nomenclature, the authors examine the development of modern architecture in Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, and Vietnam, with a focus on selective translation and strategic appropriation of imported ideas and practices by local architects and builders. The book transforms our understandings of the region's modern architecture by moving beyond a consideration of architecture as an aesthetic artifact and instead examining its entanglement with different dynamics of power.
Peter Rowe and Yun Fu’s second volume on the modernization of architecture in the Far East deals with Southeast Asia and Austronesia, including the 12 nation states of Vietnam, Cambodia, Laos, Myanmar, Thailand, Malaysia, Singapore, Indonesia, Brunei, East Timor, Philippines and Taiwan, as well as the ocean peoples of Polynesia, Melanesia and Micronesia. The modern architecture of these culturally and nationally heterogenous regions echoes local vernacular traditions and colonial as well as postcolonial hegemonies from both the East and the West. The book tells the stories of these separate roots and their culmination into contemporary architectural production, analyzing the distinctiveness and quality of approx. 65 building projects that have emerged in the past half century.
Peter Rowe and Yun Fu's second volume on the modernization of architecture in the Far East deals with Southeast Asia and Austronesia, including the 12 nation states of Vietnam, Cambodia, Laos, Myanmar, Thailand, Malaysia, Singapore, Indonesia, Brunei, East Timor, Philippines and Taiwan, as well as the ocean peoples of Polynesia, Melanesia and Micronesia. The modern architecture of these culturally and nationally heterogenous regions echoes local vernacular traditions and colonial as well as postcolonial hegemonies from both the East and the West. The book tells the stories of these separate roots and their culmination into contemporary architectural production, analyzing the distinctiveness and quality of approx. 65 building projects that have emerged in the past half century.
“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state. Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.
With rich photography and insightful commentary, this Thai architecture and interior design book showcases some of the finest modern masterpieces in Southeast Asia. A tremendous body of sophisticated and sensitively designed architectural work has been produced in Thailand in the first decade of the 21st century. The 25 houses in The Modern Thai House illustrate the radical new ideas coming from a dynamic younger generation of architects who are producing work comparable with and sometimes even surpassing the very best architecture in the world. Most of these architects were trained in the U.S. or U.K. and reflect not only American and European sensibilities but also affinities with their contemporaries in Asia --including Japan, China, Singapore, and Bali--all hotbeds for innovation in modern design. The houses in this book are readily accessible from Bangkok, Phuket, and Chiangmai. They reflect a wide variety of concerns and solutions, such as: sustainability; responses to climate; strategies for cooling with minimal electricity; openness versus security in a large metropolis such as Bangkok; cultural sensitivity and responsiveness, as evidenced in a "three-generation house," built for a society in which the extended family is still prevalent; and cultural memory, as in the use of elements such as pilings, verandahs, and steeply pitched roofs with large overhangs that echo traditional Thai designs. Nurtured by an increasingly knowledgeable and wealthy clientele, modern architecture in Thailand is emerging with a variety of innovative architectural expressions.
The Living House is a pioneering work by respected anthropologist Roxana Waterson that has become a classic in its field. It is first book of its kind to present a detailed picture of houses within the complex social and symbolic fabric of indigenous South-East Asian peoples. The main focus of the book is on Indonesia, but in tracing historical links between architectural forms across the region, it reveals a much wider field of inquiry--covering all of the Austronesian peoples and cultures extending as far afield as Madagascar, Japan and the Pacific islands to New Zealand and Hawaii. As it probes the centrally significant role of houses within South-East Asian social systems, The Living House reveals new insights into the kinship systems, gender symbolism and cosmological principles of the peoples who build them, ultimately uncovering fundamental themes concerning the concepts of life force and life processes inherent in all of these cultures. A vivid picture is produced of how people shape buildings and buildings shape people--how rules about layout and spatial usage impact social relationships. The book concludes with a consideration of present-day changes affecting the fates of indigenous cultures and architectures throughout the region. This book will be of tremendous interest to architects and historians, and anyone interested in the indigenous art and cultures of South-East Asia.
In 1981, the Filipino artist and curator Raymundo Albano adopted the expression “Suddenly Turning Visible” to describe the rapid transformation of Manila’s urban landscape. The visibility that Albano evoked was aspirational, driven by a desire for rapid economic growth in which art had a critical role. This catalogue traces this story through three influential art institutions: the Cultural Center of the Philippines, the Alpha Gallery in Singapore and the Bhirasri Institute of Modern Art in Bangkok. It presents in rich detail artworks from the period, an anthology of primary documents and interviews with curators, artists and architects, revealing the links between architecture, modern art and the role of institutions in Southeast Asia.
Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.
The modernization of traditional houses in each country may be understood as a process by which various aspects of culture and architecture originating from China, India, European colonial countries and international style were assimilated into various forms and elements of traditional houses. In contemporary houses recently developed in Southeast Asian cities, influences of more nearby regions such as South Korea, Hong Kong and Singapore can easily be found. Even under such multi-cultural influences, Southeast Asian countries sought compromises and maintained each country's unique housing culture, resulting in the differentiation of each country's housing style. This book aims to find out the uniqueness of each Southeast Asian country's modern housing through the understanding of the modern housing typologies of each county produced by the process of modernization. Previous studies of Southeast Asia's urban housing were mostly on political, institutional and economic issues, which can be said to be macro-issues. However, this book focuses on the forms of urban housing, which is rather a micro-issue, compared to previous studies.