[PDF] Slave To The Rhythm eBook

Author : Jane Harvey-Berrick
Publisher : Harvey Berrick Publishing
Page : 290 pages
File Size : 42,10 MB
Release : 2016-05-23
Category : Fiction
ISBN : 9780992924676

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When dancer Ash comes to Las Vegas to perform on stage, he thinks it's his big break. But darkness overtakes his life, until he meets tourist Laney. Her light and strength will have to save them both. "Dance like the world is watching"

Author : Liz Jones
Publisher : Sphere
Page : 351 pages
File Size : 16,58 MB
Release : 1998
Category : Rock musicians
ISBN : 9780751523935

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In 1977, a shy teenager with an Afro and an attitude signed a record deal. More than thirty years and thirty-nine remarkable albums later, Prince was still touring and making music until his untimely death in 2016. One of the last great superstars, he crossed boundaries of race and sex, created a brand-new sound and earned a reputation as a legendary live performer and a musical genius. SLAVE TO THE RHYTHM goes behind the scenes at Paisley Park for an exclusive interview with Prince, in which he talks openly about his battle with the music industry, about his first wife, his life and how he makes music. Interviews with family members, friends, fellow musicians, producers, dancers and managers shed light on perhaps the most misunderstood, and most elusive, icon of our time. Tracing Prince's music through jazz, soul, funk, punk and hip-hop and exploring the music industry at large, Liz Jones's masterful biography is the definitive guide to America's funkiest son.

Author : Michael Awkward
Publisher : University of Chicago Press
Page : 244 pages
File Size : 38,20 MB
Release : 1995-03
Category : Literary Criticism
ISBN : 9780226033006

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Encamped within the limits of experience and "authenticity," critics today often stake out their positions according to race and ethnicity, sexuality and gender, and vigilantly guard the boundaries against any incursions into their privileged territory. In this book, Michael Awkward raids the borders of contemporary criticism to show how debilitating such "protectionist" stances can be and how much might be gained by crossing our cultural boundaries. From Spike Lee's She's Gotta Have It to Michael Jackson's physical transmutations, from Toni Morrison's Song of Solomon to August Wilson's Fences, from male scholars' investments in feminism to white scholars' in black texts—Awkward explores cultural moments that challenge the exclusive critical authority of race and gender. In each instance he confronts the question: What do artists, scholars, and others concerned with representations of Afro-American life make of the view that gender, race, and sexuality circumscribe their own and others' lives and narratives? Throughout he demonstrates the perils and merits of the sort of "boundary crossing" this book ultimately makes: a black male feminism. In pursuing a black male feminist criticism, Awkward's study acknowledges the complexities of interpretation in an age when a variety of powerful discourses have proliferated on the subject of racial, gendered, and sexual difference; at the same time, it identifies this proliferation as an opportunity to negotiate seemingly fixed cultural and critical positions.

Author : William Francis Allen
Publisher : Applewood Books
Page : 170 pages
File Size : 32,8 MB
Release : 1996
Category : African Americans
ISBN : 1557094349

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Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.

Author : Toyomi Igus
Publisher : Turtleback Books
Page : 32 pages
File Size : 38,60 MB
Release : 2005-09
Category : Juvenile Nonfiction
ISBN : 9781417742943

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Chronicles and poetically captures the history, mood, and movement of African American music.

Author : Scott Goldfine
Publisher : Createspace Independent Publishing Platform
Page : 346 pages
File Size : 46,24 MB
Release : 2017-01-11
Category :
ISBN : 9781541256606

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Funk used to be a bad word. That was then. Now, funk is a pervasive style of music that has earned its rightful place alongside such other aural American art forms such as folk, blues, jazz and rock 'n roll. What's more, for those who free themselves, funk is a positive state of consciousness that brings together mind, body and soul in a quasi-spiritual experience of mesmerizing intensity. It took quite a while for funk to gain the respect it deserves. As with most other American music forms of the 20th century, funk remained a predominantly black phenomenon until the white public caught up and embraced it some 20 years after the fact. It had to survive the psychedelic 1960s, the disco 1970s and the new wave 1980s. This long-overdue book is a labor of love from a devout lifelong funk enthusiast. Everything Is on the One: The First Guide to Funk is designed to serve as an eye-opener for the uninitiated and as a reference guide for those already indoctrinated. The following pages thoroughly examine every aspect of funk through the inclusion of assorted text, reviews and lists. Everyone from J.B., Sly Stone and Hendrix to Clinton, Prince and the Red Hot Chili Peppers to Kool & the Gang and the Isley Brothers to the Bar-Kays and Slave to Run-D.M.C. and Dr. Dre to Stanley Clarke and Tom Browne to Muddy Waters and Stevie Ray Vaughan to the Talking Heads and Aerosmith is covered. There isn't really any specific formula for funk. But, you must have the right attitude and the music has to be on THE ONE. THE ONE stands for the first beat of standard four/four time in music (four counts per measure). Funk jumps on the first beat with a hard accent and then lays back in the groove for counts two through four. So just about everything in this book is on THE ONE. The content of this book is intended to be opinionated. It is designed to stimulate intelligent debate as to myriad topics that fall under the umbrella of funk. The objective is not to bash musical achievements or pursue character assassinations, but at the same time, measures are necessary to ensure the book's integrity. There are far too many music publications out there that find pandering to the industry and soft-pedaling issues seemingly unavoidable. This isn't one of them. By the same token, exceptional artists and outstanding work are given their just due. At this point, a word of caution is in order. Funk is extremely addictive and frequently results in an unquenchable desire to fill your ear hole with thumpin', bumpin', slammin', jammin' tunes. It can be an expensive habit, but always an immensely rewarding one. So slap your favorite jams into your stereo or iPod and read to the rhythmic rush while The First Guide of Funk does it to your eyeballs baby bobba!