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In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.
For fans of The Orchardist and The Cove and from the author of bestselling In the Fall, an epic historical novel that fearlessly addresses the largest questions of love, justice, and how to live. "Wonderfully entertaining, deeply moving, beautifully written . . . In my estimation, Jeffrey Lent is our most American writer since Mark Twain and one of the two of three best novelists of our time."--Howard Frank Mosher At the close of the Civil War, weary veteran Malcolm Hopeton returns to his home in western New York State to find his wife and hired man missing and his farm in disrepair. A double murder ensues, the repercussions of which ripple through a community with spiritual roots in the Second Great Awakening. Hopeton has gone from the horrors of war to those far worse, and arrayed around him are a host of other people struggling to make sense of his crime. Among them is Enoch Stone, the lawyer for the community, whose spiritual dedication is subverted by his lust for power; August Swartout, whose wife has left earthly time and whose eye is set on eternity; and a boy who must straddle two worlds as he finds his own truth and strength. Always there is love and the memory of love--as haunting as the American Eden that Jeffrey Lent has so exquisitely rendered in this unforgettable novel. A Slant of Light is a novel of earthly pleasure and deep love, of loss and war, of prophets and followers, of theft and revenge, in an American moment where a seemingly golden age has been shattered. This is Jeffrey Lent on his home ground and at the height of his powers.
"Inspired by dreams of building a utopian society, James Turner, a charming writer and lecturer, Charlotte, his down-to-earth bride, and Cabot, an idealistic Harvard-educated abolitionist are drawn together in a social experiment deep in the Missouri Ozarks. With Civil War looming, they are confronted with the hardships of building and sustaining a new community while staying neutral in an increasingly divided country. As love, longing, and betrayal, renegades, slave-catchers, and soldiers threaten to destroy their dreams, they discover that even the loftiest of ideas are at the mercy of politics and personal desire."--Back cover.
Paul Chowder is trying to write the introduction to a new anthology of rhyming verse, but he’s having a hard time getting started. The result of his fitful struggles is The Anthologist, Nicholson Baker’s brilliantly funny and exquisite love story about poetry. * * * A New York Times Notable Book, 2009 Favorite Fiction of 2009–Los Angeles Times Best Books of 2009–The Christian Science Monitor Best of 2009–Slate.com "A Year’s Reading" Favorites, 2009–The New Yorker Best Books of 2009–Seattle Times
Teddy Jones earlier novel, Jackson's Pond, Texas, began the saga of the Jackson family. Now, Slanted Light continues their tale. Claire Havlicek's late night call brings her brother Chris Banks from his home in New Mexico back to the town that bears their family name, Jackson's Pond. She's collapsed under the weight of threats to her thirteen year marriage that have undermined her confidence and her will. Her husband, J.D., responds to seduction by a woman in need; theft and the threat of a forced buyout jeopardize Claire's two clinics; drought imperils their ranch and cattle business; a teenage daughter turns to bulimia. When Claire admits her limits, her grandmother, Willa Jackson, and the other members of her family help her learn that being human, weaknesses and all, can be the source of strength and joy.
USA TODAY BESTSELLER! New York Times bestselling author Sharyl Attkisson takes on the media’s misreporting on Black Lives Matter, coronavirus, Joe Biden, Silicon Valley censorship, and more. When the facts don’t fit their Narrative, the media abandons the facts, not the Narrative. Virtually every piece of information you get through the media has been massaged, shaped, curated, and manipulated before it reaches you. Some of it is censored entirely. The news can no longer be counted on to reflect all the facts. Instead of telling us what happened yesterday, they tell us what’s new in the prepackaged soap opera they’ve been calling the news. For the past four years, five-time Emmy Award–winning investigative journalist and New York Times bestselling author Sharyl Attkisson has been collecting and dissecting alarming incidents tracing the shocking devolution of what used to be the most respected news organizations on the planet. For the first time, top news executives and reporters representing every major national television news outlet—from ABC, CBS, NBC, and CNN to FOX and MSNBC—speak frankly, confiding in Attkisson about the death of the news as they once knew it. Their concern transcends partisan divides. Most frightening of all, a broad campaign in the media has convinced many Americans not only to accept but to demand censorship over journalism. It is a stroke of genius on the part of those seeking to influence public opinion: undermine public confidence in the news, then insist upon “curating” information and divining the “truth.” The thinking is done for you. They’ll decide which pesky facts shouldn’t cross your desk by declaring them false, irrelevant, debunked, unsafe, or out-of-bounds. We have reached a state of utter absurdity, where journalism schools teach students that their own, personal truth or chosen narratives matter more than reality. In Slanted, Attkisson digs into the language of propagandists, the persistence of false media narratives, the driving forces behind today's dangerous blend of facts and opinion, the abandonment of journalism ethics, and the new, Orwellian definition of what it means to report the news.