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Author : Michael J. Kramer Publisher : Oxford University Press, USA Page : 305 pages File Size : 38,28 MB Release : 2013-06-27 Category : History ISBN : 0195384865
Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. --from publisher description
Traces "garage" and "psychedelic" rock from the 50's through the sixties, unfolds the history and the sonic structures of some of rock's core repertoire
Rock journalist Ellen Sander (Hit Parader, Vogue) draws upon her professional and personal experiences to chronicle pop culture's highs and lows in the turbulent years from 1962-69. Includes a new Preface and more.
Update to popular book on legends of rock's golden era Now in its long-awaited second printing, Bob Cianci's Great Rock Drummers of the Sixties, the universally acclaimed history of Sixties rock drummers and drumming, has been reissued in its original form with a revised section that thoroughly updates information on the drummers featured within. This group of rock drummers are arguably the most revered and copied musicians to ever sit behind the kit. All the prominent drummers of the era are spotlighted, including Ringo Starr, Charlie Watts, Keith Moon, Mitch Mitchell, Hal Blaine, and other legends. Long out of print, the original first edition of Great Rock Drummers of the Sixties was published in 1989 and went on to become a collectors' item. This in-demand book is back and better than ever, with a new cover, improved layout, and much more information for anyone interested in the Sixties, its music, and rock drummers.
(Limelight). In 1965, Ian Whitcomb's novelty rocker "You Turn Me On" was number eight on the national charts, along with entries from the Beatles, the Rolling Stones, the Beach Boys. In 1966 he was nowheresville a certified rock 'n' roll flash in the pan. It is, then, with a survivor's humor that he tells both his and rock's story from its beginnings in the late fifties to 1969, the year of Woodstock and psychedelic dreams of universal peace and love. Here is the saga of the British Invasion, the genesis of folk rock, the blooming of Flower Power, the Summer of Love and the inner workings of the pop music biz, brought to life by a true insider who is also an uninhibitedly acute observer.
If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.
In a state widely considered ground zero for civil rights struggles, Huntsville became an unlikely venue for racial reconciliation. Huntsvilles recently formed NASA station drew new residents from throughout the country, and across the world, to the Rocket City. This influx of fresh perspectives informed the citys youth. Soon, dozens of vibrant rock bands and soul groups, characteristic of the era but unique in Alabama, were formed. Set against the bitter backdrop of segregation, Huntsville musiciansblack and whitefound common ground in rock and soul music. Whether playing to desegregated audiences, in desegregated bands or both, Huntsville musicians were boldly moving forward, ushering in a new era. Through interviews with these musicians, local author Jane DeNeefe recounts this unique and important chapter in Huntsvilles history.
A brilliant new survey and intelligent exploration of progressive rock, from its origins through to contemporary artists. Nicely illustrated, it includes rare photos of artists like Kate Bush and Genesis.
Los Angeles in the 1960s gave the world some of the greatest music in rock 'n' roll history: "California Dreamin'" by the Mamas and the Papas, "Mr. Tambourine Man" by the Byrds, and "Good Vibrations" by the Beach Boys, a song that magnificently summarized the joy and beauty of the era in three-and-a-half minutes. But there was a dark flip side to the fun fun fun of the music, a nexus between naïve young musicians and the fringe elements that exploited the decade's peace-love-and-flowers ethos, all fueled by sex, drugs, and overnight success. One surf music superstar unwittingly subsidized the kidnapping of Frank Sinatra Jr. The transplanted Texas singer Bobby Fuller might have been murdered by the Mob in what is still an unsolved case. And after hearing Charlie Manson sing, Neil Young recommended him to the president of Warner Bros. Records. Manson's ultimate rejection by the music industry likely led to the infamous murders that shocked a nation. Everybody Had an Ocean chronicles the migration of the rock 'n' roll business to Southern California and how the artists flourished there. The cast of characters is astonishing—Brian and Dennis Wilson of the Beach Boys, Jan and Dean, eccentric producer Phil Spector, Cass Elliot, Sam Cooke, Ike and Tina Turner, Joni Mitchell, and scores of others—and their stories form a modern epic of the battles between innocence and cynicism and joy and terror. You'll never hear that beautiful music in quite the same way.