Author : Richard Mudge
Publisher :
Page : 0 pages
File Size : 48,13 MB
Release : 1990
Category :
ISBN :
[PDF] Six Concertos In Seven Parts Five For Four Violins A Tenor Violin And Violoncello With A Thorough Bass For The Harpsicord And One Concerto For The Organ Or Harpsicord With Instruments eBook
Six Concertos In Seven Parts Five For Four Violins A Tenor Violin And Violoncello With A Thorough Bass For The Harpsicord And One Concerto For The Organ Or Harpsicord With Instruments Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Six Concertos In Seven Parts Five For Four Violins A Tenor Violin And Violoncello With A Thorough Bass For The Harpsicord And One Concerto For The Organ Or Harpsicord With Instruments book. This book definitely worth reading, it is an incredibly well-written.
viii. Concerto's in seven parts. Six for two Violins, a Tenor Violin, and a Violoncello, with Two other Violins, and Thorough Bass, for ye Harpsicord. One for a German Flute, wth all the other Instruments, and one with Two German Flutes, Two Violins, Tenor Violin, Violoncello and Thorough Bass for the Harpsicord ... Opera the Tenth. [Separate Parts.]
Author : Willem de Fesch
Publisher :
Page : 178 pages
File Size : 27,92 MB
Release : 1741
Category :
ISBN :
Six Concerto's in seven Parts, for Four Violins, a Tenor, a Violoncello: and a Thorough Bass for the Harpsicord, etc. [Parts.]
Author : John Alcock (Doctor in Music.)
Publisher :
Page : 138 pages
File Size : 31,46 MB
Release : 1750
Category :
ISBN :
A Short-Title Catalogue of Music Printed Before 1825 in the Fitzwilliam Museum, Cambridge
Author : Fitzwilliam Museum
Publisher : Cambridge University Press
Page : 216 pages
File Size : 33,51 MB
Release : 1992-11-27
Category : Music
ISBN : 9780521415354
The collection of pre-1825 printed music in the Fitzwilliam Museum, Cambridge, here catalogued for the first time.
A Descriptive Catalogue of the Music Collection at Burghley House, Stamford
Author : Gerald Gifford
Publisher : Routledge
Page : 394 pages
File Size : 10,88 MB
Release : 2017-11-01
Category : Social Science
ISBN : 1351786121
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.
SIX CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO, with a THOROUGH BASS for the HARPSICORD. COMPOS'D BY John Stanley Batchelor of Musick. Organist of S.t Andrews, and the Temple
Author : John Stanley
Publisher :
Page : pages
File Size : 40,85 MB
Release :
Category :
ISBN :
Catalogues
Author : Bernard Quaritch (Firm)
Publisher :
Page : 84 pages
File Size : 14,68 MB
Release : 1968
Category : Books
ISBN :
Catalogs
Author : Harold Reeves (Firm)
Publisher :
Page : 620 pages
File Size : 47,84 MB
Release : 1919
Category : Music
ISBN :
English Eighteenth-century Concertos
Author : Owain Tudor Edwards
Publisher :
Page : 298 pages
File Size : 23,77 MB
Release : 2004
Category : Juvenile Nonfiction
ISBN :
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.
The Scoring of Baroque Concertos
Author : C. R. F. Maunder
Publisher : Boydell Press
Page : 304 pages
File Size : 18,24 MB
Release : 2004
Category : Music
ISBN : 9781843830719
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.