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The very first maps, oral maps made by early Polynesian and Maori settlers, were waypoints, lists of places in songs, chants, karakia and stories that showed direction. Hundreds of years later, Abel Tasman made the first attempt at a physical map; followed more than a century later by James Cook, whose more detailed map was made as he circumnavigated Aotearoa. Once the detail of the coastline was filled in, it was the turn of the surveyors, explorers, rockhounds, gold diggers and politicians to negotiate the internal detail. The story of these maps is also the story of Aotearoa New Zealand. Disclaimer: Due to limitations of ebook files, the finer details of some maps in this ebook are not entirely clear.
Author : Henry Herbert Knibbs Publisher : Boston ; New York : Houghton Mifflin Company Page : 120 pages File Size : 33,86 MB Release : 1920 Category : American poetry ISBN :
An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.
Beautifully illustrated with a selection of fascinating maps, Singing the Trail is the story of New Zealand through its maps - and the story of the explorers who made those maps.
An exciting and deeply moving story of survival, courage, and friendship on the Appalachian Trail. Toby has to finish the final thing on The List. It's a list of brave, daring, totally awesome things that he and his best friend, Lucas, planned to do together, and the only item left is to hike the Appalachian Trail. But now Lucas isn't there to do it with him. Toby's determined to hike the trail alone and fulfill their pact, which means dealing with little things -- the blisters, the heat, the hunger -- and the big things -- the bears, the loneliness, and the memories. When a storm comes, Toby finds himself tangled up in someone else's mess: Two boys desperately need his help. But does Toby have any help to give? The Trail is a remarkable story of physical survival and true friendship, about a boy who's determined to forge his own path -- and to survive.
The "Songs of the Cattle Trail and Cow Camp" does not purport to be an anthology of Western verse. As its title indicates, the contents of the book are limited to attempts, more or less poetic, in translating scenes connected with the life of a cowboy. The volume is in reality a by-product of my earlier collection, "Cowboy Songs and Other Frontier Ballads." In the former book I put together what seemed to me to be the best of the songs created and sung by the cowboys as they went about their work. In making the collection, the cowboys often sang or sent to me songs which I recognized as having already been in print; although the singer usually said that some other cowboy had sung the song to him and that he did not know where it had originated. For example, one night in New Mexico a cowboy sang to me, in typical cowboy music, Larry Chittenden's entire "Cowboys' Christmas Ball"; since that time the poem has often come to me in manuscript form as an original cowboy song. The changes — usually, it must be confessed, resulting in bettering the verse — which have occurred in oral transmission, are most interesting. Of one example, Charles Badger Clark's "High Chin Bob," I have printed, following Mr. Clark's poem, a cowboy version, which I submit to Mr. Clark and his admirers for their consideration. In making selections for this volume from a large mass of material that came into my ballad hopper while hunting cowboy songs as a Traveling Fellow from Harvard University, I have included the best of the verse given me directly by the cowboys; other selections have come in through repeated recommendation of these men; others are vagrant verses from Western newspapers; and still others have been lifted from collections of Western verse written by such men as Charles Badger Clark, Jr., and Herbert H. Knibbs. To these two authors, as well as others who have permitted me to make use of their work, the grateful thanks of the collector are extended. As will be seen, almost one-half of the selections have no assignable authorship. I am equally grateful to these unknown authors.
To do with the calling of loons, with northern lights, and the great silences of land lying northwest of Lake Superior. It is concerned with the simple joys, the timelessness and perspective found in a way of life which is close to the past. I have heard the singing in many places, but I seem to hear it best in the wilderness lake country of the Quetico-Superior, where travel is still by pack and canoe over the ancient trails of the Indians and voyageurs." Thus the author sets the theme and tone of this enthralling book of discovery about one of the few great primitive areas in our country which have withstood the pressures of civilization. Acute natural perceptivity and a profound knowledge of the relationships to be found in nature combine here in vivid evocations of the sights, the sounds, the vast stillnesses, and the events of the wilderness as the seasons succeed each other. But Mr. Olson is not content merely to "describe; he probes for meanings that will lead the reader to a different and more revealing way of looking at the out-of-doors and to a deeper sense of its eternal values. In each of the thirty-four chapters of The Singing Wilderness he has sought to capture an essential quality of our magnificent lake and forest heritage. He shows us what can be read from the rocks of the great Canadian Shield; he offers a delightful essay on the virtues of pine knots as fuel; he writes of the ways of a canoe, of flashing trout in the pools of the Isabella, of tamarack bogs, caribou moss, the flight of wild geese, timber wolves, and the birds of the ski trails. And much more, with something to satisfy every taste for wilderness experience. Superbly illustrated with 38 black-and-white drawings by Francis Lee Jaques, The Singing Wilderness is a book that no lover of nature will want to be without. To anyone who contemplates a vacation in the lake country of northern Minnesota and adjoining Canada, it is the perfect vade mecum.
"This dynamic mixture of rock, calypso and ballads features a dozen singer-dancers in 20 numbers. In revue-style format, Don't Bother Me ... explores the African American experience through vibrant song and dance."--Publisher