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Simultaneous tonality

Author : John L. Dunk
Publisher :
Page : 334 pages
File Size : 39,24 MB
Release : 1916
Category : Music
ISBN :

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Studies on the Origin of Harmonic Tonality

Author : Carl Dahlhaus
Publisher : Princeton University Press
Page : 406 pages
File Size : 27,92 MB
Release : 2014-07-14
Category : Music
ISBN : 1400861314

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Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hyperacoustics

Author : John L. Dunk
Publisher :
Page : 180 pages
File Size : 14,3 MB
Release : 1921
Category : Music
ISBN :

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Hyperacoustics

Author : John L. Dunk
Publisher :
Page : 311 pages
File Size : 33,28 MB
Release : 1916
Category : Music
ISBN :

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The Athenaeum

Author :
Publisher :
Page : 526 pages
File Size : 43,29 MB
Release : 1916
Category : England
ISBN :

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Adorno's Aesthetics of Music

Author : Max Paddison
Publisher : Cambridge University Press
Page : 396 pages
File Size : 27,70 MB
Release : 1993
Category : Music
ISBN : 9780521626088

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This introduction to the aesthetics and sociology of music of the German philosopher and music theorist T. W. Adorno is the only book to deal comprehensively with this topic and it has quickly established itself as a classic text.

The Psychology of Music

Author : Diana Deutsch
Publisher : Academic Press
Page : 784 pages
File Size : 18,35 MB
Release : 2012-10-29
Category : Psychology
ISBN : 0123814618

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The Psychology of Music serves as an introduction to an interdisciplinary field in psychology, which focuses on the interpretation of music through mental function. This interpretation leads to the characterization of music through perceiving, remembering, creating, performing, and responding to music. In particular, the book provides an overview of the perception of musical tones by discussing different sound characteristics, like loudness, pitch and timbre, together with interaction between these attributes. It also discusses the effect of computer resources on the psychological study of music through computational modeling. In this way, models of pitch perception, grouping and voice separation, and harmonic analysis were developed. The book further discusses musical development in social and emotional contexts, and it presents ways that music training can enhance the singing ability of an individual. The book can be used as a reference source for perceptual and cognitive psychologists, neuroscientists, and musicians. It can also serve as a textbook for advanced courses in the psychological study of music. Encompasses the way the brain perceives, remembers, creates, and performs music Contributions from the top international researchers in perception and cognition of music Designed for use as a textbook for advanced courses in psychology of music

Basic Anatomy and Physiology for the Music Therapist

Author : Daniel J. Schneck
Publisher : Jessica Kingsley Publishers
Page : 354 pages
File Size : 16,53 MB
Release : 2015-06-21
Category : Psychology
ISBN : 0857009923

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Providing need-to-know information about the human body for music therapists, this book covers the elements of anatomy and physiology that are of particular relevance to clinical practice. Addressing both the structure and function of the human body, the material is presented with the music therapist in mind. Particular attention is paid to the role of music in affecting responses from the organ systems, including the senses, the endocrine glands, the immune system, the musculo-skeletal system, the nervous systems and the vestibular system. Dr Schneck also uses accessible musical metaphors to explain complex biological information. Emphasising the symbiotic relationship between music and the body, this book reveals how an understanding of this relationship can help music therapists to practice more effectively, and will be of interest to students and practitioners alike.