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Throbbing with non-stop excitement, Shiva in the City of Nectar sweeps across Heaven, Earth and the Underworld, narrating the exploits of the mysterious and powerful blue-throated god. One after another, the tales unfold the follies of ancient devas, asuras, sages, men and mythical beasts. And through them all, Shiva blithely takes on the guise of beggar, saint, monarch, merchant, fisherman, hunter, warrior and woodcutter; walking through the three worlds to slay rampaging demons, perform his Dance of Bliss and embrace good and bad alike. Shiva is portrayed in all his multi-faceted mystique – the tender lover who woos and weds Goddess Meenakshi; the eternal Guru who dispenses wisdom; the fierce avenger whose third eye flashes fire; the generous benefactor who showers blessings on his devotees; and, above all, the gentle prankster who embodies the essence of Vedic faith.
As its mahout goaded the mammoth royal elephant to the open space where Navukkarasu was held, the beast trumpeted in fury, knocking down walls and ornamental arches in wanton aggression. The earth shook under its tread and the crowd surged back in fear. Navukkarasu fearlessly stood his ground asserting, “The Cosmic Dancer who wears a garment of elephant hide will protect me.” The animal charged forward - only to stop short before the saint. In an instant, all aggression leached out of the beast. As docile as a lamb, the elephant circumambulated Navukkarasu, clumsily fell to its knees, and raised its trunk in homage to him. Lumbering to its feet, it then carefully backed away from its intended victim. Hounds of Shiva is a treasure house of tales with impassioned, heroic acts of sacrifice, devotion and service in the lives and times of the Nayanmars – the sixty-three Shaivite saints who were exemplars of bhakti. Kannappa gouges out his eye to heal Shiva’s wound; Punitavati renounces her youth and beauty to follow the Lord as an emaciated ghoul; Siruthondar sacrifices his own son at Shiva’s command; Iyarpahai gifts his beloved wife to another man; Samandhar raises a boy from the dead; Poosal builds an intricate Shiva temple in his heart. But the book’s hero is Lord Shiva, who assumes myriad disguises to sport with his devotees, blessing and testing them. Filled with astounding miracles, Hounds of Shiva is an untold tale of the Blue-throated Lord and a feast for the mind and soul. Preetha Rajah Kannan is the author of Shiva in the City of Nectar, an enthralling collection of stories based on the revered Tamil text, Thiruvilayaadal Puranam. She is also the editor of Navagraha Purana, a translation of the eponymous Telugu work on the mythology of the nine planets, by celebrated author V. S. Rao. Kannan has contributed extensively to newspapers and magazines, such as The New Indian Express and The Express School Magazine. A homemaker and a mother of two boys, she lives with her family in Madurai, Tamil Nadu.
The stories that await you are an exhilarating mix of devotion, history and myths! Dance of Shiva & Other Divine Tales explores the mysteries that lie behind some of our most ancient and revered temples—from Kanyakumari to Kanchipuram. Revealing the legends behind the origins of these temples and the wonders associated with them, these stories will delight anyone fascinated by Indian folklore. These timeless and enchanting stories narrate the triumph of good over evil; they portray god’s compassion towards man; they reveal the miracles worked by devotion. Immensely engaging and magical, the action in these narratives ranges over heaven and earth: Indra is punished for lusting after a sage’s wife; Narada uses his tricks to stop Shiva’s marriage to Parvati; Kannagi’s curse reduces Madurai to ashes; Vishnu saves Gajendran, the elephant, from the crocodile’s clutches … and much more. A collection that is in equal parts enlightening and enthralling.
The transparent theme of 'Revealing Kingdom of Shiva Series-5 is to highlight Vedic wisdom. This work lucidly explains the creative secrets with a scientific base with 37 colorful Images under the Creative Commons Attribution-ShareAlike 3.0 License exemplifying the worth of story to get the readers actively engaged with the text and feel like living in the story throughout as its part while enjoying reading. The licensed Content is available under CC-BY-SA. The author began his reveling from 'Shiva Shakti. Shiva and Shakti are the twin flames; the mirror image of each other.The epic story of Samudra Manthana explains the origin of amrita, the nectar of immortality. This story reveals all kinds of herbs cast into the ocean and fourteen gems or treasures produced from it and divided between the Asuras and the Devas. The nectar of immortality produced, for sharing by the Devas and the Asuras.Fierce fighting ensued between the Devas and the Asuras for it. Vishnu took the form of Mohini as a beautiful and enchanting damsel distracted the Asuras. Rahu disguised himself as a deva and drank some nectar but her discus cut off his head. The author lucidly dealt 'Battle in the Womb' based on the above epic story of Samudra Manthana and revealed on the Vedic scientific knowledge on Sexual ethics. This teaches that a person, who acquainted with the true principles of the science of sex, preserves virtue, prosperity, and love and has regard for the practices of the people, is sure to obtain the mastery over his senses.The author details on the performance of most difficult Penance of Parvati who fell in love with Lord Shiva. Having pleased with her devotional love Lord Shiva offered to marry her according to the prescribed Vedic rites. The marriage preparations made at the wonderful place, Kailash can be proud as it describes on the landing facilities to receive numerous aircraft carrying the invites from all over the cosmos. Their details are simply fascinating. Raining flowers are playing a colourful role in celebrations symbolizing the essence of love. The atmosphere is perfect in all respects. It is a wonder of the wonder is happening. For the first time, both Sura and Asura Lords are together. There is no enmity and ego on either side. It preaches that one gives up selfishness and love without expecting anything in return. Love is the ultimate experience of a Human.This gives an authentic account on Vedic marriage rituals in which the Divine Marriage of Lord Shiva and Parvati took place. Lord Shiva gifted all those assembled there with fourteen kinds of Rudraksha to energies with the power that gives more positive and effective results. Lord Shiva has also gifted Divine Vibhuti that will prevent or cure 81 diseases. The significance of Cow has also been enlightened. Goddess Parvati has released Nandiswara Grandhamruta, which everybody wanted to have as "Divine Prasad" Nandiswara Grandhamruta represents a sacred path. The author details on how a surrogate baby boy was born from the sweat of Shiva and Parvati and called as Andhaka, who rose by Asura Hiranyaksa. He obtained boons from Lord Brahma, and defeated Lord Indra. Tarakasura had come know that Andhaka was the first-born son of Lord Shiva and son of Lord Shiva would kill him. He was worried now and induced him to have an exciting sexual experience with Parvati. Andhaka waged a war, fought with Lord Shiva, and punished for the gravest seven sins committed by him. Andhaka had now realized his mistake apologized Parvati with complete devotion. Parvati became pleased and called Bhringi as 'Shiva Ganadhipathi', made him as chief of the army, and gifted him her divine Chamunda sword. This shows the greatness of a mother on forgiveness. All these stories portrayed to leave a deep impact on the readers, as the genre is full of religious motivation, cultural heritage, deep into the spiritual meaning, the magical, and the miraculous in the historical style ..Read Now
Many modern scholars say Shiva linga is a phallic symbol. Most devotees disagree. Who is right? To make sense of a mythological image one has to align the language heard stories] with the language performed rituals], and the language seen symbols]. This book also looks at the sexual metaphors.
Suddenly, the silence of the jungle was shattered by the crash of branches. The prince froze. Some large animal threshed through the thick undergrowth. Manikanthan silently followed the trail of destruction. He emerged from the jungle onto the banks of the Azhutha. There before him stood a huge she-buffalo, muscles rippling as she lapped the water. It was none other than the wicked Mahishi. Sensing the intruder in her domain, Mahishi raised her head. A young boy stood by the forest edge. He held a bow in his hand; a sword hung in the scabbard by his side. The asura and the boy stood motionless, locking eyes. The Warrior God: Ayyappa of Sabarimalai depicts the epic confrontation between good and evil. Mahishi, the buffalo-headed asura princess, wreaks vengeance on the devas for killing her brother, the mighty Mahishasura. She subjugates the gods and unleashes a reign of terror on the three worlds. A series of divine events culminate in the birth of Mahishi’s nemesis, Hariharaputra – the son of Shiva and Vishnu, later known as Ayyappa. The baby, raised on earth as a prince of the Pandalam dynasty, awaits his tryst with destiny. Here is the story of Sabarimalai, where legend and history meld into one tidal wave of devotion. Discover why five crore pilgrims annually ford rivers and trek through forests and hills to pay homage to Ayyappa. Preetha Rajah Kannan is the author of Shiva in the City of Nectar, an enthralling collection of stories based on the revered Tamil text, Thiruvilayaadal Puranam. She is also the editor of Navagraha Purana, a translation of the eponymous Telugu work on the mythology of the nine planets, by celebrated author V. S. Rao. Kannan has contributed extensively to newspapers and magazines, such as The New Indian Express and The Express School Magazine. A homemaker and a mother of two boys, she lives with her family in Madurai, Tamil Nadu.
The author in his first book factbook.com had covered every discipline of knowledge right from mathematics to biology, physics to chemistry, history to geography; polity to mythology, language to etymology, and every religion whether Hinduism, Islam, Christianity, Buddhism, Jainism, or Zoroastrianism in short notes along with some motivational stories and poems. The present book is his second in a row. In this book, he has expounded on some of the topics which are very relevant and have been in the news in the current year 2020 like: Indo-China dispute, construction of Ram Mandir at Ayodhya, the U.S presidential election, the 75th anniversary of the first atom-bomb dropping, etc. The book also contains Hindu and Greek mythologies and as usual motivational stories that will keep you in top gear. But the main attractions of the book are the stories of viruses including the Coronavirus and the history behind the Olympics and its rescheduling from 2020 to 2021 with important facts and figures.
The presented book 'Indian Art & Culture' is extremely beneficial for the candidates preparing for the Preliminary and Mains Examination of Civil and State Services. The entire subject matter of the book is divided into 3 sections: Indian Art, Indian Culture and Indian Heritage. Each section has been discussed in detail in various chapters of the book. It is even more important for the aspirants because the book includes the diverse forms of Indian Art, Culture and Heritage, such as paintings and handicrafts, architecture, drama, dance, music, sculpture, architecture, inscriptions, festivals, heritage sites declared by UNESCO, language, literature, education, religion and philosophy etc. and their historical development since the time of their inception till now. This book is presented in a critical form with authentic facts and updated data keeping in view the latest developments in the field of art & culture. Four appendices have also been given at the end of the book in which examination related material pertaining to art and culture has been incorporated.
The 'Brihakatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.