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Author : Garth Clark
Publisher :
Page : 0 pages
File Size : 23,33 MB
Release : 2012
Category : Art pottery
ISBN : 9780300169973
"Published to coincide with the exhibition held at the the Museum of Fine Arts, Houston, Mar. 4-June 17, 2012"--Colophon.
Author : Glenn Adamson
Publisher : The Monacelli Press, LLC
Page : 232 pages
File Size : 27,39 MB
Release : 2020-10-27
Category : Art
ISBN : 1580935737
Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.
Author : Christine Nofchissey McHorse
Publisher : SF Design, LLC / Frescobooks
Page : 0 pages
File Size : 32,55 MB
Release : 2013
Category : Art pottery, American
ISBN : 9781934491386
Dark Light is the first book on the ceramics of the great Navajo ceramist Christine Nofchissey McHorse and features her award-winning sculptural black series begun in 1998. Authors Clark and Del Vecchio, the two foremost experts on international contemporary ceramics, give respect to the artist's Native roots while also exploring her art in a mainstream context, a breakthrough in evaluating Indian pottery today. Dark Light refers to the mica-rich clay McHorse uses in her vessels. When fired, the mica glows and shimmers against the black of the reduction-fired surfaces, advancing and receding, giving McHorse's elegant, matt-black biomorphic shapes a retinal vibrance and a sensual life.
Author : Susan Peterson
Publisher :
Page : 186 pages
File Size : 30,46 MB
Release : 2000
Category : Art
ISBN :
This unprecedented survey of the most outstanding ceramics being created today offers a sweeping close-up look at the work of more than 260 artists from more than thirty countries. A special feature of this collection is the range of work from China, almost unknown outside of this country until now. Organized by the distinctive categories of functional ceramics, figurative pieces, and installation works, the book gives a complete picture of the latest developments in each area of contemporary ceramic art. Chapters on materials, firing techniques, ethnic influences in design, and related topics delve into every aspect of ceramics creation that would be of interest to crafters, collectors, and other readers who are drawn to contemporary art. Stimulating essays by the author tie together the wide range of work shown in superbly detailed color photographs. Artists included: John Mason, Jun Kaneko, Peter Voulkos, Ralph Bacerra, Rudy Autio, Ken Price, Peter Lane "The book is lavishly illustrated and delights the eyes with the exuberance and variety of ceramic art in the 20th century."--"Mills Quarterly," Spring 2001
Author : Henry Glassie
Publisher : Indiana University Press
Page : 353 pages
File Size : 36,93 MB
Release : 2020-03-03
Category : Art
ISBN : 0253048893
DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina.
Author :
Publisher :
Page : pages
File Size : 44,97 MB
Release : 1989
Category :
ISBN :
Author : Christie Brown
Publisher : Routledge
Page : 449 pages
File Size : 47,16 MB
Release : 2016-06-17
Category : Language Arts & Disciplines
ISBN : 131716086X
This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.
Author : Laura Breen
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 13,72 MB
Release : 2019-08-22
Category : Design
ISBN : 1350047856
Ceramics and the Museum interrogates the relationship between art-oriented ceramic practice and museum practice in Britain since 1970. Laura Breen examines the identity of ceramics as an art form, drawing on examples of work by artist-makers such as Edmund de Waal and Grayson Perry; addresses the impact of policy making on ceramic practice; traces the shift from object to project in ceramic practice and in the evolution of ceramic sculpture; explores how museums facilitated multisensory engagement with ceramic material and process, and analyses the exhibition as a text in itself. Proposing the notion that 'gestures of showing,' such as exhibitions and installation art, can be read as statements, she examines what they tell us about the identity of ceramics at particular moments in time. Highlighting the ways in which these gestures have constructed ceramics as a category of artistic practice, Breen argues that they reveal gaps between narrative and practice, which in turn can be used to deconstruct the art.
Author : Jenni Sorkin
Publisher : University of Chicago Press
Page : 311 pages
File Size : 46,85 MB
Release : 2016-07-26
Category : Art
ISBN : 022630325X
Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism.
Author : Emmanuel Cooper
Publisher : Thames and Hudson
Page : 312 pages
File Size : 16,11 MB
Release : 2009-09-22
Category : Antiques & Collectibles
ISBN :
"A comprehensive worldwide survey, with over 600 stunning illustrations, of the most distinctive, intensely creative and innovative recent work, ranging from functional objects to the boundaries and possibilities of clay as a medium.