[PDF] Sherrie Levine eBook

Author : Howard Singerman
Publisher : Univ of California Press
Page : 310 pages
File Size : 38,5 MB
Release : 2012
Category : Art
ISBN : 0520267222

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For this in-depth examination of artist Sherrie Levine, Howard Singerman surveys a broad range of sources to assess an artist whose work was understood from the outset to oppose the values of the art world in the 1980s but who, by the end of the decade, was exhibiting in some of the most successful commercial galleries in New York.

Author : Sherrie Levine
Publisher : David Zwirner Books
Page : 384 pages
File Size : 32,67 MB
Release : 2018-11-20
Category : Art
ISBN : 9781644230015

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Diaries and journals have a long, complex history within visual culture. American artist Sherrie Levine continues the tradition with Diary 2019 by making the private public. Inspired by Polish writer Witold Gombrowicz’s Diary and its famed opening entries, written in 1953— “Monday: Me. Tuesday: Me. Wednesday: Me. Thursday: Me.”—Levine prints the word “ME.” on each calendar page in Diary 2019. Levine’s diary is a playful riff on autobiography amidst our narcissistic culture.

Author : Christine Macel
Publisher : Yale University Press
Page : 353 pages
File Size : 44,83 MB
Release : 2015-01-01
Category : Art
ISBN : 0300214820

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Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.

Author : Neues Museum (Nuremberg, Germany)
Publisher : Hirmer Verlag GmbH
Page : 191 pages
File Size : 48,12 MB
Release : 2016
Category : Appropriation (Art)
ISBN : 9783777428024

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The American artist Sherrie Levine realises in her works the artistic praxis of appropriating, repeating and varying famous earlier artworks. At the same time in doing so she creates her own new oeuvre. Beyond the mere copy she further develops the works c onceptually and with historical clichés, presenting it to the viewer for reconsideration. Sherrie Levine (* 1947) is a photographer, painter and sculptor and is celebrated above all in the United States. When we fi rst consider her works we think of the im itation and interpretation of the reference works, but our conclusions about the copy soon disappear in favour of a new, autonomous original. The volume shows over 50 works "after" artists like Duchamp, Cézanne, Degas, van Gogh and Mondrian, from whose mas terpieces Sherrie Levine has created something new. In addition art experts place her work in context, for example with regard to her choice of subject or her methods of reproduction.

Author : Richard Brilliant
Publisher : Routledge
Page : 305 pages
File Size : 36,97 MB
Release : 2016-04-08
Category : Art
ISBN : 1317063783

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This book offers a range of views on spolia and appropriation in art and architecture from fourth-century Rome to the late twentieth century. Using case studies from different historical moments and cultures, contributors test the limits of spolia as a critical category and seek to define its specific character in relation to other forms of artistic appropriation. Several authors explore the ethical issues raised by spoliation and their implications for the evaluation and interpretation of new work made with spolia. The contemporary fascination with spolia is part of a larger cultural preoccupation with reuse, recycling, appropriation and re-presentation in the Western world. All of these practices speak to a desire to make use of pre-existing artifacts (objects, images, expressions) for contemporary purposes. Several essays in this volume focus on the distinction between spolia and other forms of reused objects. While some authors prefer to elide such distinctions, others insist that spolia entail some form of taking, often violent, and a diminution of the source from which they are removed. The book opens with an essay by the scholar most responsible for the popularity of spolia studies in the later twentieth century, Arnold Esch, whose seminal article 'Spolien' was published in 1969. Subsequent essays treat late Roman antiquity, the Eastern Mediterranean and the Western Middle Ages, medieval and modern attitudes to spolia in Southern Asia, the Italian Renaissance, the European Enlightenment, modern America, and contemporary architecture and visual culture.

Author : Douglas Eklund
Publisher : Metropolitan Museum of Art
Page : 354 pages
File Size : 10,99 MB
Release : 2009
Category : Art and popular culture
ISBN : 1588393143

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Artists: John Baldessari, Ericka Beckman, Dara Birnbaum, Barbara Bloom, Eric Bogosian, Glenn Branca, Tony Brauntuch, James Casebere, Sarah Charlesworth, Charles Clough, Nancy Dwyer, Jack Goldstein, Barbara Kruger, Jouise Lawler, Thomas Lawson, Sherrie Levine, Robert Longo Allan McCollum, Paul McMahon, MICA-TV (Carole Ann Klonarides and Michael Owen), Matt Mullican, Tom Otterness, Richard Prince, David Salle, Cindy Sherman, Laurie Simmons, Michael Smith, James Welling, Michael Zwack.

Author : Johanna Burton
Publisher :
Page : 0 pages
File Size : 50,94 MB
Release : 2012
Category : Appropriation (Art)
ISBN : 9780300175967

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This survey of paintings, sculptures and photographs by the appropriation artist, Sherrie Levine, covers thirty years of her work.

Author : David Joselit
Publisher : Princeton University Press
Page : 133 pages
File Size : 29,74 MB
Release : 2013
Category : Architecture
ISBN : 0691150443

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How digital networks are transforming art and architecture Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

Author : David Evans
Publisher : MIT Press
Page : 239 pages
File Size : 36,8 MB
Release : 2009
Category : Art
ISBN : 0262550709

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"Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist détournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context." --back cover.

Author : Douglas Crimp
Publisher : University of Chicago Press
Page : 0 pages
File Size : 43,6 MB
Release : 2016
Category : Art
ISBN : 9780226423456

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Front room/back room -- Spanish Harlem (East 98th Street), 1967-69 -- Way out on a nut -- Chelsea (West 23rd Street), 1969-71 -- Back to the turmoil -- West Village (West 10th Street), 1971-74 -- Art news parties -- Hotel des artistes -- Tribeca (Chambers Street), 1974-76 -- Action around the edges -- Disss-co (a fragment) -- Broadway-Nassau (Nassau Street), 1976 -- Agon -- Pictures, before and after