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Opening in Calcutta in the 1960s, Amitav Ghosh's radiant second novel follows two families -- one English, one Bengali -- as their lives intertwine in tragic and comic ways. The narrator, Indian born and English educated, traces events back and forth in time, from the outbreak of World War II to the late twentieth century, through years of Bengali partition and violence, observing the ways in which political events invade private lives.
The Shadow Lines Is A Highly Innovative, Complex And Celebrated Novel Of Amitav Ghosh. Published In 1988, It Received The Prestigious Sahitya Academy Award In The Following Year. Not Only Literary Critics But Also Some Noted Litterateurs Have Acclaimed It For What It Has Been Able To Achieve As A Work Of Art. Its Focus Is A Fact Of History, The Post-Partition Scenario Of Violence; But Its Overall Form Is A Subtle Interweaving Of Fact, Fiction And Reminiscence.It Is A Novel In Which Amitav Ghosh Has Been Able To Realise His Artistic Conception Through An Art Form, Which Is Cohesive. However, It Remains Somewhat Inaccessible To Some Readers; They Are, Particularly, Mystified By Its Non-Linear Mode. This Volume Of Critical Essays On The Shadow Lines Is Being Presented In The Hope That It Will Enable The Reader To Gain An Insight Into The Meaning And Structure Of The Novel. In The First Part Of The Book, The Contributors Bring Out The Various Aspects/Elements Of The Novel. The Second Part Has Essays, Which Look At The Novel From Some Current Critical Perspectives Feminist, Post-Colonial And Historicist But The Emphasis Of These Essays Is Upon Practice And Not Theory. The Idea Is That The Reader Learns About A Specific Approach By Seeing It Applied To The The Shadow Lines. The Third Part Has A Single But Significant Essay The Shadow Lines In Context Which Relates The Novel To Ghosh S Other Works, Both Fiction And Non-Fiction. Though The Book Is Primarily Addressed To The Student, It Is Hoped That It Will Interest The Common Discernible Reader As Well.
A powerful and lyrical work by a writer of vision and imagination, Shadow Lines is the story of Jessie Argyle, born in the remote East Kimberley and taken from her Aboriginal family at the age of five, and Edward Smith, a young Englishman escaping the rigid strictures of London. In a society deeply divided on racial lines, Edward and Jessie met, fell in love and, against strong opposition, eventually married. Despite unrelenting surveillance and harassment, the Smith home was a centre for Aboriginal cultural and social life for over thirty years.
Intellectual culture in early twentieth-century Austria reached levels of originality and excellence that have rarely been equalled before or since. Shadow Lines examines works by major novelists, dramatists, poets, and intellectuals of that extraordinary era-among them, Sigmund Freud, Arthur Schnitzler, Robert Musil, Hugo von Hofmannsthal, Rainer Maria Rilke, Ludwig Wittgenstein, and Franz Kafka. Lorna Martens considers how each of these authors contributed to a decisive transformation in Austrian culture, involving a shift away from the dialectical syntheses of much nineteenth-century German thought and culture to potent, unresolvable dualisms of known and unknown-orderly and chaotic-features of human experience: consciousness and the unconscious, reason and the irrational, language and the inexpressible. In most of these writers, according to Martens, all that is knowable, reasonable, and orderly is grounded in that which is dark, irrational, chaotic. What Martens calls "the dark area" emerges variously "as the unconscious (Freud), the sexual drive (Freud, Schnitzler, Musil), the death instinct (Freud, Schnitzler), the dangerous chaos below the surface of things (Rilke), the inaccessible totality (von Hofmannsthal), or the unsayable (Mauthner, von Hofmannsthal, Musil, Wittgenstein)." The essential yet enigmatic relation between the known and the unknown leads to much that is unsettling-and strangely fascinating-in these writers' works. A book that shrewdly relates the works of these authors to the intellectual and political turmoil of the times, Shadow Lines is a new critical appraisal of Austrian literature and intellectual culture at the dawn of the century. Lorna Martens is anassociate professor in the Department of Germanic Languages and Literatures at the University of Virginia. She is the author of The Diary Novel.
A stunning collection from renowned artist Iain McCaig, now expanded with sixteen pages of bonus content from this expert craftsman and storyteller. "What is Shadowline? It is the place where things meet: light and shadows, hope and despair, good and evil. It is, to me, the most interesting place to hunt for stories." So begins this stunningly realized and beautifully rendered retrospective showcasing work from master storyteller and artist Iain McCaig. McCaig is best known for his work as a principal designer on the three Star Wars prequels, including the iconic characters Queen Amidala and Darth Maul, as well as his work on many major motion pictures, television, and video games. His touch can be seen in such acclaimed films as Terminator 2, Hook, Francis Ford Coppola's Dracula, Interview with a Vampire, and Harry Potter and the Goblet of Fire. Shadowline presents a stunning portfolio of more than two decades of McCaig's masterful concept designs and storyboards, cover art and illustrations, as well as his private sketchbooks and personal paintings, all woven together within the confines of an engrossing, otherworldly journey to his creative realm: Shadowline. . ICONIC CHARACTERS: Discover visionary designs for Queen Amidala, Darth Maul, and other beloved characters across film and pop culture PRIVATE SKETCHBOOKS: More than a retrospective of McCaig’s film work, Shadowline contains dozens of images from the artist’s personal archive CREATIVE PROCESS: At the heart of Shadowline is a supernatural story that gives readers insight into the artist’s creative process LEARN TO DRAW: Features instruction in how to draw and make art REVISED AND EXPANDED: Includes bonus content featuring pieces from McCaig’s work on Guardians of the Galaxy, The Avengers, and more.
A new 2023 edition of Joseph Conrad's classic existential novel The Shadowline from Newcomb Livraria Press with an extensive Afterword and expanded reference materials including including a timeline, character list and discussion questions. The Shadow Line, Joseph Conrad’s 1917 novel, returns in a new edition that will captivate readers and challenge them to explore the human experience. The story follows a young captain’s journey on a merchant ship as he attempts to take control of his own destiny in the face of an unforgiving sea. Conrad invites readers to consider the power of inner resolve, morality, and the consequence of fate. Conrad's last masterpiece is filled with insight and psychological complexity.
The first in an epic trilogy, Amitav Ghosh's Sea of Poppies is "a remarkably rich saga . . . which has plenty of action and adventure à la Dumas, but moments also of Tolstoyan penetration--and a drop or two of Dickensian sentiment" (The Observer [London]). At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton. With a panorama of characters whose diaspora encapsulates the vexed colonial history of the East itself, Sea of Poppies is "a storm-tossed adventure worthy of Sir Walter Scott" (Vogue).
A New York Times Notable Book: A policeman chases a falsely accused man on a wild journey around the world in this “utterly involving” novel (The Sunday Times). When eight-year-old Nachiketa Bose first arrives in the East Bengali village of Lalpukur, he receives the name Alu—potato—for the size and shape of his extraordinary head. His uncle Balaram, the local schoolmaster and phrenology enthusiast, sends Alu to apprentice as a weaver, and the boy soon surpasses the skill of his master. But when a tragic bombing leaves Alu suspected of terrorism, he flees across India to Bombay and the Arabian Sea, followed all the way by the dogged policeman—and avid ornithologist—Jyoti Das. From East Bengal to the Persian Gulf and North Africa, Amitav Ghosh’s wild and extraordinary novel “follows in the footsteps of magical realists like Gabriel García Márquez and Salman Rushdie” (The New York Times Book Review). “A novelist of dazzling ingenuity.” —San Francisco Chronicle “A Scheherezade effortlessly spinning tales within tales, the possessor of a strong narrative voice quite like no other.” —Newsday “Ghosh’s writing soars, producing electric images.” —The Baltimore Sun “A wonderful mix of magic and horror, wit and curiosity . . . Ghosh has really woven a fresh world for us to visit.” —Providence Sunday Journal