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"Seven Myths of Native American History will provide undergraduates and general readers with a very useful introduction to Native America past and present. Jentz identifies the origins and remarkable staying power of these myths at the same time he exposes and dismantles them." —Colin G. Calloway, Dartmouth College
An update of a popular work that takes on the myths of the Spanish Conquest of the Americas, featuring a new afterword. Seven Myths of the Spanish Conquest reveals how the Spanish invasions in the Americas have been conceived and presented, misrepresented and misunderstood, in the five centuries since Columbus first crossed the Atlantic. This book is a unique and provocative synthesis of ideas and themes that were for generations debated or perpetuated without question in academic and popular circles. The 2003 edition became the foundation stone of a scholarly turn since called The New Conquest History. Each of the book's seven chapters describes one "myth," or one aspect of the Conquest that has been distorted or misrepresented, examines its roots, and explodes its fallacies and misconceptions. Using a wide array of primary and secondary sources, written in a scholarly but readable style, Seven Myths of the Spanish Conquest explains why Columbus did not set out to prove the world was round, the conquistadors were not soldiers, the native Americans did not take them for gods, Cortés did not have a unique vision of conquest procedure, and handfuls of vastly outnumbered Spaniards did not bring down great empires with stunning rapidity. Conquest realities were more complex--and far more fascinating--than conventional histories have related, and they featured a more diverse cast of protagonists-Spanish, Native American, and African. This updated edition of a key event in the history of the Americas critically examines the book's arguments, how they have held up, and why they prompted the rise of a New Conquest History.
Unpacks the twenty-one most common myths and misconceptions about Native Americans In this enlightening book, scholars and activists Roxanne Dunbar-Ortiz and Dina Gilio-Whitaker tackle a wide range of myths about Native American culture and history that have misinformed generations. Tracing how these ideas evolved, and drawing from history, the authors disrupt long-held and enduring myths such as: “Columbus Discovered America” “Thanksgiving Proves the Indians Welcomed Pilgrims” “Indians Were Savage and Warlike” “Europeans Brought Civilization to Backward Indians” “The United States Did Not Have a Policy of Genocide” “Sports Mascots Honor Native Americans” “Most Indians Are on Government Welfare” “Indian Casinos Make Them All Rich” “Indians Are Naturally Predisposed to Alcohol” Each chapter deftly shows how these myths are rooted in the fears and prejudice of European settlers and in the larger political agendas of a settler state aimed at acquiring Indigenous land and tied to narratives of erasure and disappearance. Accessibly written and revelatory, “All the Real Indians Died Off” challenges readers to rethink what they have been taught about Native Americans and history.
Like ancient peoples the world over, the Cherokees of the southern Appalachian Mountains passed along their traditions and beliefs through stories, songs, dances, and religious and healing rituals. With the creation of Cherokee writing by Sequoyah, some of the traditions were also recorded in books. While evoking local geography and natural phenomena, the stories were also enhanced by powerful psychological and spiritual dynamics. This work examines seven myths that grew out of Cherokee culture, looking at how they emerged to explain archetypal issues. Each of the seven stories is told in full and is followed by a detailed history and analysis that provides its background, its associated rituals, and its psychological basis. One quickly discovers that while the myths are ancient, they are strikingly modern in their understanding of human personality development, family dynamics, community solidarity, and the reality of religion or spirituality. Grounded in the experience of this American Indian people and the land they inhabited, the myths tell universal truths. Instructors considering this book for use in a course may request an examination copy here.
The American Indian has figured prominently in many films and television shows, portrayed variously as a villain, subservient friend, or a hapless victim of progress. Many Indian stereotypes that were derived from European colonial discourse—some hundreds of years old—still exist in the media today. Even when set in the contemporary era, novels, films, and programs tend to purvey rehashed tropes such as Pocahontas or man Friday. In Native Americans on Network TV: Stereotypes, Myths, and the “Good Indian,” Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television’s portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the “Good Indian” have become part of viewers’ understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the “Good Indian”—minority figures that enforce the dominant group’s norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history.
They come from the Pawnee, Iroquois, Algonquin, Inuit, Navajo, Sioux, and Hopi--and every one of these myths reveals the richness and depth of Native American traditions. Born out of a sensitivity and respect for nature, they contain profound spiritual and emotional truths. An enjoyable read.--Booklist. Brings the powerful storytelling tradition of these amazing peoples to your customers....Presents a dazzling array of photos...which help turn the stories into vibrant, living tales.--New Age Retailer.
Popular Hopi kachina dolls and awesome totem poles are but two of the aspects of the sophisticated, seldom-examined network of mythologies explored in this fascinating volume. This revealing work introduces readers to the mythologies of Native Americans from the United States to the Arctic Circle—a rich, complex, and diverse body of lore, which remains less widely known than mythologies of other peoples and places. In thematic chapters and encyclopedia-style entries, Handbook of Native American Mythology examines the characters and deities, rituals, sacred locations and objects, concepts, and stories that define and distinguish mythological cultures of various indigenous peoples. By tracing the traditions as far back as possible and following their evolution from generation to generation, Handbook of Native American Mythology offers a unique perspective on Native American history, culture, and values. It also shows how central these traditions are to contemporary Native American life, including the continuing struggle for land rights, economic parity, and repatriation of cultural property.
Krech (anthropology, Brown U.) treats such provocative issues as whether the Eden in which Native Americans are viewed as living prior to European contact was a feature of native environmentalism or simply low population density; indigenous use of fire; and the Indian role in near-extinctions of buffalo, deer, and beaver. He concludes that early Indians' culturally-mediated closeness with nature was not always congruent with modern conservation ideas, with implications for views of, and by, contemporary Indians. Annotation copyrighted by Book News, Inc., Portland, OR