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Serial Killers - Philosophy for Everyone investigates our profound intrigue with mass-murderers. Exploring existential, ethical and political questions through an examination of real and fictional serial killers, philosophy comes alive via an exploration of grisly death. Presents new philosophical theories about serial killing, and relates new research in cognitive science to the minds of serial killers Includes a philosophical look at real serial killers such as Ian Brady, Ted Bundy, John Wayne Gacy, Jeffrey Dahmer and the Zodiac killer, as well as fictional serial killers such as Dexter and Hannibal Lecter Offers a new phenomenological examination of the writings of the Zodiac Killer Contains an account of the disappearance of one of Ted Bundy's victims submitted by the organization Families and Friends of Missing Persons and Violent Crime Victims Integrates the insights of philosophers, academics, crime writers and police officers
FATHERHOOD PHILOSOPHY FOR EVERYONE FATHERHOOD PHILOSOPHY FOR EVERYONE It has been said that being a father is what finally gives a man his meaning in life. And a father’s role has never been so involved – or expectations so high. There’s a lot for dads to discover, and as Socrates demonstrated, learning really begins when we as fathers realize how little we know. But, no fear, help is at hand as Fatherhood – Philosophy for Everyone offers wisdom and practical advice drawn from the annals of philosophy, exploring paternal concerns such as: Fatherhood and the meaning of life The impact of change in men who become fathers How to raise well-adjusted children and have a more fulfilling and enjoyable experience of fatherhood Do real fathers bake cookies? Both thought-provoking and practical, Fatherhood – Philosophy for Everyone provides a valuable starting and ending point for reflecting on this crucial role.
Those screams you're hearing are philosophy being awoken from its dogmatic slumbers with a stark brutality rarely matched in the history of intellectual anomaly. If there's a more intense sleep-killer compilation out there somewhere, it's concealing itself well. - Nick Land, author of Templexity: Disordered Loops through Shanghai Time (Urbanatomy, 2014) Serial Killing leaves behind the analysis of the serial killer as a romantic anti-hero, diagnostic category of psychopathology or sociological symptom to offer a collection of essays that infuses the conventional delusions of critical distance with the passionate, homicidal embrace of loving neighborliness. The theoretical, photographic and fictional essays in this volume take the serial killer as an object of both philosophical speculation and spiritual contemplation. In a brilliant cornucopia of styles and obsessions, serial killing becomes, among many other things: the touchstone of common in-humanity, a form of sacrifice and mystical rite, a leisure activity, a kind of bloody ikebana, a kaligraphic and auto-graphic mode of self-portraiture and flesh inscription, the meta-relational emanation of immanent suffering, a form of kleptomancy, an expression of neoliberal love, an ascetic practice of cosmic joy. It is properly mad. - Scott Wilson, Kingston University, author of Stop Making Sense (Karnac, 2015) One of the deepest and darkest truths in psychoanalysis is about the serial nature of the object. We pretend that it is unique, irreplaceable, singular, but it isn't, and it always exists as part of a multiple whose secret truth, to our real horror, is the emptiness or nothing at the center of this excess. In this fascinating collection of essays edited by Edia Connole and Gary Shipley we find out about this serial perversion of everyday life. - Jamieson Webster, Eugene Lang College, author of Stay! Illusion (Vintage, 2014) We simultaneously love and hate serial killers: we dread them, and yet we are fascinated by them. Both in reality, and in books and television shows, serial killers seem to stand at the very edge of what is possible, or of what is human. The essays in this volume push to the extremes of philosophy, and of art and literature, in order to speak to our uneasy relationship with what we both desire and abhor. - Steven Shaviro, Wayne State University, author of The Universe of Things (UMP, 2014)
"I was a greedy, ravenous individual, determined to rise from the bottom to the top . . . It wasn't me!"--Jack Unterweger's final words to his jury Serial killers rarely travel internationally. So in the early 1990s, when detectives from the Los Angeles Police Department began to find bodies of women strangled with their own bras, it didn't occur to them at first to make a connection with the bodies being uncovered in the woods outside of Vienna, Austria. The LAPD waited for the killer to strike again. Meanwhile, in Austria, the police followed what few clues they had. The case intrigued many reporters, but few as keenly as Jack Unterweger, a local celebrity. He cut a striking figure, this little man in expensive white suits. His expertise on Vienna's criminal underworld was hard-earned. He had been sentenced to life in jail as a young man. But while incarcerated, he began to write—and his work earned him the glowing attention of the literary elite. The intelligentsia lobbied for his release and by 1990, Jack was free again. He continued writing, nurturing his career as a journalist. But though he now traveled in the highest circles, he had a secret life. He was killing again, and in the greatest of ironies, reporting on the very crimes he had committed. With unprecedented access to Jack's diaries and letters, John Leake peels back the layers of deception to reveal the life and crimes of Jack Unterweger, and in unnerving detail, exposes the thrilling twists—both in the United States and Europe—that led to Jack's capture and Austria's "trial of the century."
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
A superbly targeted resource for those learning about serial killings. Serial Killers and the Phenomenon of Serial Murder examines and analyses some of the best known (as well as lesser) cases from English criminal history, ancient and modern. It looks at the lifestyles, backgrounds and activities of those who become serial killers and identifies clear categories of individuals into which most serial killers fall. Led by Professor David Wilson the authors are all experts and teachers concerning the ever-intriguing subject of serial killing: why, when and how it happens and whether it can be predicted. Taking some of the leading cases from English law and abroad they demonstrate the patterns that emerge in the lives and backgrounds of those who kill a number of times over a period. The book is designed for those studying the topic at advanced level, whether as an academic discipline on one of the many courses now run by universities and colleges or as a private quest for understanding. It contains notes on key terms and explanations of topics such as co-activation, Munchausen syndrome, cooling-off period, psychopathy checklist, social construction, case linkage, family annihilation, activity space, rational choice theory, medicalisation and rendezvous discipline. As the first textbook of its kind it will be an invaluable resource for teachers and students of serious crime.
This book was the inspiration for the ITV drama Dark Angel. As one of the UKs leading commentators, David Wilson shows how some serial killers stay in the headlines whilst others rapidly become invisible - or unseen. Yet Mary Ann Cotton is not just the first but perhaps the 1sts most prolific female serial killer, with more victims than Myra Hindley, Rosemary West, Beverly Allit or male predators such as Jack the Ripper and Dennis Nilsen. But her own north east of England (and criminologists) apart, she remains largely forgotten, despite poisoning to death up to 21 victims in Britains arsenic century. Exploding myths that every serial killer is a monster, the author draws attention to Cottons charms, allure, capability, skill and ambition - drawing parallels or contrasting the methods and lifestyles of other serial killers from Victorian to modern times. He also shows how events cannot be separated from their social context here the industrial revolution, growing mobility, womens emancipation and greater assertiveness. And concerning the reticence of human nature, like Dr Harold Shipman, Cotton was allowed to go on killing despite reasons to suspect her. The book contains other resonances to aid understanding of how serial murderers can go undiscovered despite such things as coincidence, gossip, whispers or motives that become more obvious with the benefit of hindsight. It is also a detective story in which the persistence of a single individual saw Cotton tried and executed, events analysed first-hand from the archives and location visits as the author fills the gaps in a remarkable story. By a leading expert on serial killers; Meticulously researched and highly readable; Fresh interpretations mean this book is destined to be the definitive title on Mary Ann Cotton. An enthralling read David Wilson does not write generic true crime, but history of the highest order: Judith Flanders, best-selling author, journalist and historian. David Wilson is Professor of Criminology and Director of the Centre for Applied Criminology at Birmingham City University. An ex-prison governor he has broadcast for the BBC, Channel 4, Sky and Channel 5 (where he presents Killers Behind Bars). His books include Serial Killers: Hunting Britons and Their Victims 1960-2006 (2007) and Looking for Laura: Public Criminology and Hot News (2011).
Fans of Mindhunter and true crime podcasts will devour these chilling stories of serial killers from the American "Golden Age" (1950-2000). With books like Serial Killers, Female Serial Killers and Sons of Cain, Peter Vronsky has established himself as the foremost expert on the history of serial killers. In this first definitive history of the "Golden Age" of American serial murder, when the number and body count of serial killers exploded, Vronsky tells the stories of the most unusual and prominent serial killings from the 1950s to the early twenty-first century. From Ted Bundy to the Golden State Killer, our fascination with these classic serial killers seems to grow by the day. American Serial Killers gives true crime junkies what they crave, with both perennial favorites (Ed Kemper, Jeffrey Dahmer) and lesser-known cases (Melvin Rees, Harvey Glatman).
Since the first recorded U.S. case of mass murder in 1949, massacres have been increasing each decade, with workplace violence taking the lead as the most common form. The psychology of the killers, however, differs from that of spree, serial, or situational murderers. Based on a review of mass murders, the author argues that the red flags of a developing mass killer are obvious and predictable, and people who learn to recognize them may be able to defuse a potentially violent situation before it occurs. Using details from various cases, she examines the different kinds of mass murders, from visionary to family to workplace, and the distinct psychological dynamics of the different types of murders.
One of Cosmopolitan's Best Romance Novels Ever Turns out that reading nothing but true crime isn't exactly conducive to modern dating—and one woman is going to have to learn how to give love a chance when she's used to suspecting the worst. PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation—if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years. It doesn't help that she's low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he's clearly up to something). It's not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.