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Author : Lawrence Weschler
Publisher : Univ of California Press
Page : 240 pages
File Size : 27,47 MB
Release : 1982-01-01
Category : Art
ISBN : 9780520045958
Traces the life and career of the California artist, who currently works with pure light and the subtle modulation of empty space
Author : Lawrence Weschler
Publisher : Univ of California Press
Page : 330 pages
File Size : 18,58 MB
Release : 2008
Category : Art
ISBN : 0520256093
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins
Author : Lawrence Weschler
Publisher : University of California Press
Page : 272 pages
File Size : 21,83 MB
Release : 2009-01-26
Category : Art
ISBN : 0520258797
Soon after the book's publication in 1982, artist David Hockney read Lawrence Weschler's Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin and invited Weschler to his studio to discuss it, initiating a series of engrossing dialogues, gathered here for the first time. Weschler chronicles Hockney's protean production and speculations, including his scenic designs for opera, his homemade xerographic prints, his exploration of physics in relation to Chinese landscape painting, his investigations into optical devices, his taking up of watercolor—and then his spectacular return to oil painting, around 2005, with a series of landscapes of the East Yorkshire countryside of his youth. These conversations provide an astonishing record of what has been Hockney's grand endeavor, nothing less than an exploration of "the structure of seeing" itself.
Author : Lawrence Weschler
Publisher : Getty Publications
Page : 138 pages
File Size : 31,11 MB
Release : 2020-06-18
Category : Art
ISBN : 1606066560
A beautifully illustrated, accessible volume about one of the Getty Center’s best-loved sites. Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, Robert Irwin Getty Garden is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed “a sculpture in the form of a garden aspiring to be art.” The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made—from plant materials to steel—in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.
Author : Lawrence Weschler
Publisher : McSweeney's
Page : 256 pages
File Size : 37,35 MB
Release : 2006
Category : Art
ISBN :
From a cuneiform tablet to a Chicago prison, from the depths of the cosmos to the text on our T-shirts, Lawrence Weschler finds strange connections wherever he looks. The farther one travels (through geography, through art, through science, through time), the more everything seems to converge -- at least, it does if you're looking through Weschler's giddy, brilliant eyes. Weschler combines his keen insights into art, his years of experience as a chronicler of the fall of Communism, and his triumphs and failures as the father of a teenage girl into a series of essays sure to illuminate, educate, and astound.
Author : Robert Irwin
Publisher : Getty Publications
Page : 348 pages
File Size : 29,65 MB
Release : 2011
Category : Art
ISBN : 1606060759
"Devoted to the writings of this seminal post-war American artist. Fully half of these writings, which span a period from the mid-1960s through the 1990s, are published here for the very first time"--Dust jacket.
Author : Lawrence Weschler
Publisher : Pantheon
Page : 384 pages
File Size : 36,66 MB
Release : 2013-01-02
Category : History
ISBN : 0307819035
In recent years as countries around the globe have begun to move from dictatorial to more democratic systems of governance, no more traumatic (or dramatic) ethical problem has arisen than what to do with the previous regime’s torturers. In most cases, the security and military apparatuses, responsible for the overwhelming majority of human-rights abuses, still retain tremendous power—and will not abide any settling of accounts. Now, New Yorker staff reporter Lawrence Weschler tells the extraordinary story of how, against tremendous odds, torture victims and human-rights activists in two Latin American countries—Brazil and Uruguay—tried to bring their torturers to justice and to rehabilitate their whole societies from harrowing periods of silence and repression. In this first of his two accounts, he tells how a tiny group of torture victims, clerics, and human-rights activists in Brazil launched an extremely risky, nonviolent plot to get even with the former torturers by publishing an indisputable account of their savage system of repression—indisputable because it is drawn from the regime’s own files. In the second, set in Uruguay, he tells how a more broadly-based movement attempted to bring to light the dark history of a military regime engaged in more political incarceration per capita than any other on earth at that time. In this illuminating and beautifully written book (portions of which appeared in five issues of The New Yorker), Weschler examines what a small number of individuals can do to retrieve history and truth from the hands of torturers.
Author : Robin Lee Clark
Publisher : Univ of California Press
Page : 241 pages
File Size : 34,40 MB
Release : 2011-10-08
Category : Art
ISBN : 0520949765
During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists. Foreword by Hugh M. Davies Additional contributors: Michael Auping Stephanie Hanor Adrian Kohn Dawna Schuld Artists: Peter Alexander Larry Bell Ron Cooper Mary Corse Robert Irwin Craig Kauffman John McCracken Bruce Nauman Eric Orr Helen Pashgian James Turrell De Wain Valentine Doug Wheeler
Author : Oliver Sacks
Publisher : Vintage
Page : 232 pages
File Size : 25,39 MB
Release : 2019-04-23
Category : Science
ISBN : 0451492900
From the legendary author of The Man Who Mistook His Wife for a Hat: a volume of essays on everything from primordial life and the mysteries of the brain to the ancient ginkgo and the power of the written word. "Magical . . . [Everything in Its Place] showcases the neurologist's infinitely curious mind."—People Magazine In this volume, Oliver Sacks examines the many passions that defined his life--both as a doctor engaged with the central questions of human existence and as a polymath conversant in all the sciences. Everything in Its Place brings together writings on a rich variety of topics. Why do humans need gardens? How, and when, does a physician tell his patient she has Alzheimer's? What is social media doing to our brains? In several of the compassionate case histories included here, we see Sacks consider the enigmas of depression, psychosis, and schizophrenia for the first time. In others, he returns to conditions that have long fascinated him: Tourette's syndrome, aging, dementia, and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks's love of the natural world--and his final meditations on life in the twenty-first century.
Author : Lawrence Weschler
Publisher : Bloomsbury Publishing USA
Page : 179 pages
File Size : 47,56 MB
Release : 2017-01-31
Category : Biography & Autobiography
ISBN : 1632867206
From Pulitzer Prize nominee Lawrence Weschler, a fascinating profile of Walter Murch, a film legend and amateur astrophysicist whose investigations could reshape our understanding of the universe. For film aficionados, Walter Murch is legendary--a three-time Academy Award winner, arguably the most admired sound and film editor in the world for his work on Apocalypse Now, The Godfather trilogy, The English Patient, and many others. Outside of the studio, his mind is wide-ranging; his passion, pursued for several decades, has been astrophysics, in particular the rehabilitation of Titius-Bode, a long-discredited 18th century theory regarding the patterns by which planets and moons array themselves in gravitational systems across the universe. Though as a consummate outsider he's had a hard time attracting any sort of comprehensive hearing from professional astrophysicists, Murch has made advances that even some of them find intriguing, including a connection between Titius Bode and earlier notions--going back past Kepler and Pythagorus--of musical harmony in the heavens. Unfazed by rejection, ever probing, Murch perseveres in the highest traditions of outsider science. Lawrence Weschler brings Murch's quest alive in all its seemingly quixotic, yet still plausible, splendor, probing the basis for how we know what we know, and who gets to say. "The wholesale rejection of alternative theories has repeatedly held back the progress of vital science," Weschler observes, citing early twentieth-century German amateur Alfred Wegener, whose speculations about continental drift were ridiculed at first, only to be accepted as fact decades later. Theoretical physicist Lee Smolin says "It is controversy that brings science alive"--and Murch's quest does that in spades. His fascination with the way the planets and their moons are arranged opens up the field of celestial mechanics for general readers, sparking an awareness of the vast and (to us) invisible forces constantly at play in the universe.