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trange Event in the Life of Schalken the Painter is a series of short stories by J. Sheridan Le Fanu. Mostly set in Ireland, they include some classic stories of gothic terror, with ominous castles, madness and suicide.
»Schalken the Painter« is a short story by L. Sheridan Le Fanu, first published in 1839. JOSEPH SHERIDAN LE FANU [1814-1873] was an Irish mystery and horror author. He had an enormous influence on the horror genre in the 19th and 20th century, especially through his championing of tone and effect rather than shock factor. Among his most noted work is the lesbian vampire novella Carmilla [1872] and mystery Uncle Silas [1864].
Schalken the Painter and Others by Joseph Sheridan Le Fanu Joseph Sheridan le Fanu was the leading ghost-story writer of the nineteenth century, and he is now seen as central to the development of the genre in the Victorian era.
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
M. R. James was born in Kent, England in 1862. James came to writing fiction relatively late, not publishing his first collection of short stories - Ghost Stories of an Antiquary (1904) - until the age of 42. Modern scholars now see James as having redefined the ghost story for the 20th century and he is seen as the founder of the 'antiquarian ghost story'. We are republishing these classic works in affordable, high quality, modern editions with a brand new introductory biography of the author.
Dr. Martin Hesselius, a physician and occult enthusiast, attempts to help Jennings, a clergyman plagued by an ethereal demon. As Hesselius gets closer to finding a 'cure' for Jennings, the demon's attacks increase in frequency and severity. Unsure whether the affliction is psychological or supernatural, Hesselius contacts an associate in an attempt to prevent the clergyman's destruction.
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
"Schalken the Painter" is a disturbing version of the demon lover motif. This tale was inspired by the atmospheric candlelit scenes of the 17th-century Dutch painter Godfried Schalcken, who is the model for the story's protagonist. Schalcken sees his true love, Rose Velderkaust, the niece of the artist Gerrit Dou, wedded by contract for a large sum of money to Vanderhausen of Rotterdam, a strange and ghostly figure. Filled with dread, Rose begs Schalcken to run off with her to save her from the marriage, but he is cowardly and ambitious and wants to continue his studies with Dou.