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Author : Ruth H. Sanders Publisher : University of Chicago Press Page : 222 pages File Size : 23,15 MB Release : 2021-03-15 Category : History ISBN : 022675975X
Introduction: Dead man talking -- Prologue to history -- Gemini, the twins: Faroese and Icelandic -- East is East: heralding the birth of Danish and Swedish -- The ties that bind: Finnish is visited by Swedish -- The black death comes for Norwegian: Danish makes a house call -- Faroese emerges -- Sámi, language of the far North: encounters with Norwegian, Swedish, and Finnish -- Epilogue: the seven sisters now and in the future.
Denmark, Norway, and Sweden all managed to stay out of World War I, but all three countries were deeply affected by it. Opening with a systematically comparative introduction to the history of the Scandinavian countries during that time period, this account then presents 13 case studies examining the impact of the war on these neutral entities. From inflation and the shortage of consumer goods to widespread poverty and political unrest - not to mention the thousands of Scandinavian soldiers who participated in the war - this unique compilation 'analyzes the military and economic consequences as well as the vital political and social issues raised by the conflict.'
The subject of Images of America in Scandinavia, the first comprehensive study of its kind, is as multifaceted, complex, and overwhelming as America or the United States, itself. It concerns the nature and function, reality and fiction of such images in Denmark, Norway, and Sweden past and present. The book is intended to be a source of solid information as well as a starting point for further inquiries into its cultural territory. Part of its focus is on images of America rooted in printed sources, but, in addition, general surveys of other cultural signs of America in the Scandinavian countries present a broader picture and provide some of the background for the predominantly literary images. Issues such as government and politics, popular and vanguard music and art, and socio-cultural institutions intermittently come to the fore. Framing the volume's three pairs of national surveys is an introductory chapter, which addresses the entire subject from a bird's-eye view, and a concluding chapter, which, by contrast, delves into the cross-fire of sentiments defining people whose images of America, are both American and Scandinavian. The discussion of America as perceived in Scandinavia sheds new light on intriguing inter-Scandinavian cultural distinctions and borderlines. Countless books and articles, methods and theories, have been devoted to the study of national and cultural identity. Still, the exchanges between such identities and the images they engender - so indispensable for the participants in a global culture - remain clouded by many misconceptions. Images of America in Scandinavia whose editors and authors all have Scandinavian backgrounds, will contribute an improved understanding of the cultural interplay between Scandinavia and the United States of America.
This book fills a gap in the extreme right literature currently available as there is no book length study of Scandinavia With the election of many right wing parties across Europe this book is very timely
The literature of Scandinavia is amazingly rich and varied, consisting of the works produced by the countries of Denmark, Norway, Sweden, Finland and Iceland, and stretching from the ancient Norse Sagas to the present day. While much of it is unknown outside of the region, some has gained worldwide popularity, including the fairy tales of Hans Christian Andersen, the stories of Isak Dinesen, and the plays of Henrik Ibsen and August Strindberg. While obviously including the area's most famous works, the Historical Dictionary of Scandinavian Literature and Theater also provides information on lesser known authors and currents trends, literary circles and journals, and historical background. This is accomplished through a list of acronyms, a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries, which together make this reference the most comprehensive and up to date work of its kind related to Scandinavian literature and theater available anywhere.
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
This book is the first history in English of the Lutheran Church in Germany and Scandinavia in the eighteenth and nineteenth centuries. A period of fundamental and lasting change in the political landscape with the separation of the old twin monarchies of Sweden-Finland and Denmark-Norway inScandinavia (1808, 1814), and the unification of Germany (1866-71), this was also a time of particular unease and upheaval for the church. Attempts to emulate the spiritual community of the early church, reform of the church establishment, and steps taken to enlighten parishioners were almost alwaysheld back by the anomalous structural legacy of the Reformation, tradition, and parish habit, sacred and profane. However, the birth of the modern nation-state and its market economy posed a fundamental challenge to the structure and ethos of the Reformation churches, as it did to the CatholicChurch. The First World War deepened the crisis further: German Protestants (and the Scandinavians were not immune either, although they remained neutral), who bracketed modernity with crisis and religion with national renewal, and who saw national loyalty as a higher value than the faith,fellowship, and moral order of the church, were swept up into the maw of a modern national war machine which threatened to wipe out Protestantism altogether.