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This book examines savagery and the savage as dynamic components of colonialism in South Asia. Focusing on the colonial discourses of race, criminality, civilization, and savagery, it illuminates and historicizes the processes by which the discourse of savagery was expressed in the Andamans, British India, Britain and the wider empire.
This volume examines three interrelated aspects of the history of British India: race, the disciplining institution, and attempts by the colonized to imagine states of freedom. They deal with sites as diverse as the prison, the family, the classroom, the playing field and children's literature. The essays confront the ideological, social and political ramifications of the fact that even as metropolitan prisons and schools shifted their attention from the body to the confined 'soul', colonial disciplinary institutions ensured that race was firmly attached to the body and its habits. They also engage the historiography that has sought to underline the challenges of reconciling Michel Foucault and Edward Said. They ask whether the liberating possibilities of the racialized-and-embodied 'native' self were confined to inversions and rearrangements of given normative hierarchies, or if we can occasionally glimpse radical departures and alternative configurations of power.
The culture of the modern world is, in many ways, constituted by interwoven strands of empire and resistance. The essays in this volume examine some of those strands, primarily in the contexts of India and the United States, but also in other parts of the world, such as Germany and Israel-Palestine. They highlight not only the particular histories of cultures of power and desire, but also the convergences of forms of power and desire originating in different historical settings. What, for instance, links the culture of schoolchildren in the Indian hinterland with the isolation of small-town America? What does the fact that Indian crowds stare openly at strangers have to do with police violence and race relations on the other side of the world? What might happen if Günter Grass and Rabindranath Tagore encountered Nirad Chaudhuri and Gandhi in the 'global' space of an airport transit lounge? These questions have no easy answers, but the complexities and contradictions of the answers are what make the problems worth exploring, shedding light on the novelty as well as the familiarity of the post- September- Eleventh World.
Clare Anderson provides a radical new reading of histories of empire and nation, showing that the history of punishment is not connected solely to the emergence of prisons and penitentiaries, but to histories of governance, occupation, and global connections across the world. Exploring punitive mobility to islands, colonies, and remote inland and border regions over a period of five centuries, she proposes a close and enduring connection between punishment, governance, repression, and nation and empire building, and reveals how states, imperial powers, and trading companies used convicts to satisfy various geo-political and social ambitions. Punitive mobility became intertwined with other forms of labour bondage, including enslavement, with convicts a key source of unfree labour that could be used to occupy territories. Far from passive subjects, however, convicts manifested their agency in various forms, including the extension of political ideology and cultural transfer, and vital contributions to contemporary knowledge production.
In the late-nineteenth century, British travelers to the Andaman and Nicobar Islands compiled wide-ranging collections of material culture for scientific instruction and personal satisfaction. Colonial Collecting and Display follows the compelling history of a particular set of such objects, tracing their physical and conceptual transformation from objects of indigenous use to accessioned objects in a museum collection in the south of England. This first study dedicated to the historical collecting and display of the Islands' material cultures develops a new analysis of colonial discourse, using a material culture-led approach to reconceptualize imperial relationships between Andamanese, Nicobarese, and British communities, both in the Bay of Bengal and on British soil. It critiques established conceptions of the act of collecting, arguing for recognition of how indigenous makers and consumers impacted upon "British" collection practices, and querying the notion of a homogenous British approach to material culture from the Andaman and Nicobar Islands.
Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires. In the context of increasing British power, the book looks at the Anglo-French tensions of the eighteenth century to consider the relationship between modernity and race-making. Arguing that different forms of modernity produced divergent categories of hybridity, it considers the impact of changing political structures on mixed-race communities. With its emphasis on specificity, the book situates current and past debates on the mixed-race experience and the politics of whiteness in broader historical and global contexts. By contributing to the understanding of race-making as an aspect of colonial governance, the book illuminates some margins of colonial India that are often lost in the shadows of the British regime. It is of interest to academics of world history, postcolonial studies, South Asian imperial history and critical mixed-race studies.