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By the early 1970s, an active bohemian colony had developed in Santa Fe and it became a cultural boom town. The number of art galleries went from two to a hundred. Besides the Santa Fe Opera, there came into being endless festivals: for art, music, literature, theater, movies, fashion, and the crafts of Indians and Spanish Americans. The city’s complex heritage of three interlocked cultures became “Santa Fe Style.” But the fifteen years between 1964 and 1980 held a special magic. And Eli Levin experienced it all: the fading generation of older artists and the newly arriving younger generation; wild night life at Claude’s Bar; artist’s battles with conservative arts organizations; questionable successes and tragic failure of careers; exemplary examples of lifetime dedication; and a number of suppressed scandals, one even involving possible murders. Packed with amusing anecdotes about the various artists with whom Levin painted, plotted and partied, this vivid memoir testifies to the exciting rebirth and burgeoning growth of one of this country’s most well known art colonies.
This question-and-answer book contains 400 reminders of what is known and what is sometimes forgotten or misunderstood about a city that was founded more than 400 years ago. Not a traditional history book, this group of questions is presented in an apparently random order, and the answers occasionally meander off topic, as if part of a casual conversation.
Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others. The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements? This is an anthology and not a treatise, so the reader is free to pick and choose not only what to read, but what sort of general patterns are essential and which are transitional. This collection, initiated by the late Cesar Grana, has been completed and brought to fruition by his wife Marigay Grana. Cesar Grana was, prior to his death, professor of sociology at the University of California in San Diego. Among his major books is Meaning and Authenticity, also available from Transaction. Marigay Grana was formerly an urban planner and designer in San Diego. She now is a free-lance editor living in Santa Fe, New Mexico.
The timeline of American history has always swept through Santa Fe, New Mexico. Settled by ancient peoples, explored by conquistadors, conquered by the U.S. cavalry, Santa Fe owns a story that stretches from the talking drums of the Pueblos to the high math of complexity theory pioneered at the Santa Fe Institute. This fresh presentation, 400 years after the Spanish founded the town in 1610, presents the full arc of Santa Fe's story that sifts through its long, complex, thrilling history. From the moment of first contact between the explorers and the native peoples, Santa Fe became a crossroads, a place of accommodations and clashes. Faith defined, sustained, and liberated the people. All the while, scoundrels and abusers of power elbowed their way into civic life. And who should piece together that story of the country's oldest capital city? The Santa Fe New Mexican, the oldest newspaper in the American West, walking side by side with the people of Santa Fe for 160 years-a long life by the standards of publishing though merely a short span in Santa Fe's timeless drama. This book was compiled from a series that appeared monthly in "The Santa Fe New Mexican" in honor of the city's 400th anniversary commemoration in 2010. It illuminates Santa Fe's enduring promise to cling to roots that are bottomless and to leap into a future that is boundless. Over 400 pages, many illustrations, timelines, index, and detailed bibliographies. Included is a Study Guide for teachers, students, and anyone interested in Santa Fe and the American Southwest.
Bohemia has been variously defined as a mythical country, a state of mind, a tavern by the wayside on the road of life. The editors of this volume prefer a leaner definition: an attitude of dissent from the prevailing values of middle-class society, one dependent on the existence of caf life. But whatever definition is preferred, this rich and long overdue collective portrait of Bohemian life in a large variety of settings is certain to engage and even entrance readers of all types: from the student of culture to social researchers and literary figures n search of their ancestral roots. The work is international in scope and social scientific in conception. But because of the special nature of the Bohemian fascination, the volume is also graced by an unusually larger number of exquisite literary essays. Hence, one will find in this anthology writings by Malcolm Cowely, Norman Podhoretz, Norman Mailer, Theophile Gautier, Honore de Balzac, Mary Austin, Stefan Zweig, Nadine Gordimer, and Ernest Hemingway. Social scientists are well represented by Cesar Grana, Ephraim Mizruchi, W.I. Thomas, Florian Znaniecki, Harvey Zorbaugh, John R. Howard, and G. William Domhoff, among others.The volume is sectioned into major themes in the history of Bohemia: social and literary origins, testimony by the participants, analysis by critics of and crusaders for the bohemian life, the ideological characteristics of the bohemians, and the long term prospect as well as retrospect for bohemenianism as a system, culture and ideology. The editors have provided a framework for examining some fundamental themes in social structure and social deviance: What are the levels of toleration within a society? Do artists deserve and receive special treatment by the powers that be? And what are the connections between bohemian life-styles and political protest movements?This is an anthology and not a treatise, so the reader is free to pick and choose not only wha
Berkeley Bohemia highlights the contributions of the eccentric residents of one of America's centers of cultural innovation, during a critical period in the development of the country's radical thought. These writers and artists included Ansel Adams, Jack London, Dorothea Lange, John Muir, Bernard Maybeck, Joaquin Miller, Ina Coolbrith, and Charles and Lousie Keeler and other colorful characters less well known today.Due to its vibrant setting as a crossroads of cultures, Berkeley continues as a fertile ground for individuality, eccentricity, and creative expression. The Berkeley legacy of scholars and visionaries has inspired three generations of men and women, who still make Berkeley a place where ordinary people can flourish creatively, and the extraordinary is welcomed.
On June 28, 1868, a group of men gathered alongside a road 35 miles north of Albuquerque to witness a 165-round, 6-hour bare-knuckle brawl between well-known Colorado pugilist Barney Duffy and "Jack," an unidentified fighter who died of his injuries. Thought to be the first "official" prizefight in New Mexico, this tragic spectacle marked the beginning of the rich and varied history of boxing in the state. Oftentimes an underdog in its battles with the law and public opinion, boxing in New Mexico has paralleled the state's struggles and glories, through the Wild West, statehood, the Depression, war, and economic growth. It is a story set in boomtowns, ghost towns and mining camps, along railroads and in casinos, and populated by cowboys, soldiers, laborers, barrio-bred locals and more. This work chronicles more than 70 years of New Mexico's colorful boxing past, representing the most in-depth exploration of prizefighting in one region yet undertaken.
Extraordinary people lead extraordinary lives and, from the beginning, even before he had any control over his life, John Meigs’ life was extraordinary: kidnapped by his father, never to see his mother again. Once on his own, he tried his hand as a reporter in Los Angeles in 1936, and then in Honolulu, where he got drawn into the art world, becoming one of the original designers of the Hawaiian aloha shirts. Those pursuits were interrupted with the onset of World War II and John’s enlistment in the Navy. After a serendipitous escape of death and military duty in Florida, John returned to Hawaii, where he met New Mexico artist Peter Hurd. That encounter led John to New Mexico and to interactions with a wide variety of notable people, including painters Andrew Wyeth and Georgia O’Keeffe, poet Witter Bynner, oilman and cattleman Robert O. Anderson, and actor Vincent Price. With the notable artist Rolf Armstrong, of “pin-up girl” calendar fame, John traveled to Paris in 1952 where his off-beat nature led him to Alice B. Toklas. After returning to New Mexico, numerous opportunities knocked on John’s door, beckoning him in different directions all at the same time. In 1979, his travels led to a particularly significant development in John’s life when he picked up a hitchhiker, who became a complicated fixture in his life as both a sidekick and a love object. Meig’s fascinating life continued to unfold, garnering attention and impacting those close to him. As can happen, though, even with the most accomplished and creative, eventually, a sad, slow mental decline set in.