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Samuel Beckett and the Arts

Author : Lois Oppenheim
Publisher : Routledge
Page : 326 pages
File Size : 10,87 MB
Release : 2021-05-18
Category : Art
ISBN : 1000378519

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This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.

Samuel Beckett and the Visual

Author : Conor Carville
Publisher : Cambridge University Press
Page : 277 pages
File Size : 40,40 MB
Release : 2018-04-12
Category : Art
ISBN : 1108422772

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This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.

Transdisciplinary Beckett

Author : Lucy Jeffery
Publisher : BoD – Books on Demand
Page : 342 pages
File Size : 22,96 MB
Release : 2021-11-16
Category : Language Arts & Disciplines
ISBN : 3838215842

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This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.

Samuel Beckett and Contemporary Art

Author : David Houston Jones
Publisher : Ibidem Press
Page : 367 pages
File Size : 27,99 MB
Release : 2017-10-30
Category : Art
ISBN : 9783838208497

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art-he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond. The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like Minimalism and Conceptual Art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Beckett's work. Perceiving Beckett's ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Beckett's remains, as it were, contemporary artists find endless inspiration.

A Companion to Samuel Beckett

Author : S. E. Gontarski
Publisher : John Wiley & Sons
Page : 441 pages
File Size : 35,75 MB
Release : 2010-03-08
Category : Literary Criticism
ISBN : 1405158697

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A collection of original essays by a team of leading Beckett scholars and two of his biographers, Companion to Samuel Beckett provides a comprehensive critical reappraisal of the literary works of Samuel Beckett. Builds on the resurgence of international Beckett scholarship since the centenary of his birth, and reflects the wealth of newly released archival sources Informed by the latest in scholarly, critical, and theoretical debates A valuable addition to contemporary Beckett scholarship, and testament to the enduring influence of Beckett’s work and his position as one of the most important literary figures of our time

The Painted Word

Author : Lois Oppenheim
Publisher : University of Michigan Press
Page : 260 pages
File Size : 48,19 MB
Release : 2000
Category : Art
ISBN : 9780472111176

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Exploring Beckett's relationship with the visual arts and its influence on his creative expression

Beckett’s Art of Mismaking

Author : Leland de la Durantaye
Publisher : Harvard University Press
Page : 209 pages
File Size : 12,80 MB
Release : 2016-01-04
Category : Drama
ISBN : 0674504852

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Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.

Arts of Impoverishment

Author : Leo Bersani
Publisher :
Page : 254 pages
File Size : 17,2 MB
Release : 1993
Category : Art
ISBN :

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Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais' films sometimes will? Why, Leo Bersnai and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows how such crippling moves may signal a profoundly original - and profoundly anti-modernist - renunciation of art's authority.

Still: Samuel Beckett's Quietism

Author : Wimbush Andy
Publisher : BoD – Books on Demand
Page : 292 pages
File Size : 12,16 MB
Release : 2020-06-18
Category : Philosophy
ISBN : 3838213696

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In the 1930s, a young Samuel Beckett confessed to a friend that he had been living his life according to an ‘abject self-referring quietism’. Andy Wimbush argues that ‘quietism’—a philosophical and religious attitude of renunciation and will-lessness—is a key to understanding Beckett’s artistic vision and the development of his career as a fiction writer from his early novels Dream of Fair to Middling Women and Murphy to late short prose texts such as Stirrings Still and Company. Using Beckett’s published and archival material, Still: Samuel Beckett’s Quietism shows how Beckett distilled an understanding of quietism from the work of Arthur Schopenhauer, E.M. Cioran, Thomas à Kempis, Fyodor Dostoevsky, and André Gide, before turning it into an aesthetic that would liberate him from the powerful literary traditions of nineteenth-century realism and early twentieth-century high modernism. Quietism, argues Andy Wimbush, was for Beckett a lifelong preoccupation that shaped his perspectives on art, relationships, ethics, and even notions of salvation. But most of all it showed Beckett a way to renounce authorial power and write from a position of impotence, ignorance, and incoherence so as to produce a new kind of fiction that had, in Molloy’s words, the ‘tranquility of decomposition’.

Samuel Beckett and the Visual

Author : Conor Carville
Publisher : Cambridge University Press
Page : 278 pages
File Size : 31,64 MB
Release : 2018-04-12
Category : Literary Criticism
ISBN : 1108527558

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Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes.