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This biography is the story of how a bankrupt refugee without a studio managed to produce several of the greatest films of all time: "The African Queen, On the Waterfront, The Bridge on the River Kwai, " and "Lawrence of Arabia." Film credits aside, Sam Spiegel led a flamboyant and uncompromising life, and the full story has never been told--until now. of photos.
Sam Spiegel (1904-85), the Austrian-born Hollywood film producer, won Oscar after Oscar, particularly through his famous association with British director David Lean on THE BRIDGE ON THE RIVER KWAI and LAWRENCE OF ARABIA. There was also THE AFRICAN QUEEN with Bogart and Hepburn, ON THE WATERFRONT with Brando and THE LAST TYCOON with De Niro. From the University of Vienna, Spiegel went to America selling Palestinian cotton. While there, he lectured on drama and was briefly hired by MGM to advise on foreign-language versions. He was fired and went to Universal. In 1929, they sent him to Berlin to work on German productions for them, before reappearing in America calling himself S P Eagle! This dazzling biography - and literary debut - does justice to an imigri who went to America selling cotton and ended up filming a F Scott Fitzgerald novel. It depicts the good and the bad of an extraordinary man: an illuminating account of both the golden age of Hollywood and one of its most infuriatingly brilliant individuals.
Based on hundreds of case histories, this book examines the sexual abuse of boys, from the perspectives of victim & perpetrator. It adopts a psychosocial context & seeks to develop a multidimensional understanding of dynamics & effects.
What is hypnosis? Despite widespread misconceptions, hypnosis is not a treatment in itself; instead, it is a facilitator -- a useful diagnostic tool that can help the practitioner choose an appropriate treatment modality and accelerate various primary treatment strategies. The second edition of this remarkable work (first published 25 years ago) is written to provide both beginning and seasoned practitioners with a brief, disciplined technique for mobilizing and learning from an individual's capacity to concentrate. Putting to rest both exaggerated fears about hypnosis and overblown statements of its efficacy, this compelling volume brings scientific discipline to a systematic exploration of the clinical uses and limitations of hypnosis. The challenge was to develop a clinical measurement that could transform a fascinating amalgam of anecdotes, speculations, clinical intuitions and observations, and laboratory advances into a more fruitful and systematic body of information. Thus was born the authors' Hypnotic Induction Profile (HIP), a crucial 10-minute clinical assessment procedure that relates the spectrum of hypnotizability to personality style, psychopathology, and treatment outcome. Structured to reflect the flow of a typical evaluation and treatment session and highlighted by case examples throughout, this remarkable synthesis describes how to use the HIP, reviews relevant literature, and details principles and short- and long-term treatment strategies for smoking control; eating disorders; anxiety, concentration, and insomnia; phobias; pain control; psychosomatic disorders and conversion symptoms; trichotillomania; stuttering; and acute and posttraumatic stress disorders and dissociation. Meticulously referenced and indexed, this in-depth work concludes with an appendix on the interpretation and standardization of the HIP.This unique work stands out in the literature because It is written both as an introduction for practitioners new to hypnosis and as an in-depth guide for practitioners with wide experience in hypnosis. Unlike current clinical works, it emphasizes the importance of performing a systematic assessment of hypnotizability to identify, measure, and utilize a given patient's optimal therapeutic potential -- a process that, until now, has been relegated to clinical intuition. It describes human behavior phenomenologically as it relates to hypnosis in a probable rather than an absolute fashion. It reviews only specific portions of the literature that are particularly relevant to the important themes presented by the authors. Wherever possible, the authors apply statistical methods to test their hypotheses. The realm of scientific investigation encompassing hypnosis and psychological dysfunction is comparatively new. This exceptional volume, with its profusion of systematic data, will spark controversy and interest among scientific students of hypnosis everywhere, from psychiatrists, psychologists, and psychoanalysts to physicians, dentists, and other interested clinicians.
Sam Spiegel (1904-85), the Austrian-born Hollywood film producer, won Oscar after Oscar, particularly through his famous association with British director David Lean on The Bridge over the River Kwai and Lawrence of Arabia. There was also The African Queen with Bogart and Hepburn, On the Waterfront with Brando and The Last Tycoon with De Niro.
Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director’s life and career. Phillips also explores Lean’s lesser-studied films, such as The Passionate Friends (1949), Hobson’s Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean’s approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean’s successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature’s greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean’s ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean’s epics to reveal this unifying characteristic in the director’s body of work. Beyond the Epic is a vital assessment of a great director’s artistic process and his place in the film industry.
Walt Disney, David O. Selznick, Mary Pickford, Orson Welles, and an elite group of movie producers secretly formed their own society in an effort to break up the old studio monopolies. The Society of Independent Motion Picture Producers initiated profound changes in Hollywood but today has been forgotten Using original SlMPP documents, this book reveals the story that has waited over 40 years to be told.
The motion picture producer describes his early career as an actor, liasons with actresses, rise to powerful studio executive, time in a mental institution, drug use, loss of status in Hollywood, and rise back to power.
Winner, 2023 Shapiro Best Book Award, Association for Israel Studies From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs.