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Romantic Music

Author : Leon Plantinga
Publisher : W W Norton & Company Incorporated
Page : 523 pages
File Size : 40,38 MB
Release : 1984
Category : Music
ISBN : 9780393951967

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A survey of the development of romantic music includes analyses of the careers of composers such as Beethoven, Schubert, Schumann, Wagner, and Liszt

22 Romantic Songs for the Harp

Author : Sylvia Woods
Publisher : Hal Leonard Publishing Corporation
Page : 0 pages
File Size : 33,93 MB
Release : 2006-08
Category : Music
ISBN : 9780936661346

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(Harp). Nearly two dozen favorites, including: Evergreen * From This Moment On * Lady * Let It Be Me * Never My Love * Send in the Clowns * Sunrise, Sunset * The Prayer * The Rose * The Wind Beneath My Wings * Through the Eyes of Love * and more. Playable on lever harps and pedal harps.

The Cambridge Companion to Music and Romanticism

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 36,34 MB
Release : 2021-08-26
Category : History
ISBN : 1108475434

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A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Audacious Euphony

Author : Richard Cohn
Publisher : Oxford University Press
Page : 256 pages
File Size : 39,40 MB
Release : 2012-01-01
Category : Music
ISBN : 0199773211

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Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

Romantic Sketches, Book 2

Author : Martha Mier
Publisher : Alfred Music
Page : 28 pages
File Size : 33,54 MB
Release : 2007-02-06
Category : Music
ISBN : 9781457426650

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These short, musical sketches written in a Romantic style by famed composer Martha Mier will encourage students to play with nuance and sensitivity. Titles: * Elegant Waltz * Elizabeth's Ballad * An Evening in Paris * Graceful Ballet * Interlude * The Magic Garden * Prelude in D Major * Romance * Song of Peace * Young at Heart

Classic and Romantic Music

Author : Friedrich Blume
Publisher : W W Norton & Company Incorporated
Page : 213 pages
File Size : 21,34 MB
Release : 1970
Category : Music
ISBN : 9780393098686

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Examines the characteristics, nature, and evolution of classicism and romanticism in European music.

For the Love of Music

Author : John Mauceri
Publisher : Knopf
Page : 225 pages
File Size : 41,30 MB
Release : 2019
Category : Music
ISBN : 0525520651

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With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.

Love Songs

Author : Ted Gioia
Publisher : Oxford University Press, USA
Page : 332 pages
File Size : 26,95 MB
Release : 2015
Category : Literary Criticism
ISBN : 0199357579

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Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.

Slavonic and Romantic Music

Author : Gerald Abraham
Publisher : Faber & Faber
Page : 411 pages
File Size : 50,21 MB
Release : 2013-04-18
Category : Music
ISBN : 0571302815

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Gerald Abraham's reputation as an authority on Russian music has tended to obscure his deep interest in the music of Poland and Czechoslovakia, and of the nineteenth-century generally. From a lifetime's devoted scholarship in these fields Abrahams selected his best work to make up this volume (first published in 1968), one of exceptional breadth and fascination. The subjects range from the relationship of Slavonic music to the western world, to detailed essays on figures such as Chopin, Dvorák, Rubinstein and Mussorgsky. A study of realism in Janacek's operas contains a particularly fine analysis of From a House of the Dead and there is an account of the fantastic 'erotic diary' for piano in which Zdenek Fibich, one of the finest nineteenth-century Czech symphonists, recorded the secrets of his love affair with former student and librettist Anezka Schulzová. Gerald Abraham (1904-1988) was a distinguished musicologist, among his official posts those of Professor of Music at the University of Liverpool and Assistant Controller of Music at the BBC.

Hemingway, Fitzgerald and the Muse of Romantic Music

Author : Nicole J. Camastra
Publisher : McFarland
Page : 202 pages
File Size : 10,98 MB
Release : 2023-12-21
Category : Literary Criticism
ISBN : 1476690162

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Both Ernest Hemingway and F. Scott Fitzgerald grew up in the Midwest and were strongly influenced by Romantic music, anchored by the aesthetic tastes of the German immigrants who settled across that region. Hemingway's ear for form and Fitzgerald's penchant for lyricism stem from early and frequent exposure to such masters as Johannes Brahms and Franz Schubert. Nostalgia is typically associated with romanticism, and the acoustic longing found in Hemingway and Fitzgerald's fiction resonates with it, characterized in the narrative voices in Hemingway's Winner Take Nothing, Fitzgerald's Tender Is the Night, and other of their fiction from the early thirties. Understanding that each writer has his own kind of musical biography charts new ways to read material we already think we know. Reading their work within a musico-historical context means acknowledging it as an extension of the 19th century; it means reading them as Romantic Modernists. This work reads each author's prose musically, considering how Romantic music inspired their craft and distinguished their work through the pivotal juncture of the early to mid-1930s, when each man faced an artistic crisis of conscience. Initial chapters provide background information in music history. Following chapters focus on how the life of each author was shaped by music and how they worked with specific influences that grew out of steady interactions with it, evidence of which is found in archival documents and collections.