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Rhythmic Grammar

Author : Julia Schlüter
Publisher : Walter de Gruyter
Page : 409 pages
File Size : 44,79 MB
Release : 2009-07-29
Category : Language Arts & Disciplines
ISBN : 3110219263

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This groundbreaking book highlights a phonological preference, the Principle of Rhythmic Alternation, as a factor in grammatical variation and change in English from the early modern period to the present. Though frequently overlooked in earlier research, the phonetically motivated avoidance of adjacent stresses is shown to exert an influence on a wide variety of phenomena in morphology and syntax. Based on in-depth analyses of extensive electronic databases, the book presents 20 exemplary studies from different structural categories. Among them are much-debated as well as novel issues, including the double comparative worser, 'predicative only' a- adjectives, variant past participles, the placement of the degree modifier quite, the order of conjuncts in binomials, the negation of attributive adjectives and sentence adverbs, variable adverbial marking, the use or omission of the infinitive marker, and the a- prefix before - ing forms. The studies provide qualitative and quantitative evidence of the importance of rhythmic alternation in synchronic variation as well as diachronic change, without neglecting interactions with a set of competing functional tendencies. Thus, the book contributes essential aspects to the description and explanation of the phenomena considered, calling for a fundamental revision of current thinking about the interface between phonology and morphosyntax. In addition, the empirical findings are brought to bear on theoretical discussions of more general interest, yielding a critical assessment of the merits and limitations of two nonmodular linguistic theories: Optimality Theory and spreading activation models. The latter type is developed into a comprehensive conception integrating functional factors such as the Principle of Rhythmic Alternation in an overarching framework for language variation and change. The wide range of subject areas covered makes the volume essential reading and a source of inspiration for linguists with interests as diverse as the phonology-morphosyntax interface, English grammar, the history of English, functional linguistics, Optimality Theory, as well as neuro- and psycholinguistics.

Rhythmic Grammar

Author : Julia SchlÃ1⁄4ter
Publisher : Walter de Gruyter
Page : 393 pages
File Size : 40,27 MB
Release : 2005
Category : English language
ISBN : 9783111732787

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Focusing on the frequently neglected influence of rhythm on variation and change in English grammar, this book provides a groundbreaking study of interactions at the interface between phonology and morphosyntax. It refines available descriptions of grammatical phenomena by examining the explanatory force of the avoidance of adjacent stressed syllables. The main, empirical part presents twenty detailed analyses of a representative set of structures, most of them combining a synchronic and a diachronic perspective. The analysis is based on an extensive collection of electronic corpora covering the sixteenth to twentieth centuries. A theoretical discussion of implications for linguistic models such as Optimality Theory and spreading activation networks rounds off the volume.

English Speech Rhythm and the Foreign Learner

Author : Corinne Adams
Publisher : Walter de Gruyter
Page : 248 pages
File Size : 30,96 MB
Release : 1979
Category : Foreign Language Study
ISBN : 9789027977168

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No detailed description available for "English Speech Rhythm and the Foreign Learner".

Rhythmic Phrasing in English Verse

Author : Richard D. Cureton
Publisher : Longman Publishing Group
Page : 496 pages
File Size : 20,19 MB
Release : 1992
Category : Language Arts & Disciplines
ISBN :

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Rhythm in Cognition and Grammar

Author : Ralf Vogel
Publisher : Walter de Gruyter GmbH & Co KG
Page : 318 pages
File Size : 15,68 MB
Release : 2015-03-10
Category : Language Arts & Disciplines
ISBN : 3110378094

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The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, there was no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.

Rhythm in Cognition and Grammar

Author : Ralf Vogel
Publisher : Walter de Gruyter GmbH & Co KG
Page : 261 pages
File Size : 26,1 MB
Release : 2015-03-10
Category : Language Arts & Disciplines
ISBN : 3110394243

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The book contains a collection of papers dealing with the question of how rhythm shapes language. Until now, there was no comprehensive theory that addressed these findings adequately. By bringing together researchers from many different fields, this book will make a first attempt to fill this gap.

Language Vs. Music? Exploring Music's Links to Language

Author : Jeanette Gonsior
Publisher : GRIN Verlag
Page : 57 pages
File Size : 31,60 MB
Release : 2011-07
Category : Biography & Autobiography
ISBN : 3640958578

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Seminar paper from the year 2011 in the subject American Studies - Linguistics, grade: 2,0, Humboldt-University of Berlin (Institut für Anglistik und Amerikanistik), course: Language vs. Culture? A Comparison between Language and Music, language: English, abstract: Language and music--both can be found in every human society--are the most basic socio-cognitive domains of the human species. At first glance, they share fundamental similarities, such as being based on acoustic modalities and involving complex sound sequences. Language, as well as music, functions as a means of communication and a form of expression. Both systems are organized into hierarchically structured sequences, and a written system was developed for language and for music. The interest in music-language relations has a long history, of course, and does not originate with modern cognitive science: "The topic has long drawn interest from a wide range of thinkers, including philosophers, biologists, poets, composers, linguists, and musicologists. Over 2,000 years ago, Plato claimed that the power of certain musical modes to uplift the spirit stemmed from their resemblance to the sounds of noble speech (Neubauer, 1986). Much later, Darwin (1871) considered how a form of communication intermediate between modern language and music may have been the origin of our species' communicative abilities. Many other historical figures have contemplated music-language relations, including Vincenzo Galilei (father of Galileo), Jean-Jacques Rousseau, and Ludwig Wittgenstein. This long line of speculative thinking has continued down to the modern era (e.g., Bernstein, 1976). In the era of cognitive science, however, research into this topic is undergoing a dramatic shift, using new concepts and tools to advance from suggestions and analogies to empirical research." (Cp. PATEL (2008): Music, Language, and the Brain) The production of music and language is a prime example of the human brain's capacities. But does th