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This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career.
Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work. Scholars typically cite Jacques Lacan as a thinker primarily concerned with issues of desire, affect, politics, and pleasure. And though Lacan explicitly contends with some of the pivotal thinkers in the field of rhetoric, rhetoricians have been hesitant to embrace the French thinker both because his writing is difficult and because Lacan’s conception of rhetoric runs counter to the American traditions of rhetoric in composition and communication studies. Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe. As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.
Convinced that cultural criticism need not merely be an academic exercise but can help improve people's lives, Mark Bracher proposes a method of cultural criticism which is based on the principles of psychoanalytic treatment and which aims to alter subjectivity and behavior.In this forceful and engagingly written book, Bracher first accounts for the failure of contemporary cultural criticism to achieve significant social impact. He then offers a model of analysis that draws on Lacan's theoretical insights into the structure of subjectivity and the psychological functions of discourse, asserting that the use of this model can promote collective psychological change. While cultural criticism has generally focused on texts, Bracher instead analyzes audiences' actual responses—to a variety of discourses from "high" as well as popular culture: the political speeches of Ronald Reagan and Jesse Jackson, anti-abortion propaganda, pornography, Keats's "To Autumn," and Conrad's Heart of Darkness. Through analyzing these responses, Bracher is able to uncover the unconscious identifications and fantasies of the respondents—an intervention that, he argues, has the potential for altering subjectivity. In his view, such a method of cultural criticism is both unusually powerful and ethnically defensible, since instead of attacking or upholding a group's values, it reveals the psychological conflicts manifest in responses to particular texts.Lacan, Discourse, and Social Change will be essential reading for students as well as specialists in such fields as cultural criticism, feminist theory, literary theory, psychoanalytic criticism, reader-response criticism, reader-response criticism, and Lacanian theory.
Jacques Lacan (1901-1980) is undoubtedly the central figure of psychoanalysis in the second half of the 20th century. The texts selected here present the entire scope of the Lacan debate.
In this volume, psychoanalysts, cultural theorists, and literary critics demonstrate the relevance of the unconscious economy to the field of cultural studies, applying psychoanalytic criticism to political and aesthetic issues related to the legal and ideological superstructure of contemporary society.These writers have adopted a variety of rhetorical positions when engaging cultural issues that deal with representation, ideology, class, and gender. Contributors include Willy Apollon, Richard Feldstein, Slavoj Zizek, Juliet Flower MacCannell, Judith Roof, Ellie Ragland, Elizabeth J. Bellamy, Bruce Fink, Maire Jaanus, Elizabeth Bronfen, Hanjo Berressem, Peter Widmer, Danielle Bergeron, Lucie Cantin, and Catherine Portuges.
Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy is an introduction to the emerging field of Lacanian Discourse Analysis. It includes key papers that lay the foundations for this research, and worked examples from analysts working with a range of different texts. The editors Ian Parker and David Pavón-Cuéllar begin with an introduction which reviews the key themes in discourse analysis and the problems faced by researchers in that field of work including an overview of the development of discourse analysis in different disciplines (psychology, sociology, cultural studies and political and social theory). They also set out the conceptual and methodological principles of Lacan's work insofar as it applies to the field of discourse. Ian Parker and David Pavón-Cuéllar have divided the book into three main sections. The first section comprises previously published papers, some not yet available in English, which set out the foundations for 'Lacanian Discourse Analysis'. The chapters establish the first lines of research, and illustrate how Lacanian psychoanalysis is transformed into a distinctive approach to interpreting text when it is taken out of the clinical domain. The second and third parts of the book comprise commissioned papers in which leading researchers from across the social sciences, from the English-speaking world and from continental Europe and Latin America, show how Lacanian Discourse Analysis works in practice. Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy is intended to be a definitive volume bringing together writing from the leaders in the field of Lacanian Discourse Analysis working in the English-speaking world and in countries where Lacanian psychoanalysis is part of mainstream clinical practice and social theory. It will be of particular interest to psychoanalysts of different traditions, to post-graduate and undergraduate researchers in psycho-social studies, cultural studies, sociology and social anthropology.
This collection introduces and develops Lacanian thought concerning the relations among language, subjectivity, and society. Lacanian Theory of Discourse provides an account of how language both interacts with and constitutes structures of subjectivity, producing specific attitudes and behaviors as well as significant social effects.
This book restores the concept of topology to its rhetorical roots to assist scholars who wish not just to criticize power dynamics, but also to invent alternatives. Topology is a spatial rather than a causal method. It works inductively to model discourse without reducing it to the actions of a few or resolving its inherent contradictions. By putting topology back in tension with opportunity, as originally designed, the contributors to this volume open up new possibilities for post-critical practice in “wicked discourses” of medicine, technology, literacy, and the environment. Readers of the volume will discover exactly how the discipline of rhetoric underscores and interacts with current notions of topology in philosophy, design, psychoanalysis, and science studies.
Author : Edith Wyschogrod Publisher : State University of New York Press Page : 196 pages File Size : 50,23 MB Release : 1989-08-30 Category : Psychology ISBN : 1438424523
The authors examine implications of Jacques Lacan's psychoanalytic theory of discourse for the understanding of theological language. Topics include self, desire, post-structuralism, the unconscious, the father's rule, dwelling (in Heidegger's sense), Anselm, ontological argument, alterity, utopia, signifiers/signifieds, God, reason, and text.
In this brilliant study of the relationship between rhetoric and geometry, David Metzger boldly poses and answers questions of major significance to the field of rhetorical studies. By asking what rhetoric is, he examines why it has always been difficult to define and to determine its purpose and value. Metzger seeks to ascertain how rhetoric can be more clearly valued and therefore better understood, both on its own and as a set of tools with which to write and think. Metzger explores the nature of knowledge in terms of what is created in the relationship between rhetoric and geometry, noting how rhetoric is eliminated in the epistemology of Western culture and how it can he replaced through geometry in the places vacated by philosophy. He argues that the dismissal of the "here and now" (and thus the dismissal of rhetoric itself) takes the form of two basic philosophical moves: the onomastic, which dismisses rhetoric because it is not philosophic, not geometry, and the genealogical, which dismisses rhetoric because it is philosophic, not geometry. Using Descartes s "cogito "and Derrida s discussion of genre as examples of these two philosophical moves, Metzger introduces the work of Aristotle and Lacan as their counter-examples. He then argues that rhetoric is about the present. For Aristotle, rhetoric is a "dunamis, "a faculty and potentiality, but not a potentiality with reference to the future. For Lacan, rhetoric is a means of delineating, through the laws of metaphor and metonymy, the instance of the letter, the instant(s) or "nowness" of the unconscious understood as a "zeitloss, "a tireless worker. For both Aristotle and Lacan, the formal properties of rhetoric appear in rhetoric s relation to geometry. Metzger points out that contemporary researchers in rhetoric often assume a definition of rhetoric for the purpose of classification; distinguishing, for instance, among a medieval rhetoric, a feminist rhetoric, or a phenomenological rhetoric. This kind of research, he believes, examines rhetoric in terms of what it was or might be, but not in terms of what it actually is. As the first postmodern discussion of the relation of rhetoric and time, Metzger s book examines rhetoric as it is, breaking new ground as a study of Aristotle s notion of faculty ("dunamis), "of Lacanian rhetoric, and of the relation of rhetoric and geometry as it does so. It is a book for all theorists (particularly poststructuralist theorists and others eager to know more about Lacan), Lacanians who have ignored Lacan s relevance to rhetoric, and historians critical of the division, in modern rhetorical studies, between theory and history."