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What unanswered questions do you have about your life? Some of us struggle to find meaning, others wonder about identity, and all of us want to be loved. Your story—the events and relationships that define you—will guide how you answer those questions. But God has a story too. His story is about sending Jesus to this broken world to mend all ...
What is it about old pine panelling layered with flaking paint that enchants the eye and tugs at the heart? The soft shine of wooden boards, worn and gappy. Sunlight shafting through an open door out to an unevenly flagged yard where a clay pipe might turn up alongside a Thames oyster shell or a pottery shard. Blue-and-and white export ware; the molten lustre of mahogany or worn silver; the curiosity of tricorn hat boxes or a fragment of Spitalfields silk; portraits whose owners might once have lived here. Would they have believed that these houses would stand 250 years later? Time has imbued all these things with unforgettable patina not only in museums, but even more in old Georgian houses still lived in and loved, repaired, and regenerated. The majority of these extraordinary dwellings began as ordinary terrace houses, built to a pattern, often in pairs or small groups. Clusters exist in the East End of London: in Spitalfields, Whitechapel, Shadwell, Mile End. They are mostly Grade II-listed, and their owners put up with the bone-curdling cold of winter howling through gaps, with mending and colour-matching, patching and piecing. Not just put up with-- they embrace it. And among them are some unrepentantly furnished with 20th- and 21st-century modern, finding poetic harmony across the centuries.
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
"When writer, Tracey M. Lewis-Giggetts wrote a piece for The Washington Post, "My daughter reminded me that black joy is a form of resistance" she had no idea just how much or how widely it would resonate with parents across America. As a Professor of English and Race Studies, and a writer whose work focuses on the intersection of race, trauma and healing, she knew that Black joy is truly a weapon of resistance, a tool for resilience. In the outpouring for more on the subject, Tracey saw there was a need for something longer than a thousand words on the subject"--
In a time of uncertainty about our environmental future—an eye-opening global tour of some of the most wounded places on earth, and stories of how a passionate group of eco-restorers is leading the way to their revitalization. Award-winning science journalist Judith D. Schwartz takes us first to China’s Loess Plateau, where a landmark project has successfully restored a blighted region the size of Belgium, lifting millions of people out of poverty. She journeys on to Norway, where a young indigenous reindeer herder challenges the most powerful orthodoxies of conservation—and his own government. And in the Middle East, she follows the visionary work of an ambitious young American as he attempts to re-engineer the desert ecosystem, using plants as his most sophisticated technology. Schwartz explores regenerative solutions across a range of landscapes: deserts, grasslands, tropics, tundra, Mediterranean. She also highlights various human landscapes, the legacy of colonialism and industrial agriculture, and the endurance of indigenous knowledge. The Reindeer Chronicles demonstrates how solutions to seemingly intractable problems can come from the unlikeliest of places, and how the restoration of local water, carbon, nutrient, and energy cycles can play a dramatic role in stabilizing the global climate. Ultimately, it reveals how much is in our hands if we can find a way to work together and follow nature’s lead.
You don't have to live in your dream house to make your living spaces feel more like home. Home is meant to be a place to belong. A place to gather and connect. A place of beauty. A place to restore your soul. In Restoration House, author and designer Kennesha Buycks will encourage you to embrace your home and your story so you can create mindful spaces that give life to you, your loved ones, and all who enter. Tips from Restoration House have been featured in Better Homes and Garden, Apartment Therapy, Design Sponge, and The Washington Post. Kennesha will teach you how to: Make the best out of your living space, whether you're renting or a homeowner Create a home your visitors will feel comfortable in Decorate your home on a budget Make purposeful design decisions that are beautiful and functional Restoration House is ideal for: Christian women of all ages who want to make their houses feel more like home Housewarming gifts, Mother's Day, birthdays, and holiday gifting
“A tremendous talent.” —Boston Globe “Restoration is an elegantly constructed work of fiction, seamlessly moving between the past and the present.” —Ron Rash, bestselling author of Serena Acclaimed novelist Olaf Olafsson brings us Restoration, a sweeping story of love tested by human frailty and the terrors and tragedies of war. Departing from the landscapes of his native Iceland—so beautifully evoked in Absolution, The Journey Home, and other previous works—Olafson sets Restoration in the gorgeous Italian hills of Tuscany during the World War Two years of the early 1940s. He captivates readers with a deeply emotional story in the vein of The English Patient by Michael Ondaajte, Ian McEwan’s Atonement, and other contemporary literary classics, spinning a tale of passion, art, war, and betrayal centered around a pair of love triangles and a forged Caravaggio.