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The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.
This book examines the impact of one of the most crucial events in twentieth-century international history, the Japanese occupation of Northeast China, or Manchuria, in the years 1931-1933.
Author : Annika A. Culver Publisher : Hong Kong University Press Page : 329 pages File Size : 30,46 MB Release : 2019-12-09 Category : History ISBN : 9888528130
This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers. “This first-rate collection offers the most comprehensive overview of Manchukuo literature in any language. Containing an abundance of very original research and analysis, with relevant references to diverse sources in Chinese, English, Japanese, Korean, and Russian, the essays will be welcomed by scholars dealing with literary, historical, political, and colonization issues in Manchukuo and its neighbors.” —Ronald Suleski, Suffolk University, Boston “Manchukuo Perspectives is an excellent contribution to the field. Manchukuo was a fascinating and fraught experiment. Colonialism, imperialism, modernism, and nationalism were just some of the many different forces at play there. With an impressive set of contributors bringing both breadth and depth to the study of these issues, this collection fills a void in our understanding of the cultural and literary production of Manchukuo wonderfully.” —James Carter, Saint Joseph’s University
A powerful element in twentieth-century Chinese politics has been the myth of Chinese resistance to Japan's seizure of Manchuria in 1931. Investigating the shifting alliances of key players in that event, Rana Mitter traces the development of the narrative of resistance to the occupation and shows how it became part of China's political consciousness, enduring even today. After Japan's September 1931 military strike leading to a takeover of the Northeast, the Chinese responded in three major ways: collaboration, resistance in exile, and resistance on the ground. What motives prompted some Chinese to collaborate, others to resist? What were conditions like under the Japanese? Through careful reading of Chinese and Japanese sources, particularly local government records, newspapers, and journals published both inside and outside occupied Manchuria, Mitter sheds important new light on these questions.
From 1931 to 1945, Chinese citizens were subjugated to Japanese imperialism. Despite the enduring historical importance of the occupation, Translating the Occupation is the first English-language volume to provide such a diverse selection of important primary sources from this period. Contributors have translated Chinese, Japanese, and Korean texts on a wide range of subjects, focusing on writers who have long been considered problematic or outright traitorous. This volume offers a practical, accessible sourcebook from which to challenge standard narratives. It deepens our understanding of the myriad tensions and transformations at work in Chinese wartime society.
Early in the seventeenth century, Northeast Asian politics hung in a delicate balance among the Chosŏn dynasty in Korea, the Ming in China, and the Manchu. When a Chosŏn faction realigned Korea with the Ming, the Manchu attacked in 1627 and again a decade later, shattering the Chosŏn-Ming alliance and forcing Korea to support the newly founded Qing dynasty. The Korean scholar-official Na Man’gap (1592–1642) recorded the second Manchu invasion in his Diary of 1636, the only first-person account chronicling the dramatic Korean resistance to the attack. Partly composed as a narrative of quotidian events during the siege of Namhan Mountain Fortress, where Na sought refuge with the king and other officials, the diary recounts Korean opposition to Manchu and Mongol forces and the eventual surrender. Na describes military campaigns along the northern and western regions of the country, the capture of the royal family, and the Manchu treatment of prisoners, offering insights into debates about Confucian loyalty and the conduct of women that took place in the war’s aftermath. His work sheds light on such issues as Confucian statecraft, military decision making, and ethnic interpretations of identity in the seventeenth century. Translated from literary Chinese into English for the first time, the diary illuminates a traumatic moment for early modern Korean politics and society. George Kallander’s critical introduction and extensive annotations place The Diary of 1636 in its historical, political, and military context, highlighting the importance of this text for students and scholars of Chinese and East Asian as well as Korean history.
Writing Manchuria details the lives and translates a selection of fiction from one of the mid-twentieth century’s "four famous husband-wife writers" of China’s Northeast, who lived in the Japanese puppet state of Manchukuo: Li Zhengzhong (1921–2020) and Zhu Ti (1923–2012). The writings herein were published from the late 1930s to the mid-1940s, in Manchukuo, north China, and Japan; their writings appeared in the most prominent Japanese-owned, Chinese-language journals and newspapers. This volume includes materials that were censored or banned by the Manchukuo authorities: Li Zhengzhong’s "Temptation" and "Frost Flowers," and Zhu Ti’s "Cross the Bo Sea" and "Little Linzi and her Family." Li Zhengzhong has been characterized as "an angry youth" while Zhu Ti’s work questioned contemporary gender ideals and the subjugation of women. Their writings – those that were censored or banned and those published – shed important light on Japanese imperialism and the Chinese literature that was produced in different regions, reflecting both official support and suppression. Writing Manchuria is the first English-language translation of their writings, and it will appeal to those interested in Chinese wartime literature, as well as contribute to understandings of imperialism and the varied forms it took across Japan’s vast war-time empire.
In the 1930s and ’40s, Japanese rulers in Manchukuo enlisted writers and artists to promote imperial Japan’s modernization program. Ironically, the cultural producers chosen to spread the imperialist message were once left-wing politically in Japan, where their work strongly favoured modernist, even avant-garde, styles of expression. In Glorify the Empire, Annika A. Culver explores how these once anti-imperialist intellectuals produced avant-garde works celebrating the modernity of a fascist state and reflecting a complicated picture of complicity with, and ambivalence toward, Japan’s utopian project. Manchurian-themed cultural representations accelerated during the eruption of conflict with China, and later during the Second World War, when Manchukuo served as a template for Japanese-occupied areas in Southeast Asia. A groundbreaking work, Glorify the Empire magnifies the intersection between politics and art in a rarely examined period of Japanese history.
In The Origin of the 1960s Korean Developmental Regime: Manchurian Modern, Suk-Jung Han traces the current Korean dynamism through Manchukuo, the Japanese puppet state in northeast China from 1932 to 1945, which has been frozen as the sacrosanct stage of nationalist resistance. Han proposes the factor of colonial diffusion in the lineage of East Asian state-formation, which has been overlooked in the discussion of the modern state-building. He also traces the cultural flow from the Manchurian setting, which contained the seed of the future cultural prowess of Korea.
In China, both opium and alcohol were used for centuries in the pursuit of health and leisure while simultaneously linked to personal and social decline. The impact of these substances is undeniable, and the role they have played in Chinese social, cultural, and economic history is extremely complex. In Intoxicating Manchuria, Norman Smith reveals how warlord rule, Japanese occupation, and political conflict affected local intoxicant industries. These industries flourished throughout the early twentieth century, even as a vigorous anti-intoxicant movement raged. Through the lens of popular Chinese media depictions of alcohol and opium, Smith analyzes how intoxicants and addiction were understood in this society, the role the Japanese occupation of Manchuria played in their portrayal, and the efforts made to reduce opium and alcohol consumption. This is the first English-language book-length study to focus on alcohol use in modern China and the first dealing with intoxicant restrictions in the region.