[PDF] Reproductions Of Old Master Drawings In The Collection Of Charles Fairfax Murray eBook

Author : David B. Elliott
Publisher :
Page : 288 pages
File Size : 44,93 MB
Release : 2000
Category : Antiques & Collectibles
ISBN :

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"He was, however, a much more private man than his flamboyant contemporaries, and his wish for anonymity was compounded by his having two large families, one in London, the other in Italy, neither of whom he lived with. This, the first biography of Fairfax Murray, is both a study of a multi-talented and influential man and an exploration of the Victorian art world."--BOOK JACKET.

Author : William Griswold
Publisher : Metropolitan Museum of Art
Page : 284 pages
File Size : 23,86 MB
Release : 1994
Category : Drawing
ISBN : 0870996886

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Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR

Author : Egbert Haverkamp Begemann (Kunsthistoriker)
Publisher : Metropolitan Museum of Art
Page : 490 pages
File Size : 20,24 MB
Release : 1999
Category : Art
ISBN : 0870999184

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"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).

Author : Giuliana Pieri
Publisher : MHRA
Page : 212 pages
File Size : 35,71 MB
Release : 2007
Category : History
ISBN : 1904350445

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This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture.