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This book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.
"This groundbreaking book gives shape to what the authors call the 'decolonial left,' which defines itself against the New Cold War rivalries, legacies of British colonialism, and Chinese authoritarianism, to articulate practices of protesting and living in the space of global abolitionism and internationalism from below." - Shu-mei Shih, Edward W. Said Professor of Comparative Literature, University of California, Los Angeles, USA "This breakthrough collection of essays is provocative, sincere, and makes not only a timely contribution to Hong Kong Studies but also thoughtful challenges to all who are concerned about Hong Kong." - Law Wing Sang, Independent Researcher in Exile This collection brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong's contemporary protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not always operate under the banners of leftism and decoloniality; yet, examining them within these frameworks uncovers historical and prefigurative sightlines that reveal their significance to Hong Kong's future, and interlaces the city's struggles with others around the world. Wen Liu is assistant research fellow at the Institute of Ethnology, Academia Sinica, in Taiwan. Her writing has published in journals such as American Quarterly, Feminism & Psychology, Journal of Asian American Studies, and Subjectivity. JN Chien is a Ph.D. candidate in American Studies and Ethnicity at the University of Southern California. His writing has appeared in Hong Kong Studies, The Nation, Jacobin, and Lausan. Christina Chung is a Ph.D. candidate researching the intersections of decolonial feminism and Hong Kong contemporary art at the University of Washington. Her writing has been published by Asia Art Archive, College Arts Association Reviews, and in Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan (East Slope Publishing, 2017). Ellie Tse is a Ph.D. student in Cultural and Comparative Studies at the Department of Asian Languages & Cultures at the University of California, Los Angeles.
This book and associated collection of visual data and sociological observations examine how the Hong Kong Special Administrative Region (SAR) has been visually re-imagined, transformed, and utilized by its subalterns in the post-Handover period to reproduce their aspirations and demands for greater democracy and social justice while simultaneously contesting the hegemonic pressure exerted by China under the “One Country, Two Systems” ideology. It provides a rich visual description and narrative of how Hong Kong’s many repressed social and political actors have struggled to make their voices heard under its competitive authoritarian political system. The book addresses the growing scholarly interest in the visual analysis of global protests and social movements as salient sources of sociological data and on the creation of meaning. By innovatively tackling the visual culture and visuality of subaltern resistance in Hong Kong it contributes to our understanding of contentious SAR-China politics and the New Social Movement, and will be of great interest to Hong Kong, resistance, social movement, and visual studies scholars.
The SAGE Handbook of Global Sociology addresses the ‘social’, its various expressions globally, and the ways in which such understandings enable us to understand and account for global structures and processes. It demonstrates the vitality of thought from around the world by connecting theories and traditions, including reflections on European colonization, to build shared, rather than universal, understandings. Across 36 chapters, the Handbook offers a series of perspectives and cases from different locations, enabling the reader better to understand the particularities of specific contexts and how they are connected to global movements and structures. By moving beyond standard accounts of sociology and social theory, this Handbook offers both valuable insight into and scholarly contribution to the field of global sociology. Part 1: Politics Part 2: Labour Part 3: Kinship Part 4: Belief Part 5: Technology Part 6: Ecology
For 79 days, the Umbrella Movement staged Hong Kong's most spectacular struggle for democracy. Sparked by disgruntlement over Beijing's denial of universal suffrage elections, the protests first began with class boycott along the largely-scripted Occupy Central, but later morphed into a spontaneous, resilient street occupation, transforming roads and pavements into protest sites and tent villages. Although the movement failed to bring any tangible political changes, it has transformed Hong Kong politics in many ways. Not only has it catalyzed the emergence of new movement agency, repertoires and claims, it has also defined a new era for Hong Kong, its relations with China and its identity in the world. This emerging political landscape merits thorough examination. This book is a collaborative attempt to examine this unprecedented and watershed event. It brings together 13 essays written by scholars with different disciplinary and research focuses. The chapters probe the political origins of the movement; identify new participants, protest forms and action repertoires; analyze protesters' strategies and regime responses; and also bring in comparative perspectives from mainland China, Taiwan and Macau. One common thread that stitches the chapters together is the use of first-hand data collected through on-site fieldwork across the protest sites.
This edited collection explores absence, presence and remembrance in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World. As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of 'dead generations'. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.
Author : Lu Pan Publisher : Hong Kong University Press Page : 295 pages File Size : 40,74 MB Release : 2023-06-21 Category : Social Science ISBN : 9888805495
Taking The 70’s Biweekly—an independent youth publication in the 1970s’ Hong Kong—as the main thread, this edited volume investigates an unexplored trajectory of Hong Kong’s cultural and art production in the 1970s that represents the making of a dissent space by independent press and activist groups in the city. The 70’s Biweekly stands out from many other independent magazines with its unique blending of radical political theories, social activism, avant-garde art, and local art and literature creations. By taking the magazine as a nodal point of social and cultural activism from and around which actions, debates, community, and artistic practices are formed and generated, this book fills gaps in studies on how young Hong Kong cultural producers carved out an alternative creative and political space to speak against established authorities. Split into three parts, this book provides readers with a panoramic view of the political and cultural activisms in Hong Kong during the 1970s, writings on art and film, and crucially, interviews with former founders and contributors that reflect on how their participation led them to engage ideologically with their activism and community that extended far beyond the temporal and physical bounds of the magazine. “This unique collection represents a very valuable addition to the cultural history of the 1970s in Hong Kong and globally. While the journal 70’s Biweekly serves as a connecting thread, the volume in fact has broad ramifications, documenting the political, intellectual, and cultural struggles of the anticolonial and incipient democracy movement in Hong Kong.” —Sebastian Veg, École des hautes études en sciences sociales “The 70’s Biweekly was significant and impactful in Hong Kong in the early 1970s. It was an influential cultural and political platform during the early stage of the development of social movements in the colony. An attempt to examine the publication and its wider impacts will further enrich the body of literature on Hong Kong society and culture.” —Lui Tai-lok, The Education University of Hong Kong
Author : Jennifer Dorothy Lee Publisher : Univ of California Press Page : 277 pages File Size : 32,8 MB Release : 2024-02-06 Category : Art ISBN : 0520399285
Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978–80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.
As the rivalry between the US and China enters a dangerous new phase, reaffirming the politics of anti-imperialism is a task more important than ever. From trade wars and pandemic politics to rioting workers, intercontinental balloons, and battles over TikTok, the US media tends to present contemporary China—when it’s discussed at all—in sensationalist terms. This portrayal has only intensified as China’s relationship with the United States has grown increasingly hostile. Whether in the form of overtly racist rhetoric and aggressive trade actions, or the more buttoned down but equally antagonistic efforts to oppose Chinese interests abroad, the US has made clear that it has no interest in giving up its position as global hegemon. This seemingly endless cycle of nationalism, jingoism, and reactionary politics on both sides of the Pacific suggests a downward spiral that could plausibly result in catastrophic military confrontation. Against Imperialism forcefully makes the case that workers and socially marginalized people in both the US and China must oppose our rulers’ claims that they have our best interests in mind as they ratchet up their rivalry. Rather, if we’re to avert nuclear calamity, we must oppose imperialism in all its forms, and regardless of its source and rhetoric. Through snapshots of China’s growing social movements—from its labor struggles to feminist campaigns, and more—Lin, Liu, Friedman, and Smith provide some of the building blocks we’ll need to construct a movement that centers international solidarity across borders.
The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument). However, scant attention has been paid to theoretical, methodological, and empirically grounded approaches to visual politics produced by scholars working in the Global South. Little is known about the ways in which scholarship in the Global South might challenge and resist western approaches to the study of the visual. Against this background, this project aims to examine visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics (e.g., social movements, activism, grassroots politics, civil society initiatives). This volume examines visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics. It will be of interest to both researchers and students interested in the study of visual politics from various disciplinary lens (media and communication, anthropology, politics, and sociology).