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Rehearsing the Revolution

Author : Odai Johnson
Publisher : University of Delaware Press
Page : 202 pages
File Size : 47,58 MB
Release : 2000
Category : History
ISBN : 9780874137248

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It charts the limits of representation within the royal theater where Whig playwrights were challenging Stuart mythography, before moving out onto the streets where the contracts of representation were less circumscribed by royal interests. It was on the streets of London that the Whig party staged massive civic performances - the Pope-Burning pageants - that allowed the circulation of the Exclusion platform."--BOOK JACKET.

Rehearsals of Revolution

Author : Rustom Bharucha
Publisher : Honolulu : University of Hawaii Press
Page : 288 pages
File Size : 43,20 MB
Release : 1983
Category : Performing Arts
ISBN :

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Revolutionary Rehearsals

Author : Colin Barker
Publisher : London : Bookmarks
Page : 284 pages
File Size : 19,57 MB
Release : 1987
Category : Political Science
ISBN :

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Rehearsing the Revolution

Author : Marie Hélène Huet
Publisher :
Page : 116 pages
File Size : 33,87 MB
Release : 1982
Category : Literary Criticism
ISBN : 9780520043213

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Rehearsing for Life

Author : Monica Mottin
Publisher : Cambridge University Press
Page : 302 pages
File Size : 34,53 MB
Release : 2018-03-09
Category : Social Science
ISBN : 1108641032

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This work examines the production and performance of theatrical activities aimed at bringing about social change in both development and political intervention in Nepal. If everyday social problems can be both represented and challenged through drama-based performances, then what differentiates street theatre performed in planned developments from street theatre performed within social and political movements? This multi-sited ethnography attempts to answer this question by following the works of Aarohan Theatre - a Kathmandu-based professional company, performing both loktantrik natak (theatre for democracy) in the context of the 2005–06 popular movement, and kachahari natak (forum theatre) for development projects. The analysis then extends to the forum theatre produced by one of Aarohan's partner groups, the Kamlari Natak Samuha - a Tharu grassroots activist organization based in Deukhuri Valley (West Nepal) campaigning against indentured child labour.

Feminists Read Habermas

Author : Johanna Meehan
Publisher : Routledge
Page : 306 pages
File Size : 47,19 MB
Release : 2012-10-11
Category : Philosophy
ISBN : 0415635144

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This important new collection considers Jurgen Habermas's discourse theory from a variety of feminist vantage points. Habermas's theory represents one of the most persuasive current formulations of moral and political notions of subjectivity and normativity. Feminist scholars have been drawn to his work because it reflects a tradition of emancipatory political thinking rooted in the Enlightenment and engages with the normative aims of emancipatory social movements. The essays in Feminists Read Habermas analyze various aspects of Habermas's theory, ranging from his moral theory to political issues of identity and participation. While the contributors hold widely different political and philosophical views, they share a conviction of the potential significance of Habermas's work for feminist reflections on power, norms and subjectivity.

Theater of the Oppressed

Author : Augusto Boal
Publisher : Pluto Press
Page : 242 pages
File Size : 36,42 MB
Release : 2000
Category : Literary Criticism
ISBN : 9780745316574

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a So remarkable and so ground-breaking ... [it is] the most important [book] on the theatre in modern times.a George Wellwarth"

Bodies and Bones

Author : Tanya L. Shields
Publisher : University of Virginia Press
Page : 301 pages
File Size : 20,22 MB
Release : 2014-06-02
Category : Literary Criticism
ISBN : 0813935989

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In Bodies and Bones, Tanya Shields argues that a repeated engagement with the Caribbean’s iconic and historic touchstones offers a new sense of (inter)national belonging that brings an alternative and dynamic vision to the gendered legacy of brutality against black bodies, flesh, and bone. Using a distinctive methodology she calls "feminist rehearsal" to chart the Caribbean’s multiple and contradictory accounts of historical events, the author highlights the gendered and emergent connections between art, history, and belonging. By drawing on a significant range of genres—novels, short stories, poetry, plays, public statuary, and painting—Shields proposes innovative interpretations of the work of Grace Nichols, Pauline Melville, Fred D’Aguiar, Alejo Carpentier, Edwidge Danticat, Aimé Césaire, Marie-Hélène Cauvin, and Rose Marie Desruisseau. She shows how empathetic alliances can challenge both hierarchical institutions and regressive nationalisms and facilitate more democratic interaction.

Feminists Read Habermas (RLE Feminist Theory)

Author : Johanna Meehan
Publisher : Routledge
Page : 306 pages
File Size : 13,62 MB
Release : 2013-05-20
Category : Social Science
ISBN : 1136204288

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This important new collection considers Jurgen Habermas's discourse theory from a variety of feminist vantage points. Habermas's theory represents one of the most persuasive current formulations of moral and political notions of subjectivity and normativity. Feminist scholars have been drawn to his work because it reflects a tradition of emancipatory political thinking rooted in the Enlightenment and engages with the normative aims of emancipatory social movements. The essays in Feminists Read Habermas analyze various aspects of Habermas's theory, ranging from his moral theory to political issues of identity and participation. While the contributors hold widely different political and philosophical views, they share a conviction of the potential significance of Habermas's work for feminist reflections on power, norms and subjectivity.

Theatre and War

Author : Natalie Alvarez
Publisher : Bloomsbury Publishing
Page : 121 pages
File Size : 41,50 MB
Release : 2022-12-15
Category : Performing Arts
ISBN : 1137584270

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Theatre and war have long been bedfellows. This brief study looks beyond theatre that is about war, and instead focuses on the relationship between theatre and war: how they feed into and inform one another, from rehearsal to post-production analysis. The study builds on the premise that theatre and war share a deep kinship that finds its consummate expression in the very phrase 'theatre of war.' This critical look at the entangled history of theatre and war asks pressing questions that remain pertinent to our current moment: how have the tools of theatre been used in the waging of war? How have the tools of waging war been used in the making of performance? What are the 'shared interests' of theatre and war? And how has performance become a militarized paradigm?