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"Repp combines detailed case studies of Adolf Damaschke, Gertrud Baumer, and Werner Sombart with an innovative prosopography of their milieu to show how leading reformers enlisted familiar tropes of popular nationalism, eugenics, and cultural pessimism in formulating pragmatic solutions that would be at once modern and humane."--BOOK JACKET.
Providing valuable insights into an element of European nationalism and modernist culture, this book explores the development of the 'Zionist body' as opposed to the traditional stereotype of the physically weak, intellectual Jew. It charts the cultural and intellectual history showing how the 'Muscle Jew' developed as a political symbol of national regeneration.
A study of the distinctive brand of modernism that emerged in late 19th century Germany, illustrating through a series of analyses of key buildings and urban spaces how bourgeios modernism shaped the infrastructure of social and political life in the early twentieth century and transformed German cities.
Adolf Hitler was a vegetarian and the Dachau concentration camp had an organic herb garden. Vegetarianism, organic farming, and other such practices have enticed a wide variety of Germans, from socialists, liberals, and radical anti-Semites in the nineteenth century to fascists, communists, and Greens in the twentieth century. Corinna Treitel offers a fascinating new account of how Germans became world leaders in developing more 'natural' ways to eat and farm. Used to conserve nutritional resources with extreme efficiency at times of hunger and to optimize the nation's health at times of nutritional abundance, natural foods and farming belong to the biopolitics of German modernity. Eating Nature in Modern Germany brings together histories of science, medicine, agriculture, the environment, and popular culture to offer the most thorough and historically comprehensive treatment yet of this remarkable story.
This book is the first transnational history of rambling and mountaineering. Focussing on the critical turn-of-the-century era, it offers new insights into alpine development, attitudes to danger, cultures of time, internationalism and domesticity in the outdoors. It charts an emerging group of mass tourist activities, and argues that these thousands of walkers and climbers can only be understood within the context of the urban cultures from which most of them came. In doing so, it offers a fresh perspective on the relationship of alpinists and countryside enthusiasts to the modern world. Instead of an escape from or rejection of modernity, it finds that upland trampers and climbers contested what it meant to be modern, used those modern identities to make political claims on rural space and rural people, and sought to define what a more modern future society should be like.
In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past—the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.
Vernacular Modernism advocates a rethinking of the importance of the vernacular as part of the modernist discourse of place, from art to literature, from architectural to social practice.
This book is about what it meant to build a city in Germany at the turn of the twentieth century. It explores the physical spaces and mental attitudes that shaped lives, restructured society, and conditioned beliefs about the past and expectations for the future in the crucial German generations that formed the young Reich, fought the Great War, and experienced the Weimar Republic. Focusing on ordinary buildings and the way they shaped ordinary lives, this study shows how material space could influence the lives of citizens, from the ways the elderly slept at night to the economy of the city as a whole. It also shows how we integrate the spaces and places of our lives into our explanations of politics, culture and economics. It is aimed at those who want to understand urban modernity, Wilhelmine and Weimar Germany, the use of space in social policy and politics, and the design of cities.
In Sexual Politics and Feminist Science, Kirsten Leng restores the work of female sexologists to the forefront of the history of sexology. While male researchers who led the practice of early-twentieth-century sexology viewed women and their sexuality as objects to be studied, not as collaborators in scientific investigation, Leng pinpoints nine German and Austrian "women sexologists" and "female sexual theorists" to reveal how sex, gender, and sexuality influenced the field of sexology itself. Leng's book makes it plain that women not only played active roles in the creation of sexual scientific knowledge but also made significant and influential interventions in the field. Sexual Politics and Feminist Science provides readers with an opportunity to rediscover and engage with the work of these pioneers. Leng highlights sexology's empowering potential for women, but also contends that in its intersection with eugenics, the narrative is not wholly celebratory. By detailing gendered efforts to understand and theorize sex through science, she reveals the cognitive biases and sociological prejudices that ultimately circumscribed the transformative potential of their ideas. Ultimately, Sexual Politics and Feminist Science helps readers to understand these women's ideas in all their complexity in order to appreciate their unique place in the history of sexology.