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Red Skelton

Author : Wes Gehring
Publisher : Indiana Historical Society
Page : 397 pages
File Size : 50,5 MB
Release : 2013-09-10
Category : Biography & Autobiography
ISBN : 0871953552

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For more than twenty years, Hoosier comic Red Skelton entertained millions of viewers who gathered around their television sets to delight in the antics of such notable characters as Freddie the Freeloader, Clem Kaddiddlehopper, Cauliflower McPugg, and Sheriff Deadeye. Noted film historian Wes D. Gehring examines the man behind the characters—someone who never let the facts get in the way of a good story. Gehring delves into Skelton's hardscrabble life with a shockingly dysfunctional family in the southern Indiana community of Vincennes, his days on the road on the vaudeville circuit, the comedian's early success on radio, his up-and-down movie career with Metro-Goldwyn-Mayer, and his sometimes tragic personal life.

A Critical History of Television's The Red Skelton Show, 1951-1971

Author : Wesley Hyatt
Publisher : McFarland
Page : 201 pages
File Size : 36,81 MB
Release : 2015-05-07
Category : Performing Arts
ISBN : 147660875X

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The Red Skelton Show was on the air for 20 years, the longest-running primetime network comedy variety series on television. It was a top 10 series for nine years--an accomplishment surpassed only by Gunsmoke and Home Improvement. The series has a few unimpressive achievements too, such as becoming the first top 10 series to be cancelled by a network. Here is the history of The Red Skelton Show, beginning with its debut in 1951, one of the top five that year. The show then declined in popularity, moved from CBS to NBC in 1953, slowly rose back to the top. In its glory days of the 1960s it became an hour long show and finished at number two in two different years. The cancellation of the show by CBS in 1970 despite its place in the top 10 was a surprise; the last season back with NBC was a failure. Appendices list cast and crew credits and special guests by season, and offer information on the post-Red Skelton lives of many of the principal players.

Vincent Price

Author : Harry Lime
Publisher : Lulu.com
Page : 153 pages
File Size : 25,25 MB
Release :
Category :
ISBN : 0244496188

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Drive-in Dream Girls

Author : Tom Lisanti
Publisher : McFarland
Page : 361 pages
File Size : 47,16 MB
Release : 2015-05-07
Category : Performing Arts
ISBN : 0786493429

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During the 1960s, a bushel of B-movies were produced and aimed at the predominantly teenage drive-in movie audience. At first teens couldn't get enough of the bikini-clad beauties dancing on the beach or being wooed by Elvis Presley, but by 1966 young audiences became more interested in the mini-skirted, go-go boot wearing, independent-minded gals of spy spoofs, hot rod movies and biker flicks. Profiled herein are fifty sexy, young actresses that teenage girls envied and teenage boys desired including Quinn O'Hara, Melody Patterson, Hilarie Thompson, Donna Loren, Pat Priest, Meredith MacRae, Arlene Martel, Cynthia Pepper, and Beverly Washburn. Some like Sue Ane Langdon, Juliet Prowse, Marlyn Mason, and Carole Wells, appeared in major studio productions while others, such as Regina Carrol, Susan Hart, Angelique Pettyjohn and Suzie Kaye were relegated to drive-in movies only. Each biography contains a complete filmography. Some also include the actresses' candid comments and anecdotes about their films, the people they worked with, and their feelings about acting. A list of web sites that provide further information is also included.

I Love Lucy

Author : Author Lori Landay
Publisher : Wayne State University Press
Page : 132 pages
File Size : 28,13 MB
Release : 2010-04-15
Category : Performing Arts
ISBN : 081433573X

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An analysis of I Love Lucy, one of the best loved sitcoms in the history of American television. I Love Lucy aired for six seasons between 1951 and 1957 as a top-rated weekly sitcom, and its characters appeared in thirteen hour-long specials between 1958 and 1960. In I Love Lucy, author Lori Landay investigates the groundbreaking series and its highly charismatic stars, Lucille Ball and Desi Arnaz, to consider the program's impact on the conventions of the sitcom, television culture, and wider postwar culture. In chapters that proceed chronologically through the life of the series, Landay takes an interdisciplinary cultural studies approach to understanding the wider phenomenon of I Love Lucy, with an emphasis on a variety of issues as they arise from different phases of the show. She examines the program's efficient production system, compelling narrative formula, hilarious writing, and the technical genius behind the scenes that put it onto film. Landay also considers the show's clever plots within a familiar situation, magnificent comic performance, and the remarkable chemistry of its actors. In addition, she studies the end of the series and its continued place in popular culture. I Love Lucy is perhaps the most popular television show of all time, and its stars are some of the most recognizable in television history. For scholars of American television history as well as the series' many fans, I Love Lucy will be an enjoyable and informative read.

The Spacesuit Film

Author : Gary Westfahl
Publisher : McFarland
Page : 372 pages
File Size : 21,29 MB
Release : 2014-01-10
Category : Performing Arts
ISBN : 0786489995

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Filmmakers employ various images to suggest the strangeness of outer space, but protective spacesuits most powerfully communicate its dangers and the frailty of humans beyond the cradle of Earth. (Many films set in space, however, forgo spacesuits altogether, reluctant to hide famous faces behind bulky helmets and ill-fitting jumpsuits.) This critical history comprehensively examines science fiction films that portray space travel realistically (and sometimes not quite so) by having characters wear spacesuits. Beginning [A] with the pioneering Himmelskibet (1918) and Woman on the Moon (1929), it discusses [B] other classics in this tradition, including Destination Moon (1950), Riders to the Stars (1954), and 2001: A Space Odyssey (1968); [C] films that gesture toward realism but betray that goal with melodramatic villains, low comedy, or improbable monsters; [D] the distinctive spacesuit films of Western Europe, Russia and Japan; and [E] America's spectacular real-life spacesuit film, the televised Apollo 11 moon landing (1969).