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The first volume in Alexander Cordell's classic trilogy of mid-nineteenth century Wales. Set in the grim valleys of the Welsh iron country during the turbulent times of the Industrial Revolution, this unforgettable novel begins the saga of the Mortymer family - a family of hard men and beautiful women, all forced into a bitter struggle with their harsh environment, as they slave and starve for the cruel English ironmasters. But adversity could never still the free spirit of Wales, or quiet its soaring voice, and the Mortymers struggle on even as the iron foundries ravish their homeland and cripple their people. Rape of the Fair Country launched the bestselling career of Alexander Cordell in 1959 and went on to sell millions of copies in seventeen languages throughout the world.
Set in the ironmaking town of Merthyr Tydfil, The Fire People is the story of Dic Penderyn who in 1831 became the first Welsh Martyr of the working class. Hanged for a crime that he did not commit, his story is told in this powerful novel which describes the events which took place during the famous Merthyr Tydfil riots of 1831.
Longlisted for the 2020 National Book Award for Nonfiction TIME's 100 Must-Read Books of 2020 Publishers Weekly, Best Books of 2020 New York Times New & Noteworthy Audiobooks Lit Hubs Most Anticipated Books of 2020 Starred Review Publishers Weekly Starred Review Shelf Awareness "Is Rape a Crime? is beautifully written and compellingly told. In 2020, we were all looking for solutions and this book was right on time. It is one we should all be reading." —Anita Hill "This standout memoir marks a crucial moment in the discussion of what constitutes a violent crime." —Publishers Weekly, Best Books of 2020 She Said meets Know My Name in Michelle Bowdler's provocative debut, telling the story of her rape and recovery while interrogating why one of society's most serious crimes goes largely uninvestigated. The crime of rape sizzles like a lightning strike. It pounces, flattens, destroys. A person stands whole, and in a moment of unexpected violence, that life, that body is gone. Award-winning writer and public health executive Michelle Bowdler's memoir indicts how sexual violence has been addressed for decades in our society, asking whether rape is a crime given that it is the least reported major felony, least successfully prosecuted, and fewer than 3% of reported rapes result in conviction. Cases are closed before they are investigated and DNA evidence sits for years untested and disregarded Rape in this country is not treated as a crime of brutal violence but as a parlor game of he said / she said. It might be laughable if it didn’t work so much of the time. Given all this, it seems fair to ask whether rape is actually a crime. In 1984, the Boston Sexual Assault Unit was formed as a result of a series of break-ins and rapes that terrorized the city, of which Michelle’s own horrific rape was the last. Twenty years later, after a career of working with victims like herself, Michelle decides to find out what happened to her case and why she never heard from the police again after one brief interview. Is Rape a Crime? is an expert blend of memoir and cultural investigation, and Michelle's story is a rallying cry to reclaim our power and right our world.
It is the time of the Rebecca Riots when economic turmoil and unjust taxes have left the communities of south Wales in dire poverty with many on the brink of starvation. A time when young men ride through the night smashing and burning the symbols of their oppression. The Mortymer family have left their home in the iron-making country of Blaenafon to seek work in the coal mines of the south. Young Jethro Mortymer decides that he must join the rioters in their bitter struggle even as he is tortured by his own struggle to conceal the love he has for the beautiful Mari, his brother's wife. THE HOSTS OF REBECCA is a brilliant continuation of Alexander Cordell's classic story of mid-nineteenth century Wales which began with THE RAPE OF THE FAIR COUNTRY.
From bestselling author Jon Krakauer, a stark, powerful, meticulously reported narrative about a series of sexual assaults at the University of Montana — stories that illuminate the human drama behind the national plague of campus rape Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.
"James Carlos Blake is a master at weaving historical fact into fiction. Two generations of Wolfe men--begat by an English pirate in New Hampshire in 1828--track their violent but manifest destiny through the Diaz Regime in Mexico in the early 1900s and back to Gulf Coast Texas. The novel centers on two sets of identical "hero twins," each with a violent history that mirror the author's belief on the primacy of violence in the evolution of civilization. Their lives are intertwined with important events through the history of the United States, beginning in the 1820s. Crucial are the histories of the infamous Saint Patrick's Battalion (revered in Mexico as "los San Patricios") who deserted the U.S. Army during the Mexican-American War (1846-1848) and the rise and fall of Porfirio Diaz Regime (1876-1910), which marked the beginning of the Mexican Revolution"--Provided by publisher.
A haunting personal account by the woman at the center of the highly publicized "12-Step Apology" rape case describes how her attacker's written apology and her own struggles to heal prompted their e-mail correspondence, disturbing realizations about other attackers, and her eventual decision to prosecute. A first book.
A Publishers Weekly Best Book of 2018 “Brilliant, necessary reading on the ways we talk—and, more importantly, don’t talk—about rape and rape culture.” —HelloGiggles “What We Talk About When We Talk About Rape is brilliant, frank, empowering, and urgently necessary. Sohaila Abdulali has created a powerful tool for examining rape culture and language on the individual, societal, and global level that everyone can benefit from reading.” —Jill Soloway In the tradition of Rebecca Solnit, a beautifully written, deeply intelligent, searingly honest—and ultimately hopeful—examination of sexual assault and the global discourse on rape told through the perspective of a survivor, writer, counselor, and activist After surviving gang-rape at seventeen in Mumbai, Sohaila Abdulali was indignant about the deafening silence that followed and wrote a fiery piece about the perception of rape—and rape victims—for a women’s magazine. Thirty years later, with no notice, her article reappeared and went viral in the wake of the 2012 fatal gang-rape in New Delhi, prompting her to write a New York Times op-ed about healing from rape that was widely circulated. Now, Abdulali has written What We Talk About When We Talk About Rape—a thoughtful, generous, unflinching look at rape and rape culture. Drawing on her own experience, her work with hundreds of survivors as the head of a rape crisis center in Boston, and three decades of grappling with rape as a feminist intellectual and writer, Abdulali tackles some of our thorniest questions about rape, articulating the confounding way we account for who gets raped and why—and asking how we want to raise the next generation. In interviews with survivors from around the world we hear moving personal accounts of hard-earned strength, humor, and wisdom that collectively tell the larger story of what rape means and how healing can occur. Abdulali also points to the questions we don't talk about: Is rape always a life-definining event? Is one rape worse than another? Is a world without rape possible? What We Talk About When We Talk About Rape is a book for this #MeToo and #TimesUp age that will stay with readers—men and women alike—for a long, long time.
It was a crime that captured national attention. In the idyllic suburb of Glen Ridge, New Jersey, four of the town's most popular high school athletes were accused of raping a retarded young woman while nine of their teammates watched. Everyone was riveted by the question: What went wrong in this seemingly flawless American town? In search of the answer, Bernard Lefkowitz takes the reader behind Glen Ridge's manicured facade into the shadowy basement that was the scene of the rape, into the mansions on "Millionaire's Row," into the All-American high school, and finally into the courtroom where justice itself was on trial. Lefkowitz's sweeping narrative, informed by more than 200 interviews and six years of research, recreates a murky adolescent world that parents didn't—or wouldn't—see: a high school dominated by a band of predatory athletes; a teenage culture where girls were frequently abused and humiliated at sybaritic and destructive parties, and a town that continued to embrace its celebrity athletes—despite the havoc they created—as "our guys." But that was not only true of Glen Ridge; Lefkowitz found that the unqualified adulation the athletes received in their town was echoed in communities throughout the nation. Glen Ridge was not an aberration. The clash of cultures and values that divided Glen Ridge, Lefkowitz writes, still divides the country. Parents, teachers, and anyone concerned with how children are raised, how their characters are formed, how boys and girls learn to treat each other, will want to read this important book.