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'This unusual collection of recipes is a moving homage to the author's mother and grandmother, who brought her up on ragi and love. "Tempered" with ovis-earthy verses sung by Maharashtrian women as they go about their daily chores-this book will delight both the reader of recipes and its practitioner.' - Ira Pande Ragi, which is known by many names-Nachani, Nagli, Kelvaragu, Mutthari, Coracano, or finger millet-is a much neglected wonder food and an indigenous grain that has been grown and consumed in India's rural areas for centuries. Ragi-Ragini is a collection of ragi recipes-traditional ones, variations of the traditional as well as entirely new innovations. The author believes that ragi has the potential to take a weak and ailing body and lead it towards health, wisdom and self- realisation, and she infuses her recipes with this faith. The recipes are accompanied by a sparkling little tale about a little girl called Ragini, her life with her genius grandmother Aji and fiesty Masi in a small coastal Konkan village, and the transcendental ragi grain. Adorning the narrative and recipes are ovis or verses composed by the renowned Marathi poet Bahinabai which have been sung by generations of women while going about their daily chores, and which talk about the life, work and concerns of women in the region. This unusual little book by Anjali Purohit not only offers simple tips to include ragi in your daily diet, but is also a delight to read!
The names of Mirabai, Akka Mahadevi and Andal, are known to many, but innumerable women poets remain relatively unknown. When we hear of them, it is invariably as plaster saints or meek followers. It is time to smell the danger in their words again, to listen to their feral sensuality, their searing questions about custodians of gender and faith. It is time to tune into their brazenness, their heartbreaking longing. Not just for their sake but for ours too. In this anthology of sacred poetry that arrives after the much-loved book, Eating God, Arundhathi Subramaniam weaves together haunting voices of, by and for women across the Indian subcontinent. Here is a lineage of audacious woman-centred spirituality that traverses the poetry of ancient Buddhist nuns, Bhakti and Sufi mystics, tantrikas and Vedantins. There are women here, and men singing as women, and both raising their voices in praise of the sacred feminine. Brought to us through translation, these poems surprise with how intimately familiar their ravenous yearnings and ecstatic freedoms are. Wild Women invites us to reclaim an explosive inheritance of female power, rapture and wisdom.
Author : All India Radio (AIR),New Delhi Publisher : All India Radio (AIR),New Delhi Page : 68 pages File Size : 25,21 MB Release : 1949-10-30 Category : Antiques & Collectibles ISBN :
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 30-10-1949 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XIV, No. 30 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 19-65 ARTICLE: 1. Cultural Legacy Of Orissa 2. The Koyas Of Godavari 3. World Pacifists To Meet In India 4. German Universities And Indologists 5. The Changing Pattern Of Life: Industrialisation 6. Technical Education 7. Fiction: Its Growth AUTHOR: 1. Dr. Kalidas Nag 2. L. A. Krishna Iyer 3. Horace Alexander 4. Dr. Girija Mookerjee 5. Dr. D. N. Majumdar 6. S. C. Sen 7. P. S. Sundaram KEYWORDS: 1. Discovery of Sisupalgarh and Mahabharata, Hatigumpha inscription mention Chedi dynasty, Architecture of Odra-KalingaOrissa 2. Gonds related to Koyas, Koya tribe origin from Bastar, Panchatyat of Koya society 3. World Pacifist Meeting in India, World peace and India 4. India in German education, Gandhi in Germany, Sanskrit and German language 5. Patterns of life, Indian family life, Agricultural society 6. Scientific Manpower Committee, All Indfia Council for Technical Education, Efficiency of production 7. Telling a story, Impact upon story-readers, Convincing character Document ID: INL-1949 (J-N) Vol-II (18)
‘I cannot bear this’, ‘I want to pluck my eyes out’ only these two sentences were the clues which the late girl Nirupama left in writing one on a wall and one in a book quite unintentionally and involuntarily to know about the reason for her committing suicide. Her father Ranganath, detective Smaran and his niece Menaka along with Nirupama’s friend Sukanya pretty well understood that Nirupama did not want the secret for her committing suicide to be known to anyone else. But since her father Ranganath was hell bent upon knowing about the said secret, detective Smaran and his niece Menaka ruthlessly investigated the matter only to unearth the said ghastly, shocking and astounding secret which the dead girl terribly wished to keep only with her in her grave forever.
When he has fallen down in business and in extreme difficulties, the businessman Someswaram has a dream. In that dream an evil power, camel-headed man Gazira appeared to him and made a proposal to him. That proposal was; Someswaram has to agree to give birth to one of his queens Ambola who committed suicide and after that girl attains her eighteenth year Gazira would take her away from Someswaram. Someswaram must not try to prevent Gazira from taking that girl from him then. In response to that Gazira would make Someswaram that much rich that he could not even imagine. Someswaram agreed to that proposal, his wife at her forty-fifth year gave birth to a girl who was named as Sukanya and someswaram very well knew who she was. What he did not guess at all was that he would develop lots and lots of love and affection on that girl. He told about his dream to only two people one to his son Sasikanth and two to his wife’s sister Susmitha, the psychiatrist. The sudden richness in their life made Someswaram and Sasikanth completely believe that dream was not just a dream but to the psychiatrist Susmitha it was just a dream always. But the real problem started when Sukanya entered into her eighteenth year, when strange incidents started to happen and when Sukanya started behaving like Ambola but to her psychiatrist aunt it was just split-personality
Prathyagrahi was a successful rich man amassed lot of wealth but at the age of ninety six he suddenly became bedridden. In the beginning of his life, Prathyagrahi’s family was very poor but enthusiastic and intelligent Prathyagrahi always wanted to be rich. Suddenly he became quite rich in his young days itself and there was a rumor that Prathyagrahi took the help of some spirits to become rich like that. But Prathyagrahi never has agreed to that and his wife Savitri also could not know the truth however much hard she tried. Even she always suspected, Savitri did not convince and confirm in herself that Prathyagrahi took the help of some evil power to become rich like that, until she heard her granddaughter Ragini, possessed by the bad angel Upanya talking at bedridden Prathyagrahi that she would take revenge on him and his family as he took help from her and betrayed her and her gang. Feeling very much fear that Upanya, the bad angel, put her words into action, at the suggestion of his whole family, Prathyagrahi’s son Sadan invited his parapsychologist friend Anurag to his home to solve the problem of that evil power. Once came into the house of his friend Sadan, Anurag started trying in all the ways possible to know about that evil power and solve the problem. He suspected that some spirit was trying to contact the people in Prathyagrahi’s room and communicate something because of the strange experiences of nurses at Prathyagrahi and Prathyagrahi’s daughter Mandakini in that room. He made Yamuna, the night time nurse at Prathyagrahi to act as medium to that spirit and that spirit, who was Prathyagrahi himself, came into Yamuna and communicated with his family. Prathyagrahi’s sorcerer friend Viloma gave him the ability to separate himself from the body and communicate with his family members. Prathyagrahi at last revealed his secret through Yamuna that he took the help of Upanya the bad angel to become rich in his life promising to help it and its gang in return in their deeds but after coming to know about the bad nature of Upanya and her gang he got them spell-bounded to metal dolls, put them in a metal pot and buried deep under earth by his friend and sorcerer Viloma. But after eighty or so of years, the place where those bad angels were buried was excavated, that pot has been taken out from there and when the metal dolls were touched with impure hands they lost their power and those bad angels could become free. Viloma once again made those dolls became powerful and got them reached Prathyagrahi. As suggested by Prathyagrahi, Anurag made contact with Viloma, the sorcerer, to know how to get rid of those bad angels again. Viloma said to him, on a peculiar solar eclipse day, which comes on a Sunday, first week, first month in a year, luckily which was going to happen soon, those bad angels would be with very little power and on that day those bad angels could be easily invited into those metal dolls, spell-bounded and buried under earth after putting them in a special metal pot as he did on such a peculiar solar eclipse day eighty years or so back. But some conditions have to be met with to do that and Viloma elaborated them to Anurag. Those conditions were carefully met with by Anurag and Sadan’s family members and on the peculiar solar eclipse day, Viloma possessing Anurag invited those bad angels into those dolls, spell-bounded them and buried them deep under earth just as he did eighty years or so before. But before being buried like that, Upanya and her gang, so desperately tried to escape from that and used Dr.Mallikarjun who attended on Prathyagrahi and Dr.Sasichandan who is a junior doctor in Dr.Mallikarjun’s hospital. Samita, a nurse, also has been used by Upanya to spoil the plans of Anurag and Viloma. But however much hard they tried none of their plans worked and they had to meet with the tragic end!
Jasmine who was a ninth class student has a weakness. She could not remain silent if any of her friends were suffering for anything. She would go to any extent and probe into their personal matters also even sometimes that got her into problems. When Jasmine told by her friend Mounika that her parents were going to be divorced, Jasmine could not remain calm seeing her friend distressed. She promised to Mounika that she would see not only that her parents be together all the time but they love and like each other always and the three of them spend a happy future forever. To keep her promise, what Jasmine did, what difficulties she faced whether she became successful or not is the main theme of this novel ‘Rose Garden’. But this ‘Rose Garden’ is not just that. This ‘Rose Garden’ is the heartbeat of teenage children. How they feel, how they want their parents to be, how they want their teachers to be, how they want their life to be.