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Through this catalog, readers will experience Aminah Robinson's amazing house, her art, and her profuse journals. In them, as was so often the case, she succinctly defined the importance of art in general and of her relationship with the Columbus Museum of Art.
Meet the inventors and innovators who defined American music history. A radio repairman imagined inventing the electric guitar. The inventor of 3-D glasses envisioned an electric organ in every home. And a German carpenter immigrated to New York City with the dream of designing the greatest piano in the world. From Steinway pianos and Moog synthesizers to Zildgian cymbals and Martin guitars, noted music writer VanHeke offers a fascinating, insider view of the personalities and perseverance that led to some of music's most important innovations—from classical to jazz to rock. This ALA Notable Children's Book includes photos, source notes, and glossaries.
Scott Joplin came from a music-making family in Texarkana, Texas. As a small boy, he loved the lively, rhythmic African melodies and the soft, touching spirituals that he heard his father sing. By the age of twenty, Joplin had left home to make a living as a musician. Barbara Mitchell's Raggin' is the story of this talented composer/musician who overcame prejudice and hardship to create such favorites as "Maple Leaf Rag" and "The Entertainer"--music that still makes people tap their toes.
In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.
For me, there is no distinction between life and art. Folk art has to do with families and communities. It's timeless. It permeates the soul. It's the way people do things that's passed from generation to generation.
Chronicles the brutal killing of an entire family by a fourteen-year-old boy who claimed that he had suffered years of relentless physical and psychological abuse at their hands.
It's difficult to pinpoint exactly what constitutes American, since the United States is such a melting pot, but this collection of nine short stories does capture the American experience. Perhaps diversity is what makes Great New American Short Stories so good.Voyles' stories are about the rich, the poor, the educated, the street-smart. They are written from a wide variety of experiences. For instance, one story is a witty tale of a quiet man's revenge on a nosy neighbor, while another is a lottery-winning man's revenge on his nagging wife. What if you found a suitcase full of money? What if you came face-to-face with someone you'd just vented your road rage upon? What if you were a prisoner in quarantine? In Me and Frank Cash at Camp Goode, the author writes about one man's experience in South Korea while in the Army. In The Rosebush, a woman's favorite adopted daughter dies unexpectedly. The mother plants a rosebush by her daughter's grave and tends to it lovingly. The story is told from another daughter's point of view.Voyles writes with the authenticity of the characters in mind.
‘Xander,’ I said, ‘this isn’t fair . . . ’ ‘Of course not,’ he said softly. ‘This is war.’ The defeat of Cades in the Northern Invasion brought two years of peace to the Rhea Lands, but, on the anniversary of his death, the threat of war returns with an assault on Liane Palace, Elhian’s capture, and the mysterious darkening of Queen Alexia’s personality. The Zalem cult behind Cades has woken to revenge his death and revive his plans to conquer Targe . . . and to kill the A’zyon Warrior. While Darj prepares the kingdom for battle, Adaliah must solve the riddles of ancient prophecies, lead the search for powerful artifacts, and once again take up her swords in a race to save her family and her kingdom from darkness.
Two athletic young men, Mark Brown and Josh Hodges, co-captains of their college swim team, flaunt their affection for each other. They feel it is wholesome and nothing for which to be ashamed. This behavior is noticed by others, especially church members, some of whom are less than tolerant. Mark's parents, Doris and Frank Brown, are devout Christians and deeply troubled by Mark's lifestyle. They consult with Assistant Pastor Dan only to learn that the church regards homosexuality as a sin and that homosexuals are believed to be possessed of the devil. Doris and Frank also reach out to a psychiatrist who attempts to "help" Mark. In their quest to learn more about their son's orientation, they attend PFLAG (Parents and Friends of Lesbians and Gays) meetings, talk with others, and research the subject on the Internet and at their library. A tragedy occurs that causes Doris to make a dramatic stand.