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A bilingual anthology by a Spanish poet, illustrated with paintings that inspired it. In the poem, Botticelli, accompanied by the painting, The Birth of Venus, he writes: "Upon the sea / all is curling witchery, / twirling curl / & rippling wave, / a geometric order / carried to the border / by uncooling winds that shower bird & flower."
A major new translation of one of Italy's greatest modern poets Giuseppe Ungaretti (1888-1970) was a pioneer of the Modernist movement in Italian poetry and is widely regarded as one of the leading Italian poets of the twentieth century. His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age. Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966.
First published in Spain in the summer of 1929, Concerning the Angels (Sobre los angeles) is the great Spanish poet Rafael Alberti's masterpiece, on a par with T.S. Eliot's The Waste Land, Pablo Neruda's Residencia en la tierra, and Federico Garcia Lorca's Poeta en Nueva York. It marks a major departure from the light-hearted tone of the poet's earlier verse, which was notably influence by Andalusian folksong. This bilingual text is at once intensely imaginative and intimately realistic, a lyrical illumination of the poet's "dark night of the soul." Rafael Alberti, born in 1902, is the last surviving member of the so-called Generation of 1927 that included such notable Spanish poets Federico Garcia Lorca, Vincente Alexandre, Pedro Salinas, Jorge Guillen, and Luis Cernuda. Christopher Sawyer-Laucanno lives in Massachusetts and teaches in the program in Writing and Humanistic Studies at MIT.
From notions of art for art’s sake to committed poetry, it may seem that poets cannot achieve reconciliation between the politics and poetry. However, among committed Communist poets of the 20th century of the Spanish-speaking world, three poets stand out as examples of a search to bring together their political and their poetic commitments: Rafael Alberti, Nicolás Guillén, and Pablo Neruda. Political Poetry in the Wake of the Second Spanish Republic analyzes the simultaneous development of politics and poetics in these three Spanish-language poets as it was nurtured by the Second Spanish Republic (1931-1939). Beginning in these years, Alberti, Guillén, and Neruda strove to tackle the challenge of committing to their own independent poetic projects and to their politics at the same time. Later, these three poets maintained their Communist Party affiliation until their deaths and produced collection after collection of quality poetry. Despite the differences in their overall poetic trajectories and projects, the ability to maneuver between politics and poetry without sacrificing either one is common among them. Because of their unique experiences during the time of the Second Spanish Republic in Spain, each author explicitly denounced the injustices that the opposing Franquist forces had committed against the Republic. After the fall of the Republic in 1939, Alberti, Guillén, and Neruda continued to intertwine their politics with their poems only in a less obvious manner. Therefore, each could solidify his position within the poetic canon while at the same time each could maintain his position as a committed (or at least card-carrying) Communist.