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Provides an original view of the potential for a radical democratic politics today that speaks not only to the Italian situation but also to a broadly international context. First, the essays settle accounts with the culture of cynicism, opportunism and fear that has come to permeate the Left. They then proceed to analyze the new difficulties and possibilities opened by current economic conditions and the crisis of the welfare state. Finally, the authors propose a series of new concepts that are helpful in rethinking revolution for our times. Contributors include Giorgio Agamben, Massimo De Carolis, Alisa Del Re, Augusto Illuminati, Maurizio Lazzarato, Antonio Negri, Franco Piperno, Marco Revelli, Rossana Rossanda, Carlo Vercellone and Adelino Zanini.
Italian philosophical and political thought has been receiving ever-growing attention in international debates. This has mainly been driven by the revival of the Italian neo- and post-Marxist tradition and of the Italian interpretation of French Theory, in particular of Foucault’s biopolitics. So, is it now possible to speak of an ‘Italian Theory’ or an ‘Italian difference’ in the context of philosophical and political thought? This book collects together leading names in Italian critical thought to examine the significant contributions that they are giving to contemporary political debates. The first part of the book draws a possible genealogy of the so-called ‘Italian Theory’, questioning the possibility of grouping together many authors, and political and theoretical approaches which are often reciprocally in conflict. The second part of the book presents certain categories that have become characteristic of Italian Thought for their original interpretation and use by some of the authors recognized as part of the Italian Theory tradition, from biopolitics and political theology to crisis and immanence.
This thesis is a critical study of contemporary sociological accounts of the politics of radical social movements (RSMs). The study of this class of movement was revitalised by the general political and cultural upheaval across western democracies at the end of the 1960s, and remains relevant now in what is characterised as a movement society. The classical Anglo-American agenda post 1968 was to repopulate the territory of modern politics with a strategic and reasonable radical subject, specifically, one explicable within a framework of political rationalism; however, I contend that two fundamental properties of RSMs complicate this sociological project. Firstly, the practice and theory of radical communities disturb the existing order of society and politics. They exist in a space that is marginal to the political community. They act outside the established standards of behaviour and transgress the conventional limits of representation. Secondly, in so doing, these radical communities undermine the prevailing discourses on the connection of the radical community to politics. That is, RSMs disturb social order and the discourses that have that order as their object; therefore, I argue that a consequence of deploying a rationalist framework to model collective action is the effacing of the difference and specificity essential to the radical subject. My hypothesis, then, is that the politics of RSMs (the practice and theory of radical communities) are inexplicable through the aspect of instrumental rationality that indelibly marks contemporary sociological studies, in particular Anglo-American social movement theory (SMT). I defend this thesis in two main ways. Firstly, I engage the sociological accounts of RSMs in a case study of the Italian social movements 1968-78. This sector involved a diverse field of radical communities including those of the worker, student, counter-culture, and women. Unlike the trajectory of the events associated with 1968 in other western democracies, the Italian situation lasted for over a decade and involved unprecedented levels of political violence. Through the case study I review two established social movement theories, SMT (particularly the work of della Porta and Tarrow) and New Social Movement Theory (NSMT, Melucci), and engage critically with Italian radical thought (IRT, Bologna, Berardi, Negri, and Tronti). I utilise their respective efforts to repatriate the radical community to politics after the tumult of the 1960s, to diagnose and evaluate the rationalist framework in the sociological study of radicalism. The case study facilitates an inquiry into contemporary sociological thought on the nexus of politics and the radical community in western democracies and its implications for explicating the radical subject of the Italian social movements 1968-78. Secondly, I show that attention to recent movements in European philosophy, against the instrumentalist deficit and identitarian vision of sociological discourse, helps elucidate the logic of politics in the 'age of social movements.' To this end, I will discuss a contemporary aesthetic theory of social movements (Rancière). The intent of this engagement is to show how an alternative way of understanding the formation of a radical community can be put forth that retains essential characteristics of the radical subject (particularity and difference) and respects the epistemological work of this community. I will also outline the limits of such an approach for the analysis of political movements.
The work of contemporary Italian thinkers, what Roberto Esposito refers to as Italian Theory, is attracting increasing attention around the world. This book explores the reasons for its growing popularity, its distinguishing traits, and why people are turning to these authors for answers to real-world issues and problems. The approach he takes, in line with the keen historical consciousness of Italian thinkers themselves, is a historical one. He offers insights into the great "unphilosophical" philosophers of life—poets, painters, politicians and revolutionaries, film-makers and literary critics—who have made Italian thought, from its beginnings, an "impure" thought. People like Machiavelli, Croce, Gentile, and Gramsci were all compelled to fulfill important political roles in the societies of their times. No wonder they felt that the abstract vocabulary and concepts of pure philosophy were inadequate to express themselves. Similarly, artists such as Dante, Leonardo Da Vinci, Leopardi, or Pasolini all had to turn to other disciplines outside philosophy in order to discuss and grapple with the messy, constantly changing realities of their lives. For this very reason, says Esposito, because Italian thinkers have always been deeply engaged with the concrete reality of life (rather than closed up in the introspective pursuits of traditional continental philosophy) and because they have looked for the answers of today in the origins of their own historical roots, Italian theory is a "living thought." Hence the relevance or actuality that it holds for us today. Continuing in this tradition, the work of Roberto Esposito is distinguished by its interdisciplinary breadth. In this book, he passes effortlessly from literary criticism to art history, through political history and philosophy, in an expository style that welcomes non-philosophers to engage in the most pressing problems of our times. As in all his works, Esposito is inclusive rather than exclusive; in being so, he celebrates the affirmative potency of life.
The first English translation of the book that established Paolo Virno as one of the most influential Italian thinkers of his generation. With the 1986 publication of this book in Italy, Paolo Virno established himself as one of the most influential Italian thinkers of his generation. Astonishingly, this crucial work has never before been published in an English translation. This MIT Press edition, translated by Italian philosopher and Insubordinations series editor Lorenzo Chiesa, is its first English-language version. Virno here engages, in an innovative and iconoclastic way, with some classical issues of philosophy involving experience, singularity, and the relation between ethics and language, while also offering a profoundly transformative political perspective that revolves around the Marxian notion of the "general intellect." Virno reconsiders Walter Benjamin's idea of a "loss of the aura" (brought on, Benjamin argued, by technical reproducibility), and postulates instead the existence of a new experience of uniqueness that, although deprived of every metaphysical aura, resides in the very process of late-capitalist serial reproduction. Writing after the defeat of contemporary leftist revolutionary movements in the West, Virno argues for the possibility of a "good life" originating immanently from existential and political crises. Taking speculative detours through the thought of philosophers ranging from Aquinas and Berkeley to Heidegger and Wittgenstein, with a specific focus on Kant and Hegel, Virno shows how a renewed reflection on basic theoretical problems helps us to better grasp what is happening now. This edition features a preface written by Virno in 2011.
An accessible, introductory presentation of operaismo, one of the most important revolutionary theories and praxes of the twentieth century. “Operaismo is a Machiavellian return to first principles: it is a return to Marx against Marxism, against its tradition of determinism, historicism, and objectivism. Operaismo isn’t a heresy within the Marxist family, it is a rupture with that family.”—extract from Italian Operaismo This accessible, introductory presentation of operaismo (or “workerism” in English) arms readers with a deeper understanding of the concepts, context, and history of one of the most important revolutionary theories and praxes of the twentieth century. While the ideas of some of its proponents—above all, Antonio Negri—have circulated widely in the English-speaking world over the past twenty years, rather less is known about the context from which (and against which) these perspectives originally emerged. Gigi Roggero here introduces that broader workerist project, and examines how its various analyses of modern social structures, and the possibility for changing them, related to a potent social movement in Italy during the 1960s and 1970s. Italian Operaismo provides a clear overview of the central moments in that tendency’s development—from the Italian labor movement’s crisis of direction in the 1950s, the encounter with the “new forces” within the working class at FIAT and elsewhere in the early 1960s, and the political journals Quaderni rossi and Classe operaia, to the experience of Potere Operaio and other organizations a decade later. For readers more familiar with this story, the book provides a rereading of operaismo that is both salutary and provocative, one that stresses above all the role within it of subjectivity and political engagement, demonstrating the continued relevance of its subversive method as a tool for reworking the categories of radical and revolutionary thought. This book will serve as a compact, essential work on how to go about eliminating the gap between theory and practice.
This volume brings together essays by different generations of Italian thinkers which address, whether in affirmative, problematizing or genealogical registers, the entanglement of philosophical speculation and political proposition within recent Italian thought. Nihilism and biopolitics, two concepts that have played a very prominent role in theoretical discussions in Italy, serve as the thematic foci around which the collection orbits, as it seeks to define the historical and geographical particularity of these notions as well their continuing impact on an international debate. The volume also covers the debate around OCyweak thoughtOCO (pensiero debole), the feminist thinking of sexual difference, the re-emergence of political anthropology and the question of communism. The contributors provide contrasting narratives of the development of post-war Italian thought and trace paths out of the theoretical and political impasses of the presentOCoagainst what Negri, in the text from which the volume takes its name, calls OCythe Italian desertOCO."
Author : Ilham Khuri-Makdisi Publisher : University of California Press Page : 293 pages File Size : 49,45 MB Release : 2013-08-03 Category : History ISBN : 0520280148
In this groundbreaking book, Ilham Khuri-Makdisi establishes the existence of a special radical trajectory spanning four continents and linking Beirut, Cairo, and Alexandria between 1860 and 1914. She shows that socialist and anarchist ideas were regularly discussed, disseminated, and reworked among intellectuals, workers, dramatists, Egyptians, Ottoman Syrians, ethnic Italians, Greeks, and many others in these cities. In situating the Middle East within the context of world history, Khuri-Makdisi challenges nationalist and elite narratives of Mediterranean and Middle Eastern history as well as Eurocentric ideas about global radical movements. The book demonstrates that these radical trajectories played a fundamental role in shaping societies throughout the world and offers a powerful rethinking of Ottoman intellectual and social history.
The Golden Horde is a definitive work on the Italian revolutionary movements of the 1960s and '70s. An anthology of texts and fragments woven together with an original commentary, The Golden Horde widens our understanding of the full complexity and richness of radical thought and practice in Italy during the 1960s and '70s. The book covers the generational turbulence of Italy's postwar period, the transformations of Italian capitalism, the new analyses by worker-focused intellectuals, the student movement of 1968, the Hot Autumn of 1969, the extra-parliamentary groups of the early 1970s, the Red Brigades, the formation of a radical women's movement, the development of Autonomia, and the build-up to the watershed moment of the spontaneous political movement of 1977. Far from being merely a handbook of political history, The Golden Horde also sheds light on two decades of Italian culture, including the newspapers, songs, journals, festivals, comics, and philosophy that these movements produced. The book features writings by Sergio Bologna, Umberto Eco, Elvio Fachinelli, Lea Melandri, Danilo Montaldi, Toni Negri, Raniero Panzieri, Franco Piperno, Rossana Rossanda, Paolo Virno, and others, as well as an in-depth introduction by translator Richard Braude outlining the work's composition and development.