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This book examines female lordship and the power of the political voice in medieval Northern Europe, focusing on three prominent, foreign-born queens of medieval Scandinavia - Agnes of Denmark (d. 1304), Eufemia of Norway (d. 1312) and Margareta of Denmark/Sweden (d. 1412) - who acted as cultural mediators and initiators of political change.
This book examines female lordship and the power of the political voice in medieval Northern Europe, focusing on three prominent, foreign-born queens of medieval Scandinavia - Agnes of Denmark (d. 1304), Eufemia of Norway (d. 1312) and Margareta of Denmark/Sweden (d. 1412) - who acted as cultural mediators and initiators of political change.
Medieval queens led richly complex lives and were highly visible women active in a man's world. Linked to kings by marriage, family, and property, queens were vital to the institution of monarchy. In this comprehensive and accessible introduction to the study of queenship, Theresa Earenfight documents the lives and works of queens and empresses across Europe, Byzantium, and the Mediterranean in the Middle Ages. The book: - Introduces pivotal research and sources in queenship studies, and includes exciting and innovative new archival research - Highlights four crucial moments across the full span of the Middle Ages – ca. 300, 700, 1100, and 1350 – when Christianity, education, lineage, and marriage law fundamentally altered the practice of queenship - Examines theories and practices of queenship in the context of wider issues of gender, authority, and power. This is an invaluable and illuminating text for students, scholars and other readers interested in the role of royal women in medieval society.
The image, status and function of queens and empresses, regnant and consort, in kingdoms stretching from England to Jerusalem in the European middle ages. Did queens exercise real or counterfeit power? Did the promotion of the cult of the Virgin enhance or restrict their sphere of action? Is it time to revise the early feminist view of women as victims? Important papers on Emma of England, Margaret of Scotland, coronation and burial ritual, Byzantine empresses and Scandinavian queens, among others, clearly indicate that a reassessment of the role of women in the world of medieval dynastic politics is under way. Contributors: JANOS BAK, GEORGE CONKLIN, PAUL CROSSLEY, VOLKER HONEMANN, STEINAR IMSEN, LIZ JAMES, KURT-ULRICH JASCHKE, SARAH LAMBERT, JANET L. NELSON, JOHN C. PARSONS, KAREN PRATT, DION SMYTHE, PAULINE STAFFORD, MARY STROLL, VALERIE WALL, ELIZABETH WARD, DIANA WEBB.
This book presents the fascinating story of Queen Margrete I and her rise to power in Denmark, Norway and Sweden, which culminated in the founding of the Nordic Union in 1397. Based upon the most central contemporary sources, the book gives a vivid picture of medieval society in Scandinavia. Well illustrated.
This book is an innovative study offering the first examination of how three fourteenth-century English queens, Margaret of France, Isabella of France, and Philippa of Hainault, exercised power and authority. It frames its analysis around four major themes: gender; status; the concept of the crown; and power and authority.
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky
Queen Marie Antoinette, wife of King Louis XVI of France and Queen Henrietta Maria, wife of King Charles I of England were two of the most notorious queens in European history. They both faced accusations that they had transgressed social, gender and regional norms, and attempted to defend themselves against negative reactions to their behavior. Each queen engaged with the debates of her time concerning the place of women within their families, religion, politics, the public sphere and court culture and attempted to counter criticism of her foreign origins and political influence. The impeachment of Henrietta Maria in 1643 and trial and execution of Marie Antoinette in 1793 were also trials of monarchical government that shaped the English Civil Wars and French Revolution.
This book is an innovative study offering the first examination of how three fourteenth-century English queens, Margaret of France, Isabella of France, and Philippa of Hainault, exercised power and authority. It frames its analysis around four major themes: gender; status; the concept of the crown; and power and authority.