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A championship basketball coach caught between his team, his family and the rabid partisans in his town. A traveling salesman consigned to a late-night bus ride. A prison inmate stripped of everything but his pride. A teenage runaway. Mismatched lovers. In his debut collection of short fiction, award-winning novelist Craig Lancaster returns to the terrain of his Montana home and takes on the notion of separation in its many forms - from comfort zones, from ideas, from people, from security, from fears. These ten stories delve into small towns and big cities, into love and despair, into what drives us and what scares us, peeling back the layers of our humanity with every pag
This book uses art photography as a point of departure for learning about physics, while also using physics as a point of departure for asking fundamental questions about the nature of photography as an art. Although not a how-to manual, the topics center around hands-on applications, most-often illustrated by photographic processes that are inexpensive and easily accessible to students (including a versatile new process developed by the author, and herein first described in print). A central theme is the connection between the physical interaction of light and matter on the one hand, and the artistry of the photographic processes and their results on the other. Geometry and the Nature of Light focuses on the physics of light and the optics of lenses, but also includes extended discussions of topics less commonly covered in a beginning text, including symmetry in art and physics, different physical processes of the scattering of light, photograms (photographic shadow prints) and the nature of shadows, elements of 2-dimensional design, pinhole photography and the view camera. Although written at a beginning undergraduate level, the topics are chosen for their role in a more general discussion of the relation between science and art that is of interest to readers of all backgrounds and levels of expertise.
ORIGINALLY PUBLISHED AS QUANTUM PHYSICS AND THE ART OF DEPARTURE (2011)A basketball coach gets caught between his team, his family, and the expectations of a town with a thirst for winning. A traveling salesman, stranded far from home, explores the dark corners of his life on a late-night bus ride. A prison inmate clings to his dignity and self-righteousness in a place where everything else is stripped away. A teenage runaway finds unexpected shelter. Mismatched lovers flail away from each other.Craig Lancaster's debut collection of short fiction, originally released in 2011 to enthusiastic reviews, mined his home terrain of Montana and took on the notion of separation-from comfort, from ideas, from people, from security. Now updated with two new short stories and a selection of even shorter fiction, as well as a an introduction from the author, this collection goes deep into farms, cities and suburbs, into love and despair, into what motivates us and what scares us, peeling back the layers of our humanity with every page.
This book presents the deterministic view of quantum mechanics developed by Nobel Laureate Gerard 't Hooft. Dissatisfied with the uncomfortable gaps in the way conventional quantum mechanics meshes with the classical world, 't Hooft has revived the old hidden variable ideas, but now in a much more systematic way than usual. In this, quantum mechanics is viewed as a tool rather than a theory. The author gives examples of models that are classical in essence, but can be analysed by the use of quantum techniques, and argues that even the Standard Model, together with gravitational interactions, might be viewed as a quantum mechanical approach to analysing a system that could be classical at its core. He shows how this approach, even though it is based on hidden variables, can be plausibly reconciled with Bell's theorem, and how the usual objections voiced against the idea of ‘superdeterminism' can be overcome, at least in principle. This framework elegantly explains - and automatically cures - the problems of the wave function collapse and the measurement problem. Even the existence of an “arrow of time" can perhaps be explained in a more elegant way than usual. As well as reviewing the author’s earlier work in the field, the book also contains many new observations and calculations. It provides stimulating reading for all physicists working on the foundations of quantum theory.
Modern is a word much used, but hard to pin down. In Inventing Modern, John H. Lienhard uses that word to capture the furious rush of newness in the first half of 20th-century America. An unexpected world emerges from under the more familiar Modern. Beyond the airplanes, radios, art deco, skyscrapers, Fritz Lang's Metropolis, Buck Rogers, the culture of the open road--Burma Shave, Kerouac, and White Castles--lie driving forces that set this account of Modern apart. One force, says Lienhard, was a new concept of boyhood--the risk-taking, hands-on savage inventor. Driven by an admiration of recklessness, America developed its technological empire with stunning speed. Bringing the airplane to fruition in so short a time, for example, were people such as Katherine Stinson, Lincoln Beachey, Amelia Earhart, and Charles Lindbergh. The rediscovery of mystery powerfully drove Modern as well. X-Rays, quantum mechanics, and relativity theory had followed electricity and radium. Here we read how, with reality seemingly altered, hope seemed limitless. Lienhard blends these forces with his childhood in the brave new world. The result is perceptive, engaging, and filled with surprise. Whether he talks about Alexander Calder (an engineer whose sculptures were exercises in materials science) or that wacky paean to flight, Flying Down to Rio, unexpected detail emerges from every tile of this large mosaic. Inventing Modern is a personal book that displays, rather than defines, an age that ended before most of us were born. It is an engineer's homage to a time before the bomb and our terrible loss of confidence--a time that might yet rise again out of its own postmodern ashes.
This book continues exploring the experiences, trials and tribulations of both the Journalist Romano known here as the First Man Adam and his Celestial Guide Zarathustra while they travel to the remaining Limboland Arenas and Inferno witnessing the horror of the after-world with the contemptuous Devil and his swaggering Three Crown Princes in their secret Offices in the lowest Infernal Ring. Here the disenchanted souls still struggle to survive with the interference of the narcissistic Devil and without the influence of God’s help. The remaining Limboland Arenas include the Black Afrikan; the Primitives Mini-Limboland; the Russian Marxists; the Conspiracy Theorists; the Persians; the Ottoman Turks; the Filipino Mini-Limboland and the Limbo-Limbo Lands through the Gates of Hades. The draconian Devil’s Inferno sites include Ring One as the De-Militarized Zone; the Jungleland Inner Sanctum; Ring Two as Carnality; Ring Three as Gluttony; Ring Four as Greed & Avarice; a Culinary Intermezzo Between Greed & Anger; Ring Five of the Anger & Wrathful & Sullen; Ring Six of Heresy; Ring Seven of Violence; Ring Eight of the Evil Pouches; Ring Nine of the Traitors & Fraud; and Ring Ten of Lucifer’s Demonic Cabaret. Not to be captured or outdone by the Devil the duo finally arrange Getting Out of Hell while the last scenes include The Devil’s Last Hurrah and Lilith Gets the Last Laugh; Infernus Not.
This is a book about the quanta that make up our universe--the highly unified bundles of energy of which everything is made. It explains wave-particle duality, randomness, quantum states, non-locality, Schrodinger's cat, quantum jumps, and more, in everyday language for non-scientists and scientists who wish to fathom science's most fundamental theory.
From the author of the #1 bestselling The Atlantis Gene comes a new novel in which the world’s past and future rests in the hands of five unwitting strangers in this definitive edition of A. G. Riddle's time-traveling, mind-bending speculative thriller. En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind. Struggling to stay alive, the survivors soon realize that the world they’ve crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home? Five passengers seem to hold clues about what’s really going on: writer Harper Lane, venture capitalist Nick Stone, German genetic researcher Sabrina Schröder, computer scientist Yul Tan, and Grayson Shaw, the son of a billionaire philanthropist. As more facts about the crash emerge, it becomes clear that some in this group know more than they’re letting on—answers that will lead Harper and Nick to uncover a far-reaching conspiracy involving their own lives. As they begin to piece together the truth, they discover they have the power to change the future and the past—to save our world . . . or end it. A wildly inventive and propulsive adventure full of hairpin twists, Departure is a thrilling tale that weaves together power, ambition, fate, memory, and love, from a bold and visionary talent.
“The most exciting intellectual adventure I've been on since reading Robert Pirsig’s Zen and the Art of Motorcycle Maintenance.” —Christopher Lehmann-Haupt, New York Times Gary Zukav’s timeless, humorous, New York Times bestselling masterpiece, The Dancing Wu Li Masters, is arguably the most widely acclaimed introduction to quantum physics ever written. Scientific American raves: “Zukav is such a skilled expositor, with such an amiable style, that it is hard to imagine a layman who would not find his book enjoyable and informative.” Accessible, edifying, and endlessly entertaining, The Dancing Wu Li Masters is back in a beautiful new edition—and the doors to the fascinating, dazzling, remarkable world of quantum physics are opened to all once again, no previous mathematical or technical expertise required.