Pull Me In Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Pull Me In book. This book definitely worth reading, it is an incredibly well-written.
As a freshman in high school, young Stacy Viera discovers that life is upon her. While juggling the struggles of mental abuse, losing friends, and family and at the same time gaining knowledge and developing a love for life, Stacy expands her views and reaches for the stars. Over the years, she brings her growing family along for the ride as soon as she can learn to take the wheel! As she is forced to wise up, protect herself, and secure a future for her children, Stacy Viera changes her situation. She’s willing to fight until death to make sure of it.
A generational memoir of the American suburbs, Pull Me Up is a deeply affecting book. With prose that to Frank McCourt "flashes with poetry," New York Times columnist Dan Barry tells the story of an unforgettable American family. He writes so crisply that we not only feel his emotions but also recall our own: the joy of Little League, the thrill of small-town reporting, the pain of losing a parent, and the fear of facing a life-threatening illness. Barry's writing has its own stalwart beauty, a single melody teased out of the American symphony. Here is the voice of an authentic American writer.
Welcome to Panic, a sultry Miami nightclub where bodies and hearts move to a beat that doesn’t stop at sunrise—the setting for “a magnificent story full of deep emotion” (Sawyer Bennett). Katherine: I thought I could enjoy a night out like a normal person. I thought I could handle the flashing lights, the pulsing music, the crowded dance floor. I couldn’t have been more wrong. After having an anxiety attack and passing out during my sister’s engagement party at Panic, I wake up in the arms of the hottest guy I’ve ever seen. Nick Moreno’s no gentleman. But he might just be the man I need to help me take control of my life. Nick: When I hear there’s some random girl passed out in the back room of my family’s South Beach nightclub, I’m pissed. My dad’s already behind bars and we can’t afford any more bad press. But after giving her a lift—literally—back to her apartment, I stop seeing Katherine Wilson as some random girl. She’s gorgeous, vulnerable, and braver than she knows. And when we kiss, all I want to do is pull her close and promise that she’ll always be safe in my arms. No cheating. No cliffhangers. And no dress code. Don’t miss Sidney Halston’s Panic series: PULL ME CLOSE | MAKE ME STAY | KISS ME BACK | WHAT ABOUT US And look for all of her hard-hitting MMA romances: AGAINST THE CAGE | FULL CONTACT | BELOW THE BELT | LAID OUT | FIGHTING DIRTY | STACKED UP Praise for Pull Me Close “Pull Me Close is a heart-gripping story about one of the most beautiful things in the world: the power of love.”—New York Times bestselling author Aurora Rose Reynolds “Pull Me Close is a magnificent story full of deep emotion that will get you straight in the feels. Sidney Halston nailed it with this one.”—New York Times bestselling author Sawyer Bennett “An intriguing tale of anxiety and depression so authentic that readers will feel as if they are in the story with the characters. The plot is fresh and tackles a fascinating topic. The relationship between the main characters is very intense and consuming. . . . A great read!”—RT Book Reviews “I loved it! . . . You’ll be hooked, and falling in love, giggling, panicking, fanning yourself, and stressing out big time. . . . So good!”—Maryse’s Book Blog Includes an excerpt from another Loveswept title.
When the world is watching, don't stand aloneThe morning after celebrating his team's championship title, Ben Jimmer wakes up - not to a barrage of well-deserved congratulatory messages, but to a hangover and the news that he may have accidentally come out the night before. His manager convinces him that if you have to be the first openly gay footballer at the prime of your career, there's nothing wrong with enlisting a little help in the form of a long-term, committed and very fake boyfriend. Enter Henry Brown, university student, who's all too happy to lend Ben a hand. Between public appearances and the media spotlight, a careful friendship starts to bloom. But when the lines inevitably start to blur, the question is: are they ready for the real thing?
Given a chance to observe at the Academy at Swift River, a school helping teenagers in crisis, the author sees the students' struggles and see their transformations from the inside.
“A lighthearted, entertaining trip down Memory Lane” (Kirkus Reviews), Don’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps. The birth of America’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn’t believe in bathroom breaks. Now, decades later, Ratay offers “an amiable guide…fun and informative” (New York Newsday) that “goes down like a cold lemonade on a hot summer’s day” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot “land yachts,” oasis-like Holiday Inn “Holidomes,” “Smokey”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson’s ice cream, and the thrill of finding a “good buddy” on the CB radio. An “informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips” (Publishers Weekly), Don’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.
Fresh off a breakup that has her reeling, Tahliah attempts to escape by heading back to her island home. Prompted by a friend to take up free diving, she throws herself at the ocean’s mercy until a particularly dangerous diving session is interrupted by a creature Tahliah has never seen before. Rather than eat her, the creature helps her reach the shore safely, leaving Tahliah confused and…wanting more? No matter how hard she tries, Tahliah can’t get the creature out of her mind, nor the way every single one of her synapses fired with burning pleasure when it touched her. Did the creature like their encounter too? Can this be what Tahliah needs to re-discover who she is without her ex-girlfriend? There’s only one way to find out. Pull Me From the Deep is a high-heat erotic novella between a human and a jellyfish creature. Content guidance for depression, near-drowning, explicit masturbation, and jellyfish creature sex scenes.
Set in Japan, Luce's playful, tender stories—reminiscent of Haruki Murakami and Aimee Bender—tip into the fantastical, plumb the power of memory, and measure the human capacity to love. The award-winning narratives in this mesmerizing debut trace the lives of ex-pats, artists, and outsiders as they seek to find their place in the world. Hana Sasaki beguiles and surprises: stories include an oracular toaster, a woman who grows a tail, and a most unusual kind of sex reassignment.
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.