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"Primitivism" in 20th Century Art

Author : Museum of Modern Art (New York, N.Y.)
Publisher :
Page : 372 pages
File Size : 47,50 MB
Release : 1984
Category : Art
ISBN :

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This lavishly illustrated two-volume set has been heralded as "a landmark publication", and "one of the most important latter-day additions to any serious library of modern art". 350 color and 690 black-and-white illustrations.

Franz Marc: The Complete Works Volume I

Author : Annegret Hoberg
Publisher : Philip Wilson Publishers
Page : 350 pages
File Size : 37,8 MB
Release : 2004-02-26
Category : Art
ISBN :

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Franz Marc was one of the most important members of the Blue Rider group of painters - this first volume of a three-part catalogue raisonné is devoted to the oil paintings.This book includes all 244 paintings and is the ultimate reference work for art lovers, art historians and collectors, offering fresh insights into the work of Franz Marc and the Blue Rider group as a whole.Franz Marc (1880-1916) was one of the most important members of the Blue Rider group of painters, together with other outstanding artists such as Wassily Kandinsky, Gabriele Münter, August Macke, Paul Klee and Alfred Kubin.The group marked the high point of German Expressionism and had a profound influence on international art during the brief period from its formation to the beginning of the First World War.The chronology of the paintings has been thoroughly revised and updated and each entry provides details of technique, provenance, exhibitions and literature.All the paintings are illustrated, most of them in colour. The resulting volume is the ultimate reference work for art lovers, art historians and collectors and offers fresh insights into the work of Franz Marc and the Blue Rider group as a whole.

"Primitivism" in 20th Century Art

Author : William Rubin
Publisher :
Page : 356 pages
File Size : 30,42 MB
Release : 1984
Category : Art, Modern
ISBN :

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Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport.

Books for College Libraries: Humanities

Author : Association of College and Research Libraries
Publisher : Chicago : American Library Association
Page : 346 pages
File Size : 38,22 MB
Release : 1988
Category : Academic libraries
ISBN :

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Primitivism and Twentieth-century Art

Author : Jack D. Flam
Publisher : Univ of California Press
Page : 514 pages
File Size : 44,77 MB
Release : 2003
Category : Art
ISBN : 9780520212787

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"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa